Georgian Pair Davenport Dinner Plates Ironstone Pattern 659, Circa 1815

This is a very good, late Georgian Ironstone Desert plate decorated in a rare pattern No.85, manufactured by the English Davenport factory, which was sit...

This is a good early hand painted ironstone (stone china) saucer dish or plate, made by William Davenport and Co., Longport, Staffordshire Potteries, England, George 111rd period, ci...

This is a very good, late Georgian, Set of SIX ironstone Soup Bowls or Plates, in pattern no. 135, manufactured by the English Davenport factory, which was situated in Longport, Staffordshire, England between 1794 and 1887. These are well potted, large soup bowls...

This is a good, late Georgian, ironstone dinner plate, hand decorated in pattern no. 15, manufactured by the English Davenport factory, which was situated in Longport, Staffordshire, England between 1794 and 1887. The oriental garden "Imari" pattern is transfer printed in cobalt blue of different shades, then all hand coloured with different enamels in good detail. The pattern is called "Bamboo and...

This is a good, late Georgian, ironstone Soup Bowl or Plate, in pattern no. 15, manufactured by the English Davenport factory, which was situated in Longport, Staffordshire, England between 1794 and 1887. This oriental garden pattern is transfer printed in cobalt blue of different shades, with hand gilded detail around the inner and outer rims. The pattern is called "Bamboo and Peony" which is Davenport's pattern number 15, a very early pattern and probably copied from a Chinese original. This exact pattern is illustrated on a plate in Godden's Guide to Ironstone, by Geoffrey A Godden, page 230, plate 176. Davenport were one of the earliest producers of Ironstone along with Mason's, Spode and others and called their ironstone pottery wears "Stone China". On the back the plate carries the blue printed Davenport Stone...

This is a rare and early stone China (Ironstone) mug which dates to the George 111 period, circa 1815 made by the Davenport factory of Longport, Staffordshire Potteries, England. The mug is straight sided similar to a coffee can and has a loop handle with an upper thumb rest. The pattern is number "659", which is one of Davenport's very few chinoiserie patterns. The bold pattern features striking polychrome enamels of rocks and different flowers all in the Chinoiserie style, hand painted over-glaze in different colours over an under-glaze blue printed outline. The pattern is embellished with good hand gilding. There is also a deep border pattern to the inside rim which replicates the outer mug pattern with sprigs of hand painted flowers. The mark on the base of the mug is Godden's 1183, a blue printed DAVENPORT STONE CHINA...

A cream dinner plate by Johnson Brothers England. This plate is decorated with a pink, brown, green, and blue chinoiserie design at the center and a greek key design around the edges...

A pretty scalloped dinner plate by Clarice Cliff for Royal Staffordshire. Created from porcelain, this pretty floral motif plate is glazed in c...

Lustre, 1882 Ltd. with Bethan Gray. Lustre, conceived by award-winning designer Bethan Gray uses a fine bone china body paired with 22-carat gold and black decals...

White, 1882 Ltd. The purist fine bone china tableware. Designed by Chris Johnson and made in Stoke-on-Trent. This forms the base of all our collections...

Set of six majolica charger plates is handmade and hand-painted in Italy following the original Renaissance painting technique, unchanged over time, which we observe to the letter. The elegant decoration is composed of a halo of blue foliage that resembles four groups of wings: from the center of the plate, further ornamental elements develop, projected outwards, which give movement to the entire compositional structure. The beauty of these majolica plates is underlined by the artist's visible brushstrokes that give them a unique style. Further possibility to order a set of 4 or 12 charger...

This pair of Ashworth's Ironstone plates are decorated with their hand coloured and gilded pattern 3/792 done using the Imari palette of underglaze blu...