Medium Quartz Sculptural Vase by Aver

Small quartz vase by Aver Dimensions: D 16 x H 20 cm Materials: Quartz, Steel, Polyvinyl chloride, Resin.  

Large vase by Aver Dimensions: D 26 x H 40 cm Materials: Quartz, steel, polyvinyl chloride, resin.  

Grow vase by HS Studio Surreal Real Collection Dimensions: 28 x 24 x 8cm Materials: Ceramic Hannah Simpson is a ceramic artist, based in Kent, UK. Wi...

White sculptural vase by HS Studio Surreal Real Collection Dimensions: 22x 18 x 8cm Materials: Ceramic Hannah Simpson is a ceramic artist,...

Red sculptural Vase by HS Studio Surreal Real Collection Dimensions: 25 x 18 x 9cm Materials: Ceramic Hannah Simpson is a ceramic artist, based in Kent, UK. With a passion for...

Huella vase Medium by Cristián Mohaded Limited edition. Dimensions: D 44 x W 70 x H 68 cm. Materials: stoneware, enamel, simbol On each vase is an imprint of the fundamental h...

Glazed ceramic. Hand built, large-scale vase. Light blue glazed interior and textured exterior. Artist-signed on underside.

Hand built, large-scale ceramic vase. Light blue glazed interior and textured exterior. Artist-signed on underside.

Large sculptural vase #3 by Dena Zemsky. Hand-built, glazed stoneware vase form. Signed and dated on underside.

A white stoneware vase by American Ceramist Robert Chapman Turner (1913 - 2005). Made between 1970-80s, the group of white-colored vessels with such a funnel form were called either Beach or Shore, obviously inspired by the ocean. Hand sculptured in a simple form with a neck opens to mouth that also can serve as a handle, the surface was always marked with artistic imperfection intended by the artist, such as incision and kiln bubble and burst. On this vase, the artist made several incision lines randomly, and also sparsely applied some tiny sand-like granules, adding a very subtle texture and allude to the scheme of the ocean. Incised signature "Turner" on the base. The vessel is one of the classic forms with variations in Turner's repertoire since 1970s when he started to make non-functional abstract sculptural pieces. Incised signature "Turner" on the base. "In 1971–72, drawn by the power of African sculpture, and wishing to imbue his work with a greater sense of universality, Robert Turner traveled to Nigeria and Ghana. The trip proved transformational. In West Africa he was deeply moved by the way in which art was ingrained in daily experience, and by the beauty of traditional forms of architecture, pottery, ceremonial objects, and decoration. After his return, Turner began to produce series of distinctive vessel types named after African kingdoms and peoples—Ashanti, Ife, Oshogbo, Akan. The first is a squat, lidded pot; the others are cone and cylinder shapes." Smithsonian American Art Museum Robert Turner's work is in numerous museum collections including the Smithsonian Museum of American Art, Los Angeles County Museum of Art and the Nelson-Atkins Museum of Art, Kansas City. Several examples of this series are illustrated in the book "Robert Turner Shaping Silence A Life in Clay" by Marsha Miro and Tony Hepburn...

A glazed stoneware free form vase by American Ceramist Robert Chapman Turner (1913 - 2005) titled "Oshogbo Form III" circa 1970s. The piece was purchased in 1981 and held in the same collection since. The vessel is one of the classic forms with variations in Turner's repertoire since 1970s when he started to make non-functional abstract sculptural pieces. The vessel features an irregular hand-built form with surface markings and overall red glaze, inspired by his trips to Africa. Incised signature "Turner" on the base. "In 1971–72, drawn by the power of African sculpture, and wishing to imbue his work with a greater sense of universality, Robert Turner traveled to Nigeria and Ghana. The trip proved transformational. In West Africa he was deeply moved by the way in which art was ingrained in daily experience, and by the beauty of traditional forms of architecture, pottery, ceremonial objects, and decoration. After his return, Turner began to produce series of distinctive vessel types named after African kingdoms and peoples—Ashanti, Ife, Oshogbo, Akan. The first is a squat, lidded pot; the others are cone and cylinder shapes." Smithsonian American Art Museum Robert Turner's work is in numerous museum collections including the Smithsonian Museum of American Art, Los Angeles County Museum of Art and the Nelson-Atkins Museum of Art, Kansas City. For another example of the form similar to this piece, see page 40 in "Robert Turner Shaping Silence A Life in Clay" by Marsha Miro and Tony Hepburn.

Hand-built, glazed stoneware vase form. Signed and dated on underside.