Collection of Six Trompe L’oeil Plates

Pair of chiseled candlesticks plated brass Germany, probably Nuremberg 17th century H 12 x (base diameter) 9,5 cm Very good conditions.

Series of Six Architectural Drawings Italy, '40 - '50 Signed and dated "P. Sinisi" (between 1948 - 1951) Pencil on paper black frame 67 x 52 x 1.2 cm (with frame) 48 x 33.5 ...

Large Terracotta relief of the flight into Egypt Lombardy, first half of 17th century Painted terracotta 91 x 85 x 11,5 cm This event in the early life of Christ is recounted i...

Carved Limestone balustrade. In a modern metal frame. North of France, Ile de France or Normandy. End