Bronze Vases

A large Japanese bronze vase in the form of a large treasure sack tied at the neck with a tassled cord and cast in relief with scattered cas...

Contemporary bronze coupe by Rick Owens 2007 Dimensions: L 20 x W 20 cm Materials: Bronze Weight: 3 kg Available in black finish or Nitrate (Dark...

Handmade vase in bronze.

Important neo-Greek vase in the shape of an Amphora, made in two patina bronze. The body is decorated with a rich continuous frieze in bas-relief presenting a procession of characters carrying their offerings to the temple, underlined by a decoration of theatrical masks among olive trees. The 's'-scroll handles decorated with grape vines, resting only on the shoulder of the vase, are supported by a ram’s head. Numerous palmettes and friezes adorn the whole. Resting on a molded marble circular base. Biography Ferdinand Levillain (Paris, 1837-1905) studied under the sculptor Jouffroy (1806-1882), before making his debut in 1861 at the French Artists Salon where he continued to exhibit until 1903. At the 1867 Universal Exhibition in Paris, he was praised for a Neo-Greek style bronze cup he made for the firm Blot and Drouard. He was not to become really famous, however, until 1871 thanks to his association with the great bronze founder Ferdinand Barbedienne, who began to exhibit Neo-Greek style lamps...

A massive and impressive Pair of 19th C. Chinese Cloisonne Enamel Vases with '100' Deer Decoration. Decorated with a multitude of deer and birds amongst a meadow with flowering branc...

Striking hand-spun patinated bronze vase sculpture on stand by Lorenzo Burchiellaro, with great linear texture. Italy 1955.

Bronze disk tray - signed Arno Declercq. Sand casted in pink bronze and hand polished. Measures: 27 cm wide x 27 cm long x 9 cm high / 10.6” wide x 10.6” long x 3.5” high Signed b...

Elegant pair of ovoid ceramic vases mounted on French bronze, decorated with polychrome enamels in relief and pure gold on a white background. The body is decorated with large carto...

Bronze vase by Lupo Horio¯kami Dimensions: Diameter 20 x height 30 cm Materials: Bronze black acid “The artwork [...] arises when the mind is willing to accept reality as it was...

Pair of Japanese Meiji Period bronze mixed metal inlay rooster vases. Bronze base with silver, gold, and copper inlay. Additional Information: Region of origin: Japan Primar...

Magnificent pair of round asymmetrical French Baroque vases with rich floral design and decorative angel figures. Very good authentic condition, with no restoration ever made. Franc...

Charming baluster vase in gilded bronze, very beautiful casting signed F. BARBEDIENNE. The decoration proudly bearing thistles of Lorraine is magnified by an octagonal base in French marble, green of the Alps. Period : End of XIXth century - Art Nouveau Dimensions : Height : 29,5cm x width : 11cm - diameter of  Dimensions of the base : Length : 9cm x width : 9cm The thistle of Lorraine is a source of inspiration for the Art Nouveau and the School of Nancy  It is an artistic movement that lasted only about thirty years, from 1884. The arrival of the First World War put an end to it.  Nancy rustled under the talent of the craftsmen and industrialists who worked at the very end of the 19th century and the very beginning of the 20th century.  Carpenters, cabinetmakers, architects, glassmakers, ironworkers and stained glass artists...

Large antique Chinese late 19th century Qing dynasty Cloisonné, Champlevé enameled bronze vase, circa 1890. The vase of archaic style and having...

A pair of antique French Sevres gilt bronze mounted porcelain urn vases. The vases are covered with a polychrome enamel, decorated...

Bronze vase designed by Paavo Tynell for Taito Oy, Finland , Circa 1940th. Marked AB Taito OY 13.

Duck neck by Rick Owens 2007 Dimensions: L 20 x W 20 x H 23 cm Materials: Bronze Weight: 3 kg Available in Black finish or Nitrate (Dark Brown) finish, please contact us. R...

A pair of late 19th century gilt bronze and patinated bronze ewers. The scrolled lip above a slender neck and bulbous body cast with Bacchic putti, the scrolled handle mounted wit...

Available now and ready to ship! Bronze bowl produced using the superior lost wax bronze casting process, hand-rubbed and finished in selected patina (ombre effect). Descripti...

Pair of very large and fine quality French 19 century Bronze mounted Sevres style hand painted Porcelain Vases with Covers. The paintings signed: "Lucot de Seifert".

Patinated bronze vase by GAB, Sweden, Circa 1930th-40th. Marked by manufacturer.

Small Swedish modern patinated bronze vase decorated with a simple flower in relief, made by Guldsmedsaktiebolaget (GAB), in the 1930s. Model 265, marked with the sheaf of wheat symbol indicating excellent quality. Stamped GAB, Brons, 256. Elegant and sculptural piece with nice proportions and a delicate yet robust look. Guldsmedsaktiebolaget was founded 1867 in Stockholm and was one of the most renowned Companies in Scandinavia, making high quality designs in gold, silver, silver plating, bronze and pewter. From 1907-1941 Jacob Ängman...

