Blue vintage Ceramic vase by Leif Heiberg Myrdam 1970s, Norway

Vintage ceramic fruit bowl or dish model Omnia 76-140 designed by Inger Waage by Stavangerflint, Norway 1950s. Lovely glazed painted fish decor with sea mo...

Lovely earth colored pottery dish by Helle Allpass, Denmark 1970s. This lovely bowl or dish has a rustic glazed surface and a delicate shape. The plate has striped beige and brown i...

Lovely matt green glazed colored tea pot by Upsala Ekeby in 1930s Sweden. Round delicate ball shaped design with a yellow half circled handle and spout. Good vintage condition and pe...

Lovely earth colored brown pottery vase from the `Moske` range by designer Mari Simmulson- produced for Upsala Ekeby in 1967. The Moske vase has a r...

A special mid-century vase made by Hank Keramikk Verksted in Oslo, Norway established by Ahlberg & Karlsen keramikkverksted in the 1950s. A vintage ceram...

Roundshaped lovely blue glazed ceramic vase with fishshell patterns by Bror Börsum, Sweden 1960s. Onionshaped with varoius blue colors. Perfect with a .single flower in it or just as...

Erna Aaltonen "Freya", 2018 Ceramic; unique.     

Erna Aaltonen "Morris", 2017. Unique.

Orange Jelly, 2018 (Porcelain; Unique, C. 7.6 in. h x 3.2 in. d. Object No.: 3590) The ceramic designer Ahryun Lee was born in Seoul, South Korea in 1989 and lives and works in Muni...

An unusual black and white ceramic vase, hand-painted by Mancioli, Italy, circa 1960s.

A rare ceramic vase by F.Carlton Ball.

Organic Vase, 2015, (Ceramic, C. 12.1 in. h x 7.5 in. d, Object No.: 3389). Turi Heisselberg Pedersen has, all through her career, strived to develop the vessel as abstract form and as an independent sculptural object. As Turi notes “working in clay is to me connected with many underlying cultural bound references, but also strongly connected to nature. The very process of building in clay is a process from nature to culture. We have an inherent understanding of beauty and design evolved in thousands of years of visual impressions from our cultural history, but especially also from nature. In this context, I am aiming to create a visual and emotional reading of the objects, working with shape, rhythm, volume, movement, and texture”. In the interplay between culture and nature, Turi’s works are inspired by geological structures and crystal formations, but also by architecture, the edged rendering of a computer drawing or folded paper shapes. Most of her faceted shapes seem to have a seed of coincidence or unplanned development, reminding one of crystal formations growing in irregular clusters.? Heisselberg Pedersen’s sculptures are hand-modeled from stoneware and glazed with slip-glazes, which gives the works a stone-like, dry surface with a rich texture. Some of Turi’s designs...