Glass Vases

Fulvio Bianconi for Venini. Pezzato Vase “Fulvio Bianconi for Venini. Pezzato vase, with transparent glass tiles. Signed with 3-lines acid stamp: venini murano ITALIA excellent c...

A fine American Art Glass vase. By Steuben. Designed by George Thompson in 1949. Of a bell shaped body with two applied scrolls and a thick circular foot. Model no. 7964 This m...

Antique Millefiori Vase by Fratelli Toso Murano ca. 1920 A small millefiori murrine glass vase manufactured by Vetreria Fratelli Toso, Murano around 1920s. Made of polychrome murrin...

A celebration of timeless craftsmanship and rich color, the Hand-Blown Murano Surpime Vase in Emerald Green exudes both vibrance and refinement. This exquisite creation from the Vene...

21st century Karim Rashid Knight vase Murano glass various colors. Color stands out in the Knight vase designed by Karim Rashid, displaying its playful un...

Large Art Deco style vase was made of light green glass, often referred to as "vaseline glass" with sculptural, wavy rim and base and ovoid-shaped elongated body. The vaseline gla...

Émile Gallé (1846-1904) French Art Nouveau Cameo Mold Blown Glass Vase « Fleurs de Pommier » circa 1910 Beautiful and very rare Art Nouveau molded-blowned g...

The vintage Carlo Moretti long stem soliflor vase is a striking and elegant piece of art glass that showcases the mastery of Italian glassmaker Carlo Moretti. This vase embodies the ...

Vittorio Zecchin (1978- 1947) was an Italian artist that dedicated himself to painting, decorative arts and glass. In 1921 he was called to take on the artistic direction of the ne...

This stunning black opaline glass vase was hand-crafted in Belgium circa 1950. The massive, rounded design boasts a gadroon shape. They marked the piece on the underside with "Ver Ex...

Elegant hand blown Sommerso and lattimo yellow Murano glass vase / centerpiece, Italy, 1950s. Triple cased glass (yellow, over white lattimo glass over yellow glass). It has an scall...

Jack-in-the-pulpit vase designed by Louis C. Tiffany, manufactured by Tiffany Studios New York, 1906, signed The "Jack-in-the-pulpit" vases represent a special design category within the production of the Louis Comfort Tiffany company. These glasses were modeled after the Arisaema Triphyllum plant and are among the most iconic designs of this famous manufacturer. Our example shines in pure gold. It was made in 1906 and received as a wedding gift at the time. The vase is marked "L.C.T." and "2210A" (underneath). Material and technique: mouth-blown glass, reduced and iridescent Louis Comfort Tiffany (New York 1848 – 1933 New York) was a famous American designer, artist and painter of American Art Nouveau. He was best known for his works in glass colored with metal salts and made a name for himself in the decorative arts at the time. In the course of his career, he created a unique style that combined outstanding craftsmanship with a love for natural shapes and bright colors. Nature had always been his inspiration and in his designs he tried, in his very own way, to capture its beauty forever. Tiffany designed lamps...

A highly decorative hand blown sky blue and white Murano glass centerpiece / vase with organic design. Italy, 1960s Blue glass cased into clear glass. The interior part is made in wh...

Amazing midcentury Murano glass vase in a vibrant orange encased glass. This lovely piece was realized in Murano, Italy during the 1970s. The quality of the encased glass amd the si...

Geacolor glass vase, designed by Gae Aulenti and manufactured by Venini, was originally produced in 1995. Indoor use only. Dimensions: Ø 30 cm.

Found in Italy, this Murano glass vase by Carlo Moretti vase dates from the 1990s. Vase is tall at 14.5” and is semi-opaque white glass with cranberry-colored streaks. Original label...

This Murano glass vase, designed by the renowned architect and designer Carlo Scarpa for Venini, exemplifies the mastery of mid-century Italian glassmaking. Hand-blown in the 1960s, ...

Limited edition art glass vase by Martin Postch. Green glass with applied prunts. Etched signature on the bottom.

Set of 5 vintage mini pitchers or vases consists of 3 red pitchers (one - in matte amberina glass and two - in crackled red), one pitcher in crackled amethyst glass, and one - in crackled warm green glass. Addition of green and amethyst pieces to the set adds interest to otherwise almost monochromatic red palette, while variation and repetition within the pitcher shapes create unity and variety to the composition on display. Crackled glass pieces create texture within minimally shaped pieces. The pitchers were hand blown and have clearly defined pontil marks; they glow in UV light due to use of uranium and cadmium glass...