Large Cloisonné Artist Signed Vase with Amazing Decoration, circa 19th century. The form of the vase is very unique. Amazing enamel decoration.

Circa !900 Japanese Large well shaped bronze champleve enameled vase.. Six paneled sides with Asian themed engravings on each panel.With two ringed handles. Original warm amber brow...

This antique vase is unsigned, but presumed to have originated from France and date to approximately 1920 and done in a period style. The vase is composed of brass with a vibrant cob...

Paul Louchet Vase with gilt-bronze base, France, c. 1900, in the Art Nouveau style gold raise faces on multi color gloss background set on an openwork floral base, raised bronze base.

Ferdinand Barbedienne, A French Ormolu and Champleve Enamel Vase, C. 1870 In the Islamic / Alhambra taste. The two handled vase in Alhambra form, enameled in rich yellow throughout ...

Black acid bronze vase by Lupo Horio¯kami Dimensions: diameter 20 x height 13 cm Materials: Bronze medium acid “The artwork [...] arises when the mind is willing to accept reali...

Our centerpiece vase, attributed to Ferdinand Barbedienne, circa 1870s, features an expressive mask of Bacchus surrounded by silvered grapevines, prominent gilt bronze handles with a...

Pair of very fine quality Neoclassical bronze Vases in Form of Greek Hydra Water Jars on slate bases.

21st century hand carved clear crystal and golden bronze candelabra. This candelabra is finely chiseled lost wax castings and hand-grounded crystal. This Candelabra has got 5-flames....

Hammered copper amphora with bronze tripod base. Made by Claudius Linossier (1893-1953). Signed C. L. LINOSSIER France, CIRCA 1930.

Bronze vase by Lupo Horio¯kami Dimensions: Diameter 20 x Height 30 cm Materials: Bronze fair acid “The artwork [...] arises when the mind is willing to accept reality as it was the first time it meets it” (“aesthetics of the void”, g. pasqualotto, marsilio). And if the futurists no longer wanted to have any relationship with the past but to concentrate on the dynamic present, lupo horiokami, with his art, seems to want to focus on the theme of continuous impermanence. East and west in comparison, in a synthesis where space (emptiness) and time (inconsistent) are the masters, where relativity and emptiness (“mu” in zen buddhism) merge with heidegger’s planning of “dasein”. Lupo’s emancipation naturally translates into space. Empty space, in the most eastern sense of the term, devoid of mental conditionings (“mushin” in japanese...

Crafted in France circa 1890 and made of bronze, each vessel depicts a bass fish standing on his tail and fins, and with its mouth wide open. Wonderful detai...

This spectacular bronze vase is a rare and exquisite creation by one of the most renowned metal artists of the 20th century, Masuo Ikeda.The value of Ikeda's works is widely recognized, as his pieces often fetch high prices...

Bronze vase Ikebana Antique Ikebana Vase Bronze Bowl with floral relief Unable to read any marks or symbols Preowned unrestored vintage condition. Very...

Exquisitely Made Antique French Napoleon III Gold Bronze Mounted Cobalt Porcelain vases with Enameling, Circa 1870-1880.

Contemporary bronze vase - Evase by Rick Owens 2007 Dimensions: L 20 x W 20 x H 18 cm Materials: Bronze Weight: 4.2 kg Available in Black, Gold and Nitrate finish. Rick Owe...

A wonderful very fine French Baccarat Style Dore Bronze with flowers & Filigree Ormolu mounted on marble base fitted with a large cut crystal vase.

