Huge Ancient Amlash Pottery Pitcher Pinched Spout

Native American large squat red earthenware pottery vase decorated with flower motif around shoulder of vessel.

A beautiful jar of piriform body, waisted neck, everted rim and integral rectangular-section with loop handles, circumferential bands of painted geometric motifs of hatched circles, ...

This rare Sican-Chimu transitional twin-spouted pottery vessel is a remarkable example of pre-Columbian craftsmanship from the coastal regions of ancient Peru. Featuring a bridge han...

Vintage ceramic bud vase features sculptural multi spouted shape and stunning textured drip glaze in earthy, organic brown palette. The gradation glaze color and abstract graphic pattern of the main decor emphasize the soft, rounded shape of the vase; the use of shades of brown, from dark espresso to mocha to off-shite cappuccino, creates rich and varied, but monochromatic palette that does not overpower the complex form and shape of the vase. The vase is signed on the bottom with LEE, that was Lee Levy customary signature; it is not dated, but the style of the piece is consistent with her Mid-Century Modern pieces created in 1960s-1970s. Leah "Lee" Levy (1922 - 2011) was an established pottery artist based in Upstate New York area. She was born in Pinsk, formerly in Poland, now in Belarus, and moved to the United States in 1929, growing up in Brookline, Massachusetts. She and her husband Irving started their first pottery studio in Long Island, New York, in late 1940s, while training at the Alfred University School of Ceramics alongside with some of the foremost artists and craftsman in America. Since 1946, Alfred University in Alfred, New York was a home for School for American Craftsmen, with the faculty that included Edwin Blanchard Brown, Ernest Frank Brace, Laurits Eichner, Philip Morton, Charles Reese, Ethel Mitchell, Robert Savage, Thomas Mclure, and most importantly for Levy, the renowned ceramists Linn Phelan and Herbert Sanders...