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Contemporary Marble Stipple Vase Black by Interjeet Sandhu

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  • Contemporary Glass vase Sakura I by Maarten Vrolijk
    Located in 1204, CH
    The Sakura glass Art collection uses cherry blossoms as its inspiration.“I am bewitched by spring”, Maarten Vrolijk explains. “Where I grew up in small Dutch town. There was a very s...
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  • Contemporary Glass vase Sakura II by Maarten Vrolijk
    Located in 1204, CH
    The Sakura glass Art collection uses cherry blossoms as its inspiration.“I am bewitched by spring”, Maarten Vrolijk explains. “Where I grew up in small Dutch town. There was a very s...
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  • Contemporary Gradienti Vase Small, Fuchsia-Aurora by Laura Sattin
    Located in 1204, CH
    The collection called ‘Gradienti’ is inspired by the infinite colour nuances of the sky. The technique used to make these vases is called ‘sfumato’, where the goal is to achieve imperceptible transitions between hues of soft colours. Because of the unpredictable behaviour of the colours during melting and during the hot working pro- cess, every vase is different: sometimes the transition from one colour to another is perfectly smooth, other times you can read a clear transition, a kind of horizon. This unpredictable component is what makes each vase unique. To make a piece, two colours of molten glass are combined at the beginning of the glass-making process. They are then dipped in an extra thin layer of transparent glass and mouth-blown into a wooden mould. Finally, the opening of the vase is shaped freehand. After cooling overnight in the kiln, the vases are sandblasted and waxed giving the pieces a satin, smooth and soft surface. Gradient mouth-blown glass, fading from steel blue to warm grey, sandblasted and waxed. This piece has been designed by Laura Sattin...
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  • Contemporary Gradienti Vase Medium, Neutral Grey-Lime by Laura Sattin
    Located in 1204, CH
    The collection called ‘Gradienti’ is inspired by the infinite colour nuances of the sky. The technique used to make these vases is called ‘sfumato’, where the goal is to achieve imperceptible transitions between hues of soft colours. Because of the unpredictable behaviour of the colours during melting and during the hot working pro- cess, every vase is different: sometimes the transition from one colour to another is perfectly smooth, other times you can read a clear transition, a kind of horizon. This unpredictable component is what makes each vase unique. To make a piece, two colours of molten glass are combined at the beginning of the glass-making process. They are then dipped in an extra thin layer of transparent glass and mouth-blown into a wooden mould. Finally, the opening of the vase is shaped freehand. After cooling overnight in the kiln, the vases are sandblasted and waxed giving the pieces a satin, smooth and soft surface. Gradient mouth-blown glass, fading from steel blue to warm grey, sandblasted and waxed. This piece has been designed by Laura Sattin...
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  • Contemporary Soft Parachute Rope Multicolour Vase Small by Sarah Roseman
    Located in 1204, CH
    The Reef Series combines an innovative exploration of textile materiality with a refreshing colour scheme and fuzzy tactility. The unique knitting and casting process brings the pieces to life, evocative of coral reefs and underwater life...
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    Nylon, Rope, Epoxy Resin

  • Contemporary Soft Parachute Rope Blue Vase Small by Sarah Roseman
    Located in 1204, CH
    The Reef Series combines an innovative exploration of textile materiality with a refreshing colour scheme and fuzzy tactility. The unique knitting and casting process brings the pieces to life, evocative of coral reefs and underwater life...
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    2010s Dutch Vases

    Materials

    Nylon, Rope, Epoxy Resin

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  • Contemporary Black Sculpted Black Ceramic Vase - Kumanec One Leg Vase by Faina
    By Victoria Yakusha
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    Contemporary Sculpted Black Ceramic Vase - Kumanec Two Leg Vase by Faina Design: Victoriya Yakusha Material: material: clay / ceramics Dimensions: 10.7 x 24 x 33 cm (“kumanec” in Ukrainian — (ceramic figured vessel) Traditional festive pottery with a hole-bagel in the middle, transformed into modern interior decoration, that has the power to unite people around. In search of new-old design messages, Victoria Yakusha conducted a study of the daily traditions of our ancestors. The times of Trypillia and the Scythian civilization, Slavs household habits, designer studied the forms, materials and craft techniques of those times and brought modern perusal to the traditional things. Awards Industart 2015 Award for PECHYVO cabinet Archiproducts Awards — SHCHEDRYY table nominated AZ Awards Canada nominated SOLOD cabinet The Interior of the Year Award for ZTISTA chair Exhibitions Solo 2017 Stockholm Furniture Fair: The collection had an individual Stand 2018 Milan Design Week: presented novelties at Superdesign Show 2018 London Design Fair: has presented full collection. Group 2015 Bologna Design Week: first exhibition for the new Collection. 2017 Dutch Design Week: SOLOD ?abinet, HRYB coffee-table — participants of the exhibition. 2018 Paris Design Week: Bandura vase...
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