Samuel Alcock Pair of Porcelain Rococo Revival Vases, Maroon and Flowers
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Samuel Alcock Pair of Porcelain Rococo Revival Vases, Maroon and Flowers
About the Item
- Creator:Samuel Alcock & Co. (Maker)
- Dimensions:Height: 11.5 in (29.21 cm)Width: 7.15 in (18.17 cm)Depth: 5.75 in (14.61 cm)
- Sold As:Set of 2
- Style:Rococo Revival (Of the Period)
- Materials and Techniques:
- Place of Origin:
- Period:
- Date of Manufacture:circa 1840
- Condition:Repaired: One finial has been professionally and invisibly repaired. Wear consistent with age and use. In beautiful display condition with some professional repairs (one finial replaced), vessels are good for use as vases.
- Seller Location:London, GB
- Reference Number:Seller: A-ALC051stDibs: LU4805115179712
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$600 Sale Price20% OffFree Shipping - Samuel Alcock Porcelain Coffee Cup, Orange Imari Flowers, Rococo Revival ca 1830By Samuel Alcock & Co.Located in London, GBThis is a beautiful coffee cup and saucer made by Samuel Alcock around 1830, which was the Rococo Revival era. The set is decorated with a bold Imari pattern and has a "ring-moulded" shape. Samuel Alcock was one of the many potters in Staffordshire such as Spode, Coalport, H&R Daniel and many others during the 1830s and 1840s. He was perhaps not the most well-known of potters but produced very high quality wares and original designs, often standing out for their bright choice of colours and beautiful shapes. The Alcock factory is not well documented so although they had a huge output, items are often mis-identified and we don't know much about the production process of artists, even though the wares have a very high quality that equals that of the more well known factories. The Rococo style was originally a style of the 18th Century. After the Baroque style, which was highly symmetrical and well-designed as it aimed to express the perfection of God, the Rococo style was a reaction that expressed the unpredictability and flow of nature. "Rococo" is derived from the French word "rocaille", which stands for a mass of pebbles that are self-organised in a completely unpredictable mess, for instance on the beach or in the mountains. Rococo moved away from the stranglehold that religion had on the arts: it was capricious, asymmetrical, charming and worldly. As Europe got mired in various wars between Germany, France and Britain, the general style got much more austere again and people embraced neo-classicism. But in the 1830s and 1840s, the seemingly unlimited fortunes of the Industrial Revolution sparked a revival of Rococo, once again creating natural shapes that are not always symmetrical and don't particularly make rational sense. This coffee cup can...Category
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