Art Nouveau Bronze and Sterling Silver Overlay Rare Vase by Otto Heintz

Gorgeous patinated bronze art nouveau vase with maiden & floral design by Francesco Flora, circa 1910s. The vase has wonderful detail and is in very go...

Beautiful and inspiring vintage brass vase. This beautiful piece evokes an era full of style that can glamorize any interior. Created in brass, this beautiful golden vessel is subs...

Brutalist copper vase with enamel overlay by Rita Brierton, circa 1993. The vase is very heavy and finely crafted in brown, tan and gold overlays; the piece measures: 4.5" W x 3.625"...

Brutalist copper vase with blue and brown enamel overlays by Rita Brierton, circa 1991. The vase is very heavy and finely crafted; the piece measures: 3.5" W x 2.5" D x 9" H. #1091.

Brutalist copper vase with dark blue enamel overlays by Rita Brierton, circa 1993. The vase is very heavy and finely crafted; the piece measures: 3.75" W x 2.5" D x 12.5" H. #1090.

An absolutely gorgeous walnut and emerald art glass vase by Scott Slagerman, circa 2022. The simple and elegant vase is hand crafted by fitting a custom blown art glass vase into a ...

Lovely Art Nouveau period glass vase with silver overlay depicting leafy foliage. Apparently unsigned. In very good condition.

An attractive Japanese Art Nouveau silver overlaid bronze vase, late Meiji period, early 20th century, Japan. A tall and elegant bronze vase of q...

Loetz Art Nouveau circa 1900 art glass vases with floral and decorative scroll Silver Overlay. (Pair) Larger: Corset form in iridescent gold glass decorated with scrolling silver overlay and a blank cartouche. Height: 5.25 X 2.75 Diameter Condition: Mint. Smaller: Bulbous smoke stack form in iridescent green-gold decorated with scrolling silver overlay flowers. Marked: Alvin pat 67 Height: 4.25 X 2,65 Diameter Condition: Mint AVANTIQUES is dedicated to providing an exclusive curated collection of Fine Arts, Paintings, Bronzes, Asian treasures, Art Glass and Antiques. Our inventory represents time-tested investment quality items with everlasting decorative beauty. We look forward to your business and appreciate any reasonable offers. All of our curated items are vetted and guaranteed authentic and as described. Avantiques only deals in original antiques and never reproductions. We stand behind our treasures with a full money back return if the items are not as described. In 1836, Johann Eisner established a glassworks in the Southern Bohemian town of Klostermühle, today part of the Czech Republic and called Klášterský Mlýn. His heirs sold the glassworks to Martin Schmid in 1849, and two years later Schmid sold it to Frank Gerstner, attorney-at-law, and his wife Susanne. Susanne was the widow (‘Witwe’ in German) of Johann Loetz, a glassmaker about whom we know very little. Gerstner transferred sole ownership to Susanne shortly before his death in 1855, and she successfully led and expanded the company during the subsequent 20 years, manufacturing mainly crystal, overlay and painted glass. In 1879, Susanne transferred the company – now called ‘Johann Loetz Witwe’ – to Maximilian von Spaun, the son of her daughter Karoline. One year later, von Spaun hired Eduard Prochaska and the two of them modernized the factory and introduced new, patented techniques and processes. The first fruits of this collaboration were exciting innovations in Historicism glass, including Intarsia and Octopus glass and the very popular marbled (‘marmorisierte’) glass which imitated semi-precious stones like red chalcedony, onyx and malachite. Success at exhibitions in Brussels, Munich and Vienna were crowned by awards at the Paris World’s Exposition in 1889. In 1897, von Spaun first saw Tiffany Favrile glass exhibited in Bohemia and Vienna, and this convinced him that the art nouveau style was also the way to go for Loetz Witwe. The next eight years were to be the most artistically significant and profitable period in the entire history of the company. The Art Nouveau Period –The glassworks created large numbers of its own new designs of iridescent, trailing art nouveau glass, sometimes in collaboration with well-known artists and designers like Marie Kirschner and Franz Hofstötter (aka Franz Hofstätter). The zenith of Loetz art nouveau glass was epitomized by the so-called Phänomen series of designs, much of it designed by Hofstötter, which won a Grand Prix (alongside Tiffany, Gallé, Daum and Lobmeyr) at the Paris World’s Exposition in 1900. The company’s success during this period had two prime drivers – the technical expertise of Prochaska and the business acumen of von Spaun. Loetz Witwe created many of its own designs, and also supplied glass commissioned by major customers like E. Bakolowits (Vienna) and Max Emanuel...

Art Nouveau glass vase with engraved silver overlay. Made by Alvin Corp. in Providence, ca 1900. Conical mouth and neck, and bellied bowl. Overlay in form of dense leafing scrollwork...

A gorgeous Arts & Crafts period sterling silver on bronze floral vase with verdigris green patina By Heintz Art Metal Shop USA, Early 20th Century Measures: 2.5"W x 2.5"D x 6"H. ...

If you love Art Nouveau as much as me, you’ll be very excited by this item. A sterling silver vase with a lime-green liner. The liner is removable so it’s easy to wash, dry and put b...