Mid Century Heavy Glass Small Bud Vase. Well formed Swedish art glass heavy organic bud vase. Signed but unrecognised. This is in excellent condition, no chips, cracks or faults. ...

An organic blown glass vase designed by Börne Augustsson and produced by Åseda Glasbruk, Sweden, c. 1940s. Dimensions: 7.5” H x 4.8” W x 4.8” D Diameter of opening: 1.55”

Whether used as a stunning vessel for flowers or an elegant decorative centerpiece, the Amber Whiskey vase adds a pleasing and beautiful visual to t...

Murano Sommerso glass vase, attributed to Flavio Poli, made in the 1960's. Perfect condition.

French Yellow glass vase with relief of deer and wood by Lalique, 1900-1990s Finely crafted vase in yellow-amber glass. The entire profile features a bas relief with deer in the wood...

Beautiful, antique, early Venetian / Murano hand blown green and gold flecks Italian art glass seashell decoration decorative table object / card holder / goblet. Documented to the S...

1960s Astonishing blue jacketed vase in Murano Glass. Made in Italy . The item is in excellent condition. Dimension: diam 5,90 x 12,20 H inches diam 15 cm x 31 H cm

An Italian Murano glass vase manufactured in the 1960s.

Lovely little Emile Galle multi layered cameo glass vase decorated with an aquatic scene around the bottom section of the vase with pond lilies and reeds. The tops section interestin...

A dramatic black glass vase decorated with striking satin finished enamel swirls against a polished background, signed Lalique France. ADDITIONAL INFORMATION Height: ...

This is a large vintage display vase. An Italian, art glass flower urn, dating to the late 20th century, circa 1970. Striking Italian glass with an eye-catching decorative finish D...

Elevate your home decor with this gorgeous handmade Murano glass vase. Crafted by skilled artisans, this vase features a contemporary and eclectic design. The intricate etched patte...

Beautiful pink murano vase by Archimede Seguso made in Italy in the 1950s. Archimede Seguso was an Italian glass artist known for his exquisite glass vases, necklaces, and sculptures...

The vase by Loetz from around 1910, features white glass with a red overlay and is intricately etched with a rose motif. The leafs of the rose stand out in light pinkish to deep purp...

Beautiful, antique, early Venetian / Murano hand blown pink, blue and gold flecks Italian art glass flower vase. Created in the manner of the Salviati and Fratelli Toso companies. Th...

Pink & Gold Alfredo Barbini Murano Glass Bullicante & Polveri Toothpick Vessel. CLOSING SALE ***NOTICE: OUR 1ST DIBS SHOP CLOSES AT THE END OF MAY*** In light pink glass with gold po...

Wonderful and heavy Murano glass bowl in violet, pink and clear glass made by Seguso vetri D’Arte and and designed by Flavio Poli, Italy 1960s. Excellent original vintage condition.