A fine Pair of 19th century Japanese Imari Porcelain and French Gilt-Bronze Mounted Thirteen-Light Celadon Torchere Candelabra. The bottle-shaped Japonisme vases with a Royal red background, decorated with parcel-gilt and black soaring eagles in the hunt within a forestall scene. Each Vase fitted and surmounted with a French 19th century Louis XV Style 13-Light scrolled candelabrum and all raised on a circular pierced gilt-bronze plinth. circa: 1880. Imari Porcelain (????) is the name for Japanese porcelain wares made in the town of Arita, in the former Hizen Province, northwestern Kyushu. They were exported to Europe extensively from the port of Imari, Saga, between the second half of the 17th century and the first half of the 18th century. The Japanese as well as Europeans called them Imari. In Japanese, these porcelains are also known as Arita-yaki (???). Imari or Arita porcelain has been continously produced up through the present day. Characteristics Though there are many types of Imari, Westerners' conception of Imari in the popular sense is associated only with a type of Imari produced and exported in large quantity in mid-17th century. This type is called Kinrande. Kinrande Imari is colored porcelain with cobalt blue underglaze and red and gold overglaze. The color combination was not seen in China at that time. Traditional Ming dynasty color porcelain used dominantly red and green, probably due to scarcity of gold in China, whereas gold was abundant in Japan in those days. The subject matter of Imari is diverse, ranging from foliage and flowers to people, scenery and abstractions. Some Imari design structures such as kraak style were adopted from China, but most designs were uniquely Japanese owing to the rich Japanese tradition of paintings and costume design. The porcelain has a gritty texture on the bases, where it is not covered by glaze. There is also blue and white Imari. Kakiemon style Imari is another type of Imari, but it tends to be categorized separately in Europe. History "Imari" was simply the trans-shipment port for Arita wares. It was the kilns at Arita which formed the heart of the Japanese porcelain industry. Arita's kilns were set up in the 17th century, when kaolin was discovered in 1616 by the immigrant Korean potter, Yi Sam-pyeong (1579–1655). (He may also be known by the name, "Kanage Sambei".) Yi Sam-Pyeong, along with his extended family of 180 persons, left Korea on the offer of a privileged position in Japan. This decision was made after the occurrence of certain Japanese invasions of Korea. After Yi Sam-Pyeong's discovery, his kilns began to produce revised Korean-style blue and white porcelains, known as "Shoki-Imari". In the mid-17th century there were also a lot of Chinese refugees in Northern Kyushu due to the turmoil on Chinese continent, and it is said one of them brought coloring technique to Arita. Thus Shoki-Imari developed into Ko-KutaniImari. Ko-Kutani was produced around 1650 for both export and domestic market. Blue and white porcelain continued to be produced and they are called Ai-Kutani. Ko-Kutani Imari for the export market usually adopted Chinese design structure such as kraak style, whereas Ai-Kutani for the domestic market were highly unique in design and are accordingly valued very much among collectors. Ko-Kutani style evolved into Kakiemon style Imari, which was produced for about 50 years around 1700. Imari achieved its technical and aesthetic peak in Kakiemon style, and it dominated European market. Blue and white Kakiemon is called Ai-Kakiemon. Kakiemon style transformed into Kinrande in the 18th century. Kinrande used blue underglaze and red and gold overglaze, and later some other colors. Imari began to be exported to Europe because the Chinese kilns at Ching-te-Chen were damaged in the political chaos and the new Qing dynasty government stopped trade in 1656–1684. Exports to Europe were made through the Dutch East India Company, but the designation "Imari Porcelain" in Europe connotes Arita wares of mostly Kinrande Imari. Export of Imari to Europe stopped in mid-18th century when China began export to Europe again, since Imari was not able to compete against China due to high labor cost. By that time, however, both Imari and Kakiemon style were already so popular among Europeans, Chinese export porcelain copied both Imari and Kakiemon style, which is called Chinese Imari. At the same time, European kilns, such as Meisen also tried to copy Imari and Kakiemon. Export of Imari surged again in late 19th century (Meiji era) when Japonism flourished in Europe. Thus in western world today, two kinds of Imari can...

Superb "antique" ceramic vase in the shape of an amphora, with a very beautiful iridescent enamel finish in blue-green / turquoise color. This vase features a finely crafted bronze frame of good quality, in the German Art Nouveau / Jugendstil style. Recently mounted lamp: new electricity. Art Nouveau, France, circa 1900. Attributed to Paul Milet (1870-1950), son of the ceramist Félix Optat Milet and himself a ceramist, trained in the laboratory of the Manufacture de Sèvres. He worked in the factory founded by his father, which he gradually took over. Paul Milet exhibited in Paris and Sèvres. His productions were also distributed through the stores La Samaritaine and Les Galeries Lafayette. Then history repeats itself and it is Paul...

The bright translucent green glass vases with the spiral-fluted bellies. Enameled necks are embellished with a gilded image of the sun behind a blooming sakura tree in Japanese style...

Exceptionally shaped bronze vase with a striking ‘coarse’-textured red mottled patina. The bowl subtly shaped like a flower, its slightly concave body flanked by ‘butterfly wing’-sha...

An extremely rare complete series of Nefertiti gilded and green painted bronze vases by Lino Sabattini, a numbered edition of only 50 specimens, co...

Bronze vase by Lupo Horio¯kami Dimensions: Diameter 20 x height 30 cm Materials: Bronze medium acid “The artwork [...] arises when the mind is willing to accept reality as it was the first time it meets it” (“aesthetics of the void”, g. pasqualotto, marsilio). And if the futurists no longer wanted to have any relationship with the past but to concentrate on the dynamic present, lupo horiokami, with his art, seems to want to focus on the theme of continuous impermanence. East and west in comparison, in a synthesis where space (emptiness) and time (inconsistent) are the masters, where relativity and emptiness (“mu” in zen buddhism) merge with heidegger’s planning of “dasein”. Lupo’s emancipation naturally translates into space. Empty space, in the most eastern sense of the term, devoid of mental conditionings (“mushin” in japanese...

