Lavender Matisse Stacking Vessel II, Pia Wüstenberg

Lavender Matisse stacking vessel III, Pia Wüstenberg Dimensions: D 11 x H 21 Materials: glass, wood Available in other colors. The Matisse stacking vessels are treasures, small...

Warm Lavender Matisse stacking vessel I, Pia Wüstenberg Dimensions: D 9 x H 23 Materials: glass, wood The Matisse Stacking Vessels are treasures, small splashes of curvy glass with a wooden crown...

Rose Matisse stacking vessel II, Pia Wüstenberg Dimensions: D 12 x H 16 Materials: glass, wood The Matisse Stacking Vessels are treasures, small splashes of curvy glass with a wooden crown. The collection was originally designed for the Tate Museum...

Jade matisse stacking vessel II, Pia Wüstenberg. Dimensions: D 12 x H 16. Materials: glass, wood. The matisse stacking vessels are treasures, small splashes of curvy glass with a wooden crown...

Amber Matisse stacking vessel II, Pia Wüstenberg Dimensions: D 12 x H 16 Materials: glass, wood The Matisse Stacking Vessels are treasures, small splashes of curvy glass with a wooden crown. The collection was originally designed for the Tate Museum...

Red Matisse stacking vessel III, Pia Wüstenberg Dimensions: D 11 x H 21 Materials: glass, wood Available in other colors. The Matisse stacking vessels are treasures, small splashes of curvy glass with a wooden crown. The collection was originally designed for the Tate Museum...

Vessel No. II, in Aged Bronze glaze. Made to order. DEVIN WILDE ceramic objects are one-of-a-kind stoneware editions. Each piece is designed, hand-built,...

'Achromatic Fold in White II' is a unique sculpture by the British artist Steven Edwards, created from parian porcelain. Steven Edwards is a ceramic artist whose work investigates the language of making through the materiality and physicality of clay. Fascinated by process-led making, he uses traditional techniques that provoke unanticipated outcomes, using clay as a medium that sustains the narrative of the making process. The resulting forms embody his interaction and manipulation of the clay using bespoke tools to explore the intrinsic properties of the material. His creative practice starts by purposely placing clay under stress to reveal the natural tension and movement in its surface and form. Throughout the whole making process, he pushes, pulls, compresses and slices the material to provoke a reaction. The final forms are a combination of these making scenarios, translating a theme of duality in their appearance – the contrast of visual distortion and precision, the stillness and movement in form and the surface deception between synthetic and natural. Whilst challenging and pushing his material to the limits, often using clay bodies in ways they are not designed for, Edwards purposely exploits unexpected outcomes. Creating a sense of unease, during the making his clay cracks and buckles, resulting in permanent scars that illustrate the extremes that have been asked of it. Purely aesthetic, these fissures within the surface are an important counter point to the idealised sugary-hued confectionery layered rings. Edwards has exhibited his work at premiere contemporary design and craft shows including British Ceramics...

'Gyratory II' is a unique ceramic sculptural vessel by the British artist, Jo Taylor. In the artist's own words: "Gyratory means moving in a circle or spiral, which relates to the ...

'Abundance II' is a unique ceramic sculpture by the British artist, Jo Taylor. Taylor’s inspiration comes from highly decorative architectural features such as ornate plaster ceili...

This Double-Fluted Vessel is one part of a trio of vessels. The three vessels are all identical in their overall shape, but vary in the number of flutes; Single-Flute, Double-Flute, ...

This Triple-Fluted Vessel is one part of a trio of vessels. The three vessels are all identical in their overall shape, but vary in the number of flutes; Single-Flute, Double-Flute, ...