An impressive early 20th Century American iridescent glass vase of slender form with green hearts shining through an attractive golden iridescence, signed L C Tiffany Favrile and numbered to base. ADDITIONAL INFORMATION Height: 23 cm Condition: Very Good Condition Circa: 1905 Materials: Iridescent Coloured Glass SKU: 6667 ABOUT Louis Comfort Tiffany Louis Comfort Tiffany (February 18, 1848 – January 17, 1933) was an American artist and designer who worked in the decorative arts and is best known for his work in stained glass. He is the American artist most associated with the Art Nouveau and Aesthetic movements. Tiffany was affiliated with a prestigious collaborative of designers known as the Associated Artists, which included Lockwood de Forest, Candace Wheeler, and Samuel Colman. Tiffany designed stained glass windows and lamps, glass mosaics, blown glass, ceramics, jewellery, enamels and metalwork. Early Life He was born in New York City, New York, the son of Charles Lewis Tiffany, founder of Tiffany and Company; and Harriet Olivia Avery Young. He attended school at Pennsylvania Military Academy in West Chester, Pennsylvania, and Eagleswood Military Academy in Perth Amboy, New Jersey. His first artistic training was as a painter, studying under George Inness in Eagleswood, New Jersey and Samuel Colman in Irvington, New York. He also studied at the National Academy of Design in New York City in 1866-67 and with salon painter Leon-Adolphe-Auguste Belly in 1868-69. Belly’s landscape paintings had a great influence on Tiffany. Career Louis started out as a painter, but became interested in glassmaking from about 1875 and worked at several glasshouses in Brooklyn between then and 1878. In 1879, he joined with Candace Wheeler, Samuel Colman and Lockwood de Forest to form Louis Comfort Tiffany and Associated American Artists. The business was short-lived, lasting only four years. The group made designs for wallpaper, furniture, and textiles. He later opened his own glass factory in Corona, New York, determined to provide designs that improved the quality of contemporary glass. Tiffany’s leadership and talent, as well as his father’s money and connections, led this business to thrive. In 1881 Tiffany did the interior design of the Mark Twain House in Hartford, Connecticut, which still remains, but the new firm’s most notable work came in 1882 when President Chester Alan Arthur refused to move into the White House until it had been redecorated. He commissioned Tiffany, who had begun to make a name for himself in New York society for the firm’s interior design work, to redo the state rooms, which Arthur found charmless. He worked on the East Room, the Blue Room, the Red Room, the State Dining Room and the Entrance Hall, refurnishing, repainting in decorative patterns, installing newly designed mantelpieces, changing to wallpaper with dense patterns and, of course, adding Tiffany glass to gaslight fixtures, windows and adding an opalescent floor-to-ceiling glass screen in the Entrance Hall. The Tiffany screen and other Victorian additions were all removed in the Roosevelt renovations of 1902, which restored the White House interiors to Federal style in keeping with its architecture. A desire to concentrate on art in glass led to the breakup of the firm in 1885 when Tiffany chose to establish his own glassmaking firm that same year. The first Tiffany Glass Company was incorporated December 1, 1885 and in 1902 became known as the Tiffany Studios. In the beginning of his career, he used cheap jelly jars and bottles because they had the mineral impurities that finer glass lacked. When he was unable to convince fine glassmakers to leave the impurities in, he began making his own glass. Tiffany used opalescent glass in a variety of colors and textures to create a unique style of stained glass. He developed the “copper foil” technique, which, by edging each piece of cut glass in copper foil and soldering the whole together to create his windows and lamps, made possible a level of detail previously unknown. This can be contrasted with the method of painting in enamels or glass paint on colorless glass, and then setting the glass pieces in lead channels, that had been the dominant method of creating stained glass for hundreds of years in Europe. (The First Presbyterian Church building of 1905 in Pittsburgh, Pennsylvania is unique in that it uses Tiffany windows that partially make use of painted glass.) Use of the colored glass itself to create stained glass pictures was motivated by the ideals of the Arts and Crafts movement and its leader William Morris in England. Fellow artists and glassmakers Oliver Kimberly and Frank Duffner, founders of the Duffner and Kimberly Company and John La Farge were Tiffany’s chief competitors in this new American style of stained glass. Tiffany, Duffner and Kimberly, along with La Farge, had learned their craft at the same glasshouses in Brooklyn in the late 1870s. In 1889 at the Paris Exposition, he is said to have been “Overwhelmed” by the glass work of Émile Gallé, French Art Nouveau artisan. He also met artist Alphonse Mucha. In 1893, Tiffany built a new factory called the Stourbridge Glass Company, later called Tiffany Glass Furnaces, which was located in Corona, Queens, New York, hiring the Englishman Arthur J. Nash to oversee it. In 1893, his company also introduced the term Favrilein conjunction with his first production of blown glass at his new glass factory. Some early examples of his lamps were exhibited in the 1893 World’s Fair in Chicago. At the Exposition Universelle (1900) in Paris, he won a gold medal with his stained glass windows The Four Seasons He trademarked Favrile (from the old French word for handmade) on November 13, 1894. He later used this word to apply to all of his glass, enamel and pottery. His first commercially produced lamps date from around 1895. Much of his company’s production was in making stained glass windows and Tiffany lamps, but his company designed a complete range of interior decorations. At its peak, his factory employed more than 300 artisans. Recent scholarship led by Rutgers professor Martin Eidelberg suggests that a team of talented single women designers – sometimes referred to as the “Tiffany Girls” – led by Clara Driscoll played a big role in designing many of the floral patterns on the famous Tiffany...

