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Pair of Refined Bronze Vases Japoniste Taste by Jules Moigniez, France

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  • Pair of Porcelain Vases Old Paris - France 1830-1860
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    Pair of porcelain vases in the manner of Jacob Petit decorated with scenes of everyday life and bouquets of flowers in the reserves. Rich highlights in pure gold.
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  • Pair of Sèvres Porcelain Vases, XXth Century
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    Pair of Sèvres porcelain vases with amorous scenes painted in polychrome inside reserves and signed by Granet. On a cobalt blue background the rich gold decorations with leafy scroll...
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    Pair of Sèvres Porcelain Vases, XXth Century
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  • Pair of Vases Marble Italy XIX-XX Century
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  • Ceramic Vase, France, 1920s
    Located in Milano, IT
    Ceramic vase with full-field decorations with plant and animal motifs. Under the base brand of the manufacturer.
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    Ceramic Vase, France, 1920s
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  • Paire of Vases Empire Dagoty Manufacture Ceramic France \\\'800
    Located in Milano, IT
    Pair of ceramic vases resting on a black Belgian marble base; with two handles in shape of winged caryatids. The vases are partially gilded and glazed in green with Empire-style motifs, such as Greek leaf motifs and subsequent leaf motifs. On the front, a painted polychrome reserve, in which Cupid and Psyche, Flora and Zephyr...
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  • Jules Moigniez, French Bronze Horse
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  • Pair of Bronze Game Bird Sculptures by Jules Moigniez
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  • Pair of Patinated Bronze Partridge Sculptures by Jules Moigniez
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  • Animalier French Bronze 'Pheasant & Weasel' by Jules Moigniez
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  • Patriotic Eagle Bronze Sculpture After Jules Moigniez
    By Jules Moigniez
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    Presented is a 20th century bronze sculpture, after Jules Moigniez, of an eagle on a rocky perch. The dignified eagle has its wings tucked and his head turned to the side, showcasing exquisite craftsmanship. Textured feathers, a rugged base, and sharp talons show Moigniez’s artistry at the lost wax process. The bronze sculpture sits atop a marble base. Jules Moigniez (1835-1894) was a French sculptor widely known for his highly detailed bronze works depicting dynamic wildlife. After studying under Paul Cromolera, Moigniez made a name for himself at his first exhibition in 1855 at the Paris Exposition Universelle. From 1859 to 1892, he showed regularly at the annual Saloons, with a total of 30 recorded works exhibited. A successful sculptor in France, Moignez increased his British and American collector base by exhibiting at the London International Exhibition of 1862. Intensely dedicated to the process of casting, Jules and his father decided to establish their own foundry in 1857, solely for the purpose of having complete control at every step, as well as the freedom to experiment. They created bronzes with unusually and unique finishes, experimenting in gilded, silver, and multi-color chemical patinas. Most of his works were cast using the lost-wax patina and were always chiseled and chased with great skill and care. While many bronze artists at the time focused solely on the subject, Moigniez incorporated highly detailed bases to accommodate his various animals. After Jules Moigniez’s tragic death in 1894, his father continued to cast his son’s bronzes from the Moigniez foundry. Just before Moigniez’s father also passed away, he sold the foundry and his casts to Auguste Gouge, a family friend who once cast bronzes for Jules' teacher Paul Cromolera. Gouge continued to produce Moigniez’s bronze sculptures until WWI. Eagle sculptures, such as this, gained such popularity in America because of the symbolic and historical meanings associated with the elegant bird. The eagle motif has been widely used throughout American history, most notably as part of our Great Seal. The founders of the United States were fond of comparing their new republic with the Roman Republic, in which eagle imagery was prominent. Since then, the eagle motif has appeared in allegorical engravings...
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