Serving Bowls

An exceptional, fine and impressive antique Edwardian English sterling silver presentation bowl in the Arts & Crafts style; an addition to our silver presentation collection. This...

This majestic silver champagne bucket combines artisanal craftsmanship and artistic flair and will add a sophisticated touch to a celebratory event. The bucket carries a removable bo...

Henning Koppel showed an early talent for art, leading him to train in both drawing and aquarelle early on. He continued studies in sculpture at the Royal Danish Academy and later in Paris. His superb drafting skills, developed as a child, helped him in to produce outstanding product renderings...

The pebble-like exterior of this hammered bowl brings a rustic yet elegant sensibility to your home. You can fill it with anything, even the most acidic foods because there's a remov...

A fine and impressive antique Edwardian English sterling silver presentation bowl; an addition to our presentation silverware collect...

Broached monsters by Trent Jansen The vast majority of mainstream Australian mythology commonly used as a foundation for Australian identity is culturally exclusive. Both Indigenous myths, including post-colonial myths and precolonial dreaming stories, and non-indigenous Australian myths, including the bush legend, ANZAC tradition and convict legend, focus on the historical role that the race of authorship has played in building the nation. However, a contemporary understanding of Australian history acknowledges the contribution of both Indigenous and non-indigenous Australians in forging the nation, and the national identity which accompanies it. Instead of perpetuating the same exclusive national myths, perhaps Australians should adopt a national mythology that acknowledges this inclusive understanding of Australian history, a mythology that unites Australians of many backgrounds under a shared Australian identity. In his book on Australia’s Folklore of Fear, Robert Holden explores pre-colonial ideas of Australia as a Great Southern Land – an imaginary landmass conjured up to counterbalance the continents in the northern hemisphere, as far removed as possible from Britain, the center of the Christian world (Holden, 2001). Holden speaks of Australia as an imaginary world, occupied by unimaginable creatures and monsters. Holden is commenting in part on the mythical creatures that originated in both British and Aboriginal Australian folklore and were shared by the Aboriginal and non-Aboriginal inhabitants of Sydney during the early years of colonisation. Stories of the yahoo, a creature that resembled a slender man, with long white straight hair, extraordinarily long arms and great talons (Unknown 1842), captured the imaginations of the new British settlers, and soon a fear of the yahoo became a common ground between Aboriginal people and British settlers. is fear of a gruesome and vicious creature gained its potency from the folkloric tales that were used to substantiate its existence. These tales were suitably vague, their lack of detail attributed to the fierce nature of these creatures and the assumption that no one had survived an encounter (Holden, Thomas et al. 2001). The yahoo “became one of the very few Aboriginal legends to be embraced by the Europeans” (Holden, Thomas et al. 2001, p16), providing a catalyst for conversation between individuals from these two culturally disparate societies and forming some personal links between these communities. Could creature myths like the yahoo once again form the foundation of a united national...

Art Nouveau was a reaction to the academic art of the 19th century, it was inspired by natural forms and structures, particularly the curved li...

