Pair of Important Vases, Manufacture De Savona, Late 17th/Early 18th Century

The mortar is of exceptional quality. The sculptural execution of the carved decoration is appealing. Large scrolls of leaves terminate in stylized eagle heads. The sides are adorned...

The vases have a baluster shape and are richly decorated with foliage and acanthus. The foot is multiple and decorated, the shoulder has a band of peripheral foliage with mounted and...

These monumental candlesticks are absolutely rare in this execution. They are divided into four segments in a multiple way and perfectly rotated. They are connected to each other by ...

Round baluster shaft decorated with acanthus leaves. Six curved arms decorated with crystal hangings. High fusee with three bars decorated with crystal. Central Italy about 1800. Extremely pure and minimalistic chandelier...

Rare gilded wooden frame qualified by a polychrome painted metal band with tiny foliage ornaments. Silver metal sconces chiselled with cherub heads between scrolls. Rome, 17th Two co...

Absolutely unusual pair of silvered and wrought iron sconces with inserted albarelli. The iron arms end with electrified rosebuds. The albarelli decorated with figures and landscapes...

Pair of neoclassical marble vases crater shape in ancient, late 18th century early 19th Some gaps

A Rare and Highly Attractive Late 17th/Early 18th Century Delft Jug with Loop Handle. Circa 1690-1710 The body painted in a naive manner with medallions of ...

A fine, diminutive, and early Dutch Delft pottery vase or jar marked for Gerrit Kam. With a stylized Chinese peony flower pattern. Bearing an underglaze blue GK monogram to the bas...

Italian Polychrome Majolica Albarello, Late 17th Century.

Framework. Carved wood, late 17th-early 18th century. Rectangular frame that presents a "base structure" of straight lines, combining moldings of different widths and finishes (inside, a golden band with Fine plant details towards the corners; then a thin red one, and a wider green one, these two the latter imitating marble; outside, another fine gilt molding), enhanced with a series of carvings of vegetal elements in the corners (symmetrical composition), two ovoid elements on the long sides and a highly elaborate cresting with vegetal elements, rockeries, scrolls, flowers and imitation of fabrics (which are joined with those ovoid elements mentioned). The combination of red, green and gold is common in certain types of frames (compare, for example, with the terracotta of Salamanca made around the middle of the 16th century by Juan de Juni, which is kept in the Victoria and Albert Museum). On it, a series of carvings with a lot of movement and depth have been added, showing Baroque influence (reminiscent in certain details of works such as the frame of the Immaculate Conception by Alonso Cano...

A pair of late 18th-early 19th century Chinese beautifully painted famille rose lidded jars. Very impressive with iron straps to secure and lock the lids. Jars are raised on 5" woode...