Smile Ashtray in Brass & Blue Enamel by Hans Bunde for Cohr, 1950s

Egg shaped stainless steel ashtray. Very rare in this metal composition - brushed stainless. It is called the smile and was designed by Hans Bunde and manufactured by Carl Cohr in Fr...

A novelty in-/outdoor ashtray in the shape of a ships porthole. It is made from solid brass that has patinated over the years. Made in Scandinavia duri...

Hand blown aqua blue Murano art glass bowl or ashtray. Executed with in capsulated and controlled air bubbles. It is attributed to Archimede Seguso, Italy, circa 1940s-1950s.

Unusual cigar ashtray in bronze. Its mounted with a large maritime shackle also in bronze. It was made in Scandinavia during the 1950s probably by Nordi...

This brass version of the Cylinda-line ashtray was designed by Arne Jacobsen and manufactured by Stelton in a limited run from 1965-67. This, the large version or Cigar Ashtray, is b...

Unusual small owl wall plaque or ashtray in brass. Fine detailing and finished to its backside. Made in England, circa 1900-1920.

This is a wood ashtray, with a beautiful patina, in brown and crème color. This is vintage, from France. Measures: Diameter 12 cm High 5 cm.

Good original vintage condition with trace of age and use for this ashtray tripod made from brass, black lacquered metal and formica with some small losses.  

Ashtray around 1950s Original condition

Rare Architect Ignazio Gardella Nickel on Brass Ashtray for Azucena. Reference: Domus 337, 1957 Italy 1950s

Ashtray vienna around 1950s Original condition

A green glow: monumental vintage Italian brutalist hand-worked metal ashtray by Marcello Fantoni for Raymor, made in Italy circa 1950. Patinated copper in tones of chartreuse, teal, and pewter. Born in Florence in 1915, Marcello Fantoni wed ancient Italian pottery technique with decidedly Modernist elements, garnering tremendous acclaim both at home and abroad - his work has been collected by important museums worldwide. When Fantoni died in Florence in 2011 at the age of 95, his obituary in the Italian newspaper La Nazione hailed him “the master of beauty.” This stunning piece certainly justifies the moniker. With the signature etched on verso, it is without doubt an heirloom rarity for the savvy collector...