Beautiful bronze ovoid vase with a lovely icy green patina. Decorated with a continuous high relief design of all different kinds of leaves being swept around the vase by heavy gusts...

Dore bronze with silver filigree on the inside of the glass vase. One glass is cracked/broken, but is difficult to see. Marble bases.

Bowie vase by Fakasaka Design Dimensions: W 34 cm D 8 cm H 17.5 cm Materials: dark bronze. FAKASAKA is a design company focused on production of high-end furniture, lighting, d...

Attractive unique shape beautiful color bronze vase. Size : diameter 8 cm (3 inch) x height 26 cm (10.2 inch) Weight : 740g (1.6 lb) Good condition with some minor patination ...

Available now and ready to ship! Bronze bowls with gold leaf interior produced using the superior lost wax bronze casting process, hand-rubbed and finished in selected patina. ...

Kernos vessel by Acoocooro Dimensions: Ø 13 x H 23 cm. Materials: Stackable set of two "crema maya" marble bowls and cast bronze bowl and lid; vessel, container, or burner. Kernos (plural kernoi), a very peculiar form of compound vessel or, simply put, «a plurality of bowls,» that was utilized for ceremonial purposes from as early as the Neolithic period. It may have been part of the rites and offerings to goddesses like Demeter, Kore, and Attis; but there are those who believe it was nothing more than table dishes. The two crema maya vessels...

Quality antique Chinese bronze vase having a quality ornate Chinese decorated bronze vase featuring a blossom tree, oriental male figure an...

21st century hand carved clear crystal and golden bronze bowl. This bowl is finely chiseled lost wax castings and hand-grounded crystal. The golden bronze rhinoceros on the base was ...

A heavy Brutalist cast bronze flower vase by Hungarian-born Mexican sculptor Pal Kepenyes. The vase shows a representation of the original sin by Ad...

Covered pot in patinated bronze in the Louis XVI style, in the taste of Clodion. The main body is covered with a mythological decoration of putti connected to each other by branches of vine and bunches coming out of several horns of plenty, themselves held by a central putto enthroned on top of the lid. The latter, the only one wearing wings, has a serious and concentrated attitude. He stands on top of the triton shell...

A wonderful French Baccarat style Dore bronze Ormolu swag & crystal / glass insert Basket centerpiece.

Urnette by Rick Owens 2007 Dimensions: L 19 x W 19 x H 52 cm Materials: Bronze Weight: 11 kg Available in Black finish or Nitrate (Dark Brown) finish...

An Important and Monumental Art Nouveau Ormolu-Mounted Ceramic "Exhibition" Vase, C. 1895 This important and monumental vase was done by four different artists in the late 19th century: Alphonse Adolphe Lamarre, French, 1837 - 1912 (Artist who designed the vase) Paul Louchet, French (founder of bronze mounts) (Founder) Charles Pillivuyt Porcelain Manufactory, French, Paris, 1853 - 1922 (Manufacturer) Louis Chalon, French, born 1866 (modeler of mounts) (Modeler) "An Art Nouveau Collaboration" The vase in this case is an exceptional example of the collaboration between numerous artists during the late 19th century. The ceramic was made by Alphone Adolphe Lamarre (1837-1922) for the Charles Pillivuyt Porcelain Manufactory; the gilded bronze mounts, modeled by sculptor Louis Chalon and cast by Paul Louchet. Spectacularly mounted naturalist vase; the base dressed and balustered, the neck finished in double openwork bulb, the surface describing sinuous reliefs. Polychrome glazed ceramic in Beige, blue, and green. The shoulder is decorated with a gilded bronze roundel with five ormolu bronze female...

Pair of 19th century Louis XVI style solid 'Rouge Languedoc' marble and gilt bronze-mounted baluster-shaped decorative vases. Standing on a rectangular plinth with concave corners and a round neoclassical foot. The finely chiseled and well-proportioned gilt bronze applications decorated with detailed floral ribboned festoon ornamentation. Attached to the narrow neck of the balusters are swan necks issuing from acanthus leaves and bending down to grab the end of floral festoons to form handles. The The attractive pair of Louis XVI swan handle marble and gilt bronze vases were intended as representative decorative objects on a mantelpiece or stately chest of drawers, framing a large bouquet of flowers or a fine pendule. Nowadays, the pair of vases could also be transformed into an attractive pair of lamps by means of electrification. Comparative Literature: Hans Ottomeyer and Peter Proeschel: Vergoldete Bronzen. Die Bronzearbeiten des Spaetbarock und Klassizismus, Munich 1986, Volume. 1, p. 315 (swan neck vase...