Broached Monsters by Trent Jansen The vast majority of mainstream Australian mythology commonly used as a foundation for Australian identity is culturally exclusive. Both Indigenous myths, including post-colonial myths and precolonial dreaming stories, and non-indigenous Australian myths, including the bush legend, ANZAC tradition and convict legend, focus on the historical role that the race of authorship has played in building the nation. However, a contemporary understanding of Australian history acknowledges the contribution of both Indigenous and non-indigenous Australians in forging the nation, and the national identity which accompanies it. Instead of perpetuating the same exclusive national myths, perhaps Australians should adopt a national mythology that acknowledges this inclusive understanding of Australian history, a mythology that unites Australians of many backgrounds under a shared Australian identity. In his book on Australia’s Folklore of Fear, Robert Holden explores pre-colonial ideas of Australia as a Great Southern Land – an imaginary landmass conjured up to counterbalance the continents in the northern hemisphere, as far removed as possible from Britain, the center of the Christian world (Holden, 2001). Holden speaks of Australia as an imaginary world, occupied by unimaginable creatures and monsters. Holden is commenting in part on the mythical creatures that originated in both British and Aboriginal Australian folklore and were shared by the Aboriginal and non-Aboriginal inhabitants of Sydney during the early years of colonization. Stories of the yahoo, a creature that resembled a slender man, with long white straight hair, extraordinarily long arms and great talons (Unknown 1842), captured the imaginations of the new British settlers, and soon a fear of the yahoo became a common ground between Aboriginal people and British settlers. is fear of a gruesome and vicious creature gained its potency from the folkloric tales that were used to substantiate its existence. These tales were suitably vague, their lack of detail attributed to the fierce nature of these creatures and the assumption that no one had survived an encounter (Holden, Thomas et al. 2001). The yahoo “became one of the very few Aboriginal legends to be embraced by the Europeans” (Holden, Thomas et al. 2001, p16), providing a catalyst for conversation between individuals from these two culturally disparate societies and forming some personal links between these communities. Could creature myths like the yahoo once again form the foundation of a united national...

Broached Monsters by Trent Jansen The vast majority of mainstream Australian mythology commonly used as a foundation for Australian identity is culturally exclusive. Both Indigenou...

Contemporary Italian handmade gold leaf accented bowl. freeform organic shape. Fine ceramic base. Similar bowls are available in 7" and 10" diameters.   

Contemporary Italian handmade gold leaf accented bowl. Free-form organic shape. Fine ceramic base. Similar bowls are available in 7" and 11.5" diameters.  

Pair of silver over copper bowls hand crafted during the Arts & Crafts movement. The repoussé pattern is of various flowers and leaves with a hand hammered border. The Duchess of Sutherland...

A signature Kyttanen design that has been integrated into the permanent collection at MoMA. This piece measures 50cm in diameter, and is inspired by structures formed by soap bubbles...

Drawing inspiration from nature and natural forms, the Art Nouveau movement was characterized by intricate linear designs and flowing curves based on natural form. This particular bo...

Happy one hundred and ten years to this lovely sterling bowl. Looking mighty fine for 110!! That’s because these pieces were made to last and pass from generation to generation. On e...

'Tempo' decorative bowl, signed and numbered (3 of 130).

Shallow napkin shape sterling silver bowl (small version depicted). Made in Italy. Dimensions: H 5.5 cm, D 18.5 cm, W 18.5 cm. Weight: 281 gram.

We’ve spent a lot of time, energy and money restoring the 112 year old piece to its original glory. Every ding and scratch removed and it looks magnificent. A delicate pattern of lat...

"Kon Kao" bowl by Lino Sabattini. This silver plated and enameled piece shows timeless attitude. Also available another piece from the same collection, see image 3.

Impressive Baltimore rose by Schofield casserole dish with cover featuring an applied 3-D lion. The piece has the original ironstone liner. There is a r...

Red Vessel, 2014 (Glazed ceramic, C. 7 in. h x 13 in. w x 13 in. d, Object No.: 3323) Ann Van Hoey is an award-winning ceramic artist and her work is in th...

Silver plated bowl with irregular contour, Italian design made in Italy.

Shallow napkin shape sterling silver bowl (large version depicted). Made in Italy. Dimensions: H 5.7 cm, D 21.3 cm, W 21.3cm. Weight: 470 grams.

Dimensions: 7 x 5 5/8 x 1 1/8 in

Round champagne bowl rescued from the one and only Waldorf Astoria Hotel on Park Ave in New York City. Minor wear. Waldorf Astoria authenticity c...

An exceptional, fine and impressive antique Edwardian English sterling silver presentation bowl in the Art Deco style; an addition to our ornamental silverware collection. This exceptional antique Edwardian English sterling silver presentation bowl has a circular shaped, rounded form in the subtle Art...