Japanese Style Orange and White Round Porcelain Vase with Handle

Pair of Grecian style (19th Cent) black and orange porcelain vases with handles and chariot scene. (PRICED AS Pair)

Chinese white, round porcelain vase decorated in a pink, green, orange and blue floral designs, accented in gold detailing.      

Pair of 19th century Japanese Imari Porcelain vases with slender necks depicting floral and bird motifs in shade of red and cobalt.

Pair of Grecian style (19th Cent) orange and black porcelain vases with ram head handles (PRICED AS Pair)

Chinese small, round orange porcelain vase with gold detailing surrounding white circular shapes and a brown band around the mouth opening.  

Chinese round, cream porcelain vase painted with a bird above softly rendered green leaves and pink florals on one side, and characters on the reverse.  

Stunning early 20th century Japanese brass champleve vase. Features a vibrant enamel design throughout the vase.  

781 Japanese Mashiko-ware White porcelain Glaze vase. Emperor Showa from 1926 to 1989 Period, Ca. 1980. 10” high x 5 ½” wide. Signed box. Mashiko is a...

A rare porcelain vase by Makuzu Kozan (1842-1916) circa 1870-81 (late Meiji period). The vase is dated to the earlier work from Kozan's studio during his early period (Takauki-ware p...

Vintage Japanese inspired decorative raku vase designed and handmade by Danish ceramic artist in the late 20th century. Graphic decor in shiny red and white crackle glaze on both sid...

Meissen porcelain vase with hand-painted branches, flowers and birds. Japanism, early 20th century. Measures: 10.7 x 6.5 cm. Stamped. 1st factory quality.

A striking blue and white vase from the studio of Japanese Potter Makuzu Kozan, also known as Miyagawa Kozan (1842–1916), one of the most established and collected ceramist from Meiji Period. Born as Miyagawa Toranosuke, Kozan established his pottery studio in Yokohama around 1870s and later became one of the appointed artist to the Japanese Imperial household. His work was exhibited in many international fairs that the Meiji government participated at the turn of the century and won many grand prizes. With an impressively large size, this vase was likely made and reserved as a presentation piece for one of the many expositions the studio participated in the early 20th century. It was decorated with underglaze cobalt blue using the novel technique developed by Kozan called Fuki-e (the blow painting), in order to achieve the striking dimensional literary landscape known as "Mountain and Water". Being one of the most creative ceramists, Kozan started experimenting with new chemical colors from the West in the format of his porcelain glaze around 1880s. New colors allowed him to create underglaze designs that appeared bright, smooth and glossy. He even invented his own receipt of cobalt blue to achieve a much brighter yet softer shade, as evident on this vase. To create landscape that is realistic and dimensional, more common in the western paintings, he was inspired by the native Japanese ink painting technique developed around 1900 by Yokoyama Taikan...