A Silver Overlay Loetz Silberiris Vase, c1905

Heading : Pair of Loetz Orpheus vases Date : c1905 - range introduced 1903 Origin : Loetz, Klostermuhle, Bohemia Bowl Features : Everted rim, applied turquoise trialing to neck and a...

A Monumental Daum Landscape Vase, c1905 Additional Information: Heading : A Monumental Daum Landscape Vase c1905 Date : c1905 Origin : Nancy , Fra...

Signed Galle Cameo Glass Vase, c1905 The genius that was Emile Galle passed away in September of 1904. His widow Henriette addec the start to the cameo signature until late 1906. ...

Signed Loetz Candia Papillon Iridescent Vase, c1910 Additional information: Date : c1910 Origin : Austria Bowl Features : Applied butterflies on...

A Very Tall Gold Loetz Candia Papillon Vase, c1910 Additional information: Date : c1910 Origin : Klostermuhle, Bohemia, now the Czech Republic B...

Loetz Art Deco Gold Iridescent Tapered Series III Vase, c1930 Additional information: Date : c1930 Origin : Austria Bowl Features : Tapered bowl with...

Silberiris glass vase by historic Loetz with engraved silver overlay. Globular with pinched shoulder and ruffled turned-down quatrefoil rim. On front overlay in form of loose and flu...

Turn-of-the-century silberiris glass vase by Loetz with engraved silver overlay. Ovoid with impressed shoulder and molten-style irregular turned-down rim. Overlay in form of whiplash...

Turn-of-the-century Silberiris glass vase by Loetz with engraved silver overlay. Ovoid with flared rim in silver collar. Overlay in form of open and stylized leaf band and c-scroll n...

Iridescent swirls adorn this rare Candia Silberiris tree trunk vase from the renowned 19th-century art glass firm Loetz. Crafted in a sensuous, organic...

Loetz Art Nouveau circa 1900 art glass vases with floral and decorative scroll Silver Overlay. (Pair) Larger: Corset form in iridescent gold glass decorated with scrolling silver overlay and a blank cartouche. Height: 5.25 X 2.75 Diameter Condition: Mint. Smaller: Bulbous smoke stack form in iridescent green-gold decorated with scrolling silver overlay flowers. Marked: Alvin pat 67 Height: 4.25 X 2,65 Diameter Condition: Mint AVANTIQUES is dedicated to providing an exclusive curated collection of Fine Arts, Paintings, Bronzes, Asian treasures, Art Glass and Antiques. Our inventory represents time-tested investment quality items with everlasting decorative beauty. We look forward to your business and appreciate any reasonable offers. All of our curated items are vetted and guaranteed authentic and as described. Avantiques only deals in original antiques and never reproductions. We stand behind our treasures with a full money back return if the items are not as described. In 1836, Johann Eisner established a glassworks in the Southern Bohemian town of Klostermühle, today part of the Czech Republic and called Klášterský Mlýn. His heirs sold the glassworks to Martin Schmid in 1849, and two years later Schmid sold it to Frank Gerstner, attorney-at-law, and his wife Susanne. Susanne was the widow (‘Witwe’ in German) of Johann Loetz, a glassmaker about whom we know very little. Gerstner transferred sole ownership to Susanne shortly before his death in 1855, and she successfully led and expanded the company during the subsequent 20 years, manufacturing mainly crystal, overlay and painted glass. In 1879, Susanne transferred the company – now called ‘Johann Loetz Witwe’ – to Maximilian von Spaun, the son of her daughter Karoline. One year later, von Spaun hired Eduard Prochaska and the two of them modernized the factory and introduced new, patented techniques and processes. The first fruits of this collaboration were exciting innovations in Historicism glass, including Intarsia and Octopus glass and the very popular marbled (‘marmorisierte’) glass which imitated semi-precious stones like red chalcedony, onyx and malachite. Success at exhibitions in Brussels, Munich and Vienna were crowned by awards at the Paris World’s Exposition in 1889. In 1897, von Spaun first saw Tiffany Favrile glass exhibited in Bohemia and Vienna, and this convinced him that the art nouveau style was also the way to go for Loetz Witwe. The next eight years were to be the most artistically significant and profitable period in the entire history of the company. The Art Nouveau Period –The glassworks created large numbers of its own new designs of iridescent, trailing art nouveau glass, sometimes in collaboration with well-known artists and designers like Marie Kirschner and Franz Hofstötter (aka Franz Hofstätter). The zenith of Loetz art nouveau glass was epitomized by the so-called Phänomen series of designs, much of it designed by Hofstötter, which won a Grand Prix (alongside Tiffany, Gallé, Daum and Lobmeyr) at the Paris World’s Exposition in 1900. The company’s success during this period had two prime drivers – the technical expertise of Prochaska and the business acumen of von Spaun. Loetz Witwe created many of its own designs, and also supplied glass commissioned by major customers like E. Bakolowits (Vienna) and Max Emanuel...

This antique art glass vase is unsigned but was made by Loetz of Austria in circa 1920 in their period Art Deco style. This pale yellow iridesce...