Sculptural Tabletop Stand / Bookstand 'HOMME' by Alentes Atelier

The Piedi stand is a celebration sculptural piece, part of our mono-material object collection. Lead time 8-10 weeks. This item is made to order. Manufacturing begins upon payment....

TARTARUGA TABLE is part of our mono-material object collection. This oval low table resembles a podium of an understated monumentality with a form that balances the classic and the m...

The LEAF TABLE is part of our mono-material object collection. This simple and minimalistic low table is both humble and bold with an elegant sense of proportion and balance. Design...

One of our most favorite pieces, the FRANC table resembles a step frozen in time. Exploring minimalism and function, its form and proportions recall Cubist values. Part of our mono-material study, this piece as many of the others in the collection, is standing between furniture and architectural sculptures. USE Indoor. MATERIAL Cast stone. DIMENSIONS L 61cm / 24" W 61cm / 24" H 61cm / 24" Weight approx 90 kg OTHER Easy Trasfer with minimum Assembly. Insured Shipping as standard. Designed and Hand Crafted by Alentes Atelier...

The POISE DINING TABLE is part of our mono-material object collection. Behind its timeless and Classic proportions, its clean and sculptural design lies true durability. Design: Ale...

The FEMME table is part of our mono-material object collection. A piece of furniture with a distinct presence, a serene sensuality and a sense of playfulness. COLOUR Body: white smo...

'Maelstrom' is a unique sculpture by the British artist, Cathryn Shilling. In the artist's own words; "This piece is one of a new body of work made after a recent trip to the Antarctic and is inspired by the strong and treacherous tidal currents that form powerful swirling bodies of water" Cathryn Shilling began her arts career as a graphic designer but went on to study glass after moving to Connecticut with her family. On returning to the UK she studied kiln formed glass at Kensington and Chelsea College and blown glass with Peter Layton at the London Glassblowing Workshop. She set up studio in London in 2007 from where she has gone on to create a huge body and variety of work. Shilling experiments with colour and technique to produce beautiful one off sculptures. Her innovative pieces push the glass beyond our usual comfort zones. With some sculptures, glass rods are woven together like fabric, mimicking the flexibility and movement of cloth. The apparent frailty of the glass is balanced by the strong dynamic forms, differing levels of light picking out layers of colour. With other works, bubbles are trapped in swathes of watery hues. Her colour palette and choice of forms are very much informed by the various natural states in which water is found: icebergs, waterfalls and whirlpools for example. Shilling’s work has been collected and widely exhibited internationally including: Ireland Glass Biennale 2019 at Dublin Castle...

'Enceladus' is a unique sculptural centrepiece by the British artist, Cathryn Shilling. About the artwork in the artist's own words; "This piece, which is the heaviest that I have ever made, is named for Enceladus, one of the moons of Saturn. Enceladus has a highly reflective surface due to its covering of fresh ice and snow...

Striped Fold II is a unique sculpture by the British artist Steven Edwards, created from white and coloured parian porcelain. Steven Edwards is a ceramic artist whose work investigates the language of making through the materiality and physicality of clay. Fascinated by process-led making, he uses traditional techniques that provoke unanticipated outcomes, using clay as a medium that sustains the narrative of the making process. The resulting forms embody his interaction and manipulation of the clay using bespoke tools to explore the intrinsic properties of the material. His creative practice starts by purposely placing clay under stress to reveal the natural tension and movement in its surface and form. Throughout the whole making process, he pushes, pulls, compresses and slices the material to provoke a reaction. The final forms are a combination of these making scenarios, translating a theme of duality in their appearance – the contrast of visual distortion and precision, the stillness and movement in form and the surface deception between synthetic and natural. Whilst challenging and pushing his material to the limits, often using clay bodies in ways they are not designed for, Edwards purposely exploits unexpected outcomes. Creating a sense of unease, during the making his clay cracks and buckles, resulting in permanent scars that illustrate the extremes that have been asked of it. Purely aesthetic, these fissures within the surface are an important counter point to the idealised sugary-hued confectionery layered rings. Edwards has exhibited his work at premiere contemporary design and craft shows including British Ceramics...

Aurora, 2020 (Glass, C. 11.4 in. h x 17.5 in. w x 14 in. d, Object No.: 4105) Heike Brachlow was born in Munich, Germany in 1970 and currently lives ...

White cement cast molded Brutalist style bust tabletop sculpture.

Handcrafted of lathe-turned cherry and finished with a protective water-based, non-toxic finish, this stunning object of decor is composed of three pieces that can be displayed in di...