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Mid-Century Grete Prytz Kittlesen Lotus Ice Bucket for Cathrineholm, Norway

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    Mid-century “Grofit” vase by Mari Simmulson for Upsala-Ekeby, made in Sweden. The vase is very dark brown, with a handle and a patterned base. Marked on the underside and with a stic...
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  • Mid-Century Robert Sonneman Three-Light Chrome Table Lamp
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  • Mid-Century Modern "Oceanic" Tall Walnut Chest of Drawers by Pulaski Furniture
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  • Danish Modern Teak Credenza with Tambour Doors by Drylund
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    Danish Modern teak credenza by Dyrlund. The credenza has sliding tambour doors and turned teak pulls, and has three adjustable shelves and five drawers, with a felt-lined top drawer....
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  • 1960s Gray Camelback Sofa, Newly Reupholstered
    By Hans J. Wegner
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    1960s camelback sofa, professionally reupholstered with new material in gray felt with contrast welting and buttons. Width: 86 in / Depth: 33 in / He...
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  • Michael Elkan Studios "Castles #14" Hand-Carved Birdseye Maple Box
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  • Set 4 Cathrineholm Norway MidCentury Modern Enamel Metal White/Brown Lotus Bowls
    By Grete Prytz Kittelsen, Cathrineholm
    Located in Chesterfield, NJ
    Very nice set of four enamel on metal bowls designed by Grete Prytz Kittelsen and Arne Clausen for Cathrineholm of Norway. These 5.5 inch diameter bowls have the white lotus design o...
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  • Parzinger Style Mid Century Ice Bucket
    By Tommi Parzinger
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  • Mid-Century Modern Lucite Ice Bucket
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    Mid-century modern lucite ice bucket, circa 1980s. This piece is in great vintage condition and measures 8"D x 8.5"H; a glamorous addition to your MCM bar! #3558
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  • Arne Jacobsen Mid-Century Modern Ice Bucket
    By Arne Jacobsen
    Located in Weesp, NL
    A classically elegant Minimalist design and styled ice bucket from the Cylinda series for Laufer Stelton, from the 1964-1967 MoMA collection. Arne Jacobsen Designer (Danish, 1902-1971). Great addition to any bar, wine tasting room or entertaining friends. The Cylinda Line series was awarded the ID-prize in 1967 by The Danish Society of Industrial Design and the International Design Award in 1968 by The American Institute of Interior Designers. It now also has a permanent place at Cooper-Hewitt, NY / MoMa, NY / Victoria & Albert Museum, London making it a truly Classic product. Today, Arne Jacobsen is remembered primarily for his furniture designs. However, he believed he was first and foremost an architect. According to Scott Poole, a professor at Virginia Tech, Arne Jacobsen never used the word 'designer', notoriously disliking it. His way into product design came through his interest in Gesamtkunst and most of his designs which later became famous in their own right were created for architectural projects. One of his first furniture designs was the Paris lounge chair from 1929 which was also displayed as a part of the interior design of his famous “House of the Future". Most of his furniture designs were the result of a cooperation with the furniture manufacturer Fritz Hansen with which he initiated a collaboration in 1934 while his lamps and light fixtures were developed with Louis Poulsen. In spite of his success with his chair at the Paris Exhibition in 1925, it was during the 1950s that his interest in furniture design peaked. A major source of inspiration stemmed from the bent plywood designs of Charles and Ray Eames. He was also influenced by the Italian design historian Ernesto Rogers, who had proclaimed that the design of every element was equally important "from the spoon to the city" which harmonized well with his own ideals. In 1951, he created the Ant chair for an extension of the Novo pharmaceutical factory and, in 1955, came the Seven Series. Both matched modern needs perfectly, being light, compact and easily stackable. Two other successful chair designs, the Egg and the Swan, were created for the SAS Royal Hotel which he also designed in 1956. Other designs were made for Stelton, a company founded by his foster son Peter Holmbl. These include the now classic Cylinda Line stainless steel cocktail kit...
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