From the Mila Collection, this exceptional set of decorative vases will infuse bold energy into any living room or entryway decor. Made of Murano glass, the vase's spherical silhouet...

Model #3787. Note: We highly recommend shipping through 1stDibs for its cost effectiveness, full insurance coverage, and reliable handling. While standard parcel services are an op...

Italian glass 'Scavo' vase by Alfredo Barbini, Murano (circa 1970s). Scavo glass indicates that the glass went through a specific glass finishing technique. A special corrosive chemi...

Vase, glass bottle blown iridescent LOETZ ORIGIN Klostermühle PERIOD Late 19th century, Early twentieth century MARK LOETZ one of the most celebrated art glass factories in histor...

Delicate and exquisite mouthblown Swedish art glass vase designed by Arthur Percy for Gullaskrufs Glasbruk in 1952. White and light blue op...

This Goccia vase is a stunning example of modern glass artistry, characterized by its sleek, geometric design and the intricate play of light and color within its structure. Each vas...

Sommerso glass vase from Murano, Italy, 1960s Intact, small signs of aging. Submerged glass is obtained by immersing the glass being processed in crucibles with different colors. Th...

Exceptionally rare silver overlay vase by Alvin Mfg Co. of Providence Rhode Island from the late 19th century. This vase is a tour de force of Art Nouveau silver work on glass. The intricate sterling floral base design is overlaid onto the emerald green glass and is finely etched and detailed. Then, above these swirling Art Nouveau florals which wrap around the vase, are vines sprouting three dimensional blown out poppies throughout. Even the vines are treated in three dimensions as they wrap around the central cartouche (conjoined Victorian monogram...

21st century Alessandro Mendini, Petalo large vase 3 petals, Murano glass, various colors Petal is a rounded vase that, thanks to some fine metal wires, when blown creates lobed shap...

Rare and Important Mosaico vase Vetreria Artistica Barovier Italy, c. 1924 fused and blown polychrome glass murrine Signed Ercole Barovier 100% authentic, proven by the expert Gianc...

Vintage Swedish Red Art Glass Bubble Vase by Erik Hoglund for Boda (1932 - 1998). Engraved on bottom: "H 998/110."

Petite Murano Barbini attributed blue bud vase. Robins egg blue blown glass with overall bullicante (controlled bubbles).

This piece was made in Sweden during the late 1920 early 1930s. M Exceptional made in green, grey tones this bowl makes a great art deco look. Good vintage condition. Measures: ...

François-Théodore Legras (1839-1916). Tall Art Nouveau vase in frosted art glass. Winter forest landscape motif. Ca. 1930. Signed. In excellent condition. Dimensions: H 30.0 cm x D ...

Lalique Crystal Orchidee Vase Orchid Opalescent/Clear This vase measures: 9 wide x 7.5 deep x 6.25 inches high We take our photos in a controlled lighting studio to show as much d...

Émile Gallé (1846-1904) French Art Nouveau Caméo Glass Vase « Anemones » circa 1900 Rare Galle French cameo glass vase in dark blue over yellow Blue Anemones flowers design Signed in cameo Gallé Émile Gallé was born in Nancy on 4 May 1846, the only son of Charles Gallé...

Mid-Century Modern Glass Vases by Rudolf Schrötter for Sklo Union, 1950s. Set of 3. Set of three pressed glass vases designed by Rudolf Schröt(t)er and manufactured by Rosice Glassw...

Beautiful and unusual, vintage Murano hand blown rich cobalt blue with excavated surface texture Italian art glass flower vase. The piece is documented to Cenedese company, with labe...

Late 20th century pair Murano glass decorative vases / pieces. Each vase is in great condition. Minor wear consistent with age / use. Maker's mark undersigned. Each one stand about 1...

Note: We highly recommend shipping through 1stDibs for its cost effectiveness, full insurance coverage, and reliable handling. While standard parcel services are an option, the defau...

Cenedese vintage midcentury modern tall and rare pair of Murano solid light blue colored / coloured faceted glass obelisks, made circa 1970. Wonderful Italian glass and perfect as an...