Kähler, Denmark, Cream Jug in Glazed Stoneware, 1940s

Kähler, Denmark, glazed stoneware jug with handle. Stamped. 1930-1940s. Measures: 17 cm. X 12.5 cm. X 11 cm. incl. handle. In perfect condition.

Kähler, HAK. Jug in glazed stoneware. Flowers on a cream-colored background, 1930s-1940s. Measures: 15 x 12 cm. Signed. In excellent condition.

Kähler, Denmark. Jug in glazed ceramics. Flowers on a cream-coloured background. Modern design, 1930s / 40s. Measures: 20.5 x 12 cm. Signed: HAK. In excellent condition.

Kähler, Denmark, glazed stoneware vase, 1940s. Stamped. Measures: 22 cm. x 9,5 cm. In perfect condition.

Kähler, Denmark, glazed stoneware vase. 1930s-1940s. Cow Horn glaze. Beautiful dark blue/brown glaze. Stamped. Measures: 30,5 cm x 15 cm. In perfect condition.

Kähler, Denmark, glazed stoneware vase. Nils Kähler, 1960s. Brown and dark yellow glaze. In perfect condition. Marked. Measures: 25 cm.

Art Deco ceramic jug or pitcher designed by Nils Kähler and made by Herman A. Kählers ceramic workshop in the 1930s or 40s. The jug is decorated ...

Small stoneware dish glazed in the 1960s in Denmark, signed Nils Kähler (1906-1979). Beautiful two-tone glaze, light grey with deep turquoise tones. Signature and label underneath. ...

Stoneware ceramic pot By Arne Bang Green glaze Numbered 128 Signed with monogram Danish 1940s Last photo shows selection of ceramics available.

Stoneware pot By Arne Bang Neutral colored glaze Numbered 129 Signed with monogram Danish, 1940s Last photo shows selection of ceramics available.

Fluted vase Numbered 116 Stoneware Signed with monogram 1940s Danish Last photo shows selection of ceramics available.

Lucie Rie Stoneware cream jug in manganese and pitted white glaze. With impressed LR mark. c1950s. Provenance: European Ceramics, Knaresborough, 2002. Alan and Pat Firth Collection. Lucie Rie DBE (1902-95) was one of the most important figures in Twentieth Century ceramics. Born in Vienna, she originally studied at the School of Applied Arts in Vienna under Michael Powolony. Before the war she exhibited at the Paris World Fair in 1925 and 1937, at which she won a silver medal. Of Jewish descent, she fled Austria for Britain in 1938 and spent the rest of her life in London. It is difficult to underestimate the importance of her work in Britain and indeed worldwide. She brought the style of European modernism to this country and inspired a generation of potters to develop that approach. A good friend of leading British studio ceramicist Bernard Leach, she became and internationally acclaimed ceramicist with innovations in both shape and glaze. In 1948 she hired a young Hans Coper and they worked and exhibited together for many years. She also spent some time teaching at Camberwell School of Art. Her ceramic work is now regarded as some of the finest and most important of the last century, its lasting influence assured. After her death her studio was reconstructed and exhibited by the Victorian and Albert Museum. Her work is held in the most important ceramics...