Rose India Vessel II, Pia Wüstenberg

Rose India Vessel I, Pia Wüstenberg Dimensions: D 20 x H 38 Materials: glass, wood, metal Handmade in Europe, by individual craftsmen: handblown glass (Czech Republic), hand spu...

Small candy rose India Vessel II, Pia Wüstenberg Dimensions: D 18 x H 25 Materials: glass, wood, metal Available in other metals: brass, copper, aluminum, rust Handmade in Euro...

Black India vessel II, Pia Wüstenberg. Dimensions: D 20 x H 38. Materials: glass, wood, metal. Available in other metals: brass, copper, brass patina, copper patina, rust. Hand...

Grey India vessel II, Pia Wüstenberg Dimensions: D 20 x H 38 Materials: glass, wood, metal Available in other metals: brass, copper, copper patina, aluminum, rust. Handmade in ...

Peach India vessel II, Pia Wüstenberg Dimensions: D 20 x H 38 Materials: glass, wood, metal Available in other metals: brass, copper Handmade in Europe, by individual craftsmen...

Amber India vessel II, Pia Wüstenberg Dimensions: D 20 x H 38 Materials: glass, wood, metal Available in other metals: brass, copper, brass patina, copper patina, rust Handmade...

Hammered and riveted Iron vessel used for cooking. With four wonderful handles.

Vessel made from original bioplastic recipe. One of a kind piece, please refrain from submerging or filling with water as this will weaken the integrity of the sculpture.

Vessel No. II, in Aged Bronze glaze. Made to order. DEVIN WILDE ceramic objects are one-of-a-kind stoneware editions. Each piece is designed, hand-built,...

Marc Fish's Relics series of Vessels are assembled using 500 layers of laser cut veneer. This could be ash, oak, walnut or black ash layered to produce a vessel form and then careful...

'Achromatic Fold in White II' is a unique sculpture by the British artist Steven Edwards, created from parian porcelain. Steven Edwards is a ceramic artist whose work investigates the language of making through the materiality and physicality of clay. Fascinated by process-led making, he uses traditional techniques that provoke unanticipated outcomes, using clay as a medium that sustains the narrative of the making process. The resulting forms embody his interaction and manipulation of the clay using bespoke tools to explore the intrinsic properties of the material. His creative practice starts by purposely placing clay under stress to reveal the natural tension and movement in its surface and form. Throughout the whole making process, he pushes, pulls, compresses and slices the material to provoke a reaction. The final forms are a combination of these making scenarios, translating a theme of duality in their appearance – the contrast of visual distortion and precision, the stillness and movement in form and the surface deception between synthetic and natural. Whilst challenging and pushing his material to the limits, often using clay bodies in ways they are not designed for, Edwards purposely exploits unexpected outcomes. Creating a sense of unease, during the making his clay cracks and buckles, resulting in permanent scars that illustrate the extremes that have been asked of it. Purely aesthetic, these fissures within the surface are an important counter point to the idealised sugary-hued confectionery layered rings. Edwards has exhibited his work at premiere contemporary design and craft shows including British Ceramics...

'Gyratory II' is a unique ceramic sculptural vessel by the British artist, Jo Taylor. In the artist's own words: "Gyratory means moving in a circle or spiral, which relates to the ...