Hand-Painted Vases

Japanese Meiji porcelain Kutani vase hand painted with decorative and a figural panel dating between 1868 and 1912. The elegantly shaped tall ...

3-674 Japanese artist made glazed ceramic vase.

Meissen, Germany, Blue Onion pattern vase in porcelain. Mid-20th century. First factory quality. Marked. Dimensions: H 19.0 x W 8.5 cm.

A beautiful small Japanese Satsuma ginger jar vase, circa early-20th century, Japan. Colors include cream, copper, green, blue, white, black, orange...

Meissen pink rose vase in hand-painted porcelain with gold edges. Early 20th century. Measures: 18 x 9.5 cm. In excellent condition. Stamped. 1st ...

A very good and large-scale, early 20th century Royal Copenhagen porcelain vase. With decoration that includes two very large Chrysanthemum flowers painted in muted blues and a ex...

A large scale and very good quality late 19th century Japanese Imari vase with exotic birds, trees and flowers. Wonderful coloring in vibrant hues of blue, red and rust.

A miniature Japanese ceramic vase from the end of Meiji period circa 1880s- 1910s by Kinkozan (1645-1927). One of the largest studio manufacturers of the export ceramics at the time ...

Very beautiful baluster-shaped ribbed vase in Japanese porcelain decorated with birds and flowers, in cobalt blue, iron red and white colors. Two sides of the vase are decorated with...

A gorgeous pair of 19th-Century Japanese Imari porcelain vases. These fine vases have a lovely shape and hand painted floral design in the traditional Imari...

An Satsuma ceramic stone ware vase, circa 19th century, around the end of the Edo and the beginning of Meiji period. In the form of a Classic garlic bottle whose prototype was from China, the white bodied piece is decorated with an early form of kin nishikide, the so called golden brocade, a palette of iron-red, blue, green, yellow, purple and black with golden highlight. The over glazed enamel paint shows a group of robed figures in a garden setting with a lion and three tigers. A transparent overall glaze shows very fine crackles. The design is relatively sparse with plenty of negative space in contrast to the Satsuma production from the late 19th century, when the trend became fussy and overly glitz, due to the influence by the perceived western taste for the export market. This piece may still be made for export but its pattern was more influenced by both Kyoto Pottery and the Kano school of painting compared to the export ware by the end of the 19th century onward to the early 20th century. It was believed by many that this was a result of Satsuma potters visiting Kyoto in the late seventeenth century to learn over glaze painting techniques. There are some age glaze crackles especially around the foot. The piece is not signed in keeping with the earlier production before Satsuma ceramics...

Beautiful Japanese Moriage vase, late 19th century-early 20th century. Free shipping within the United States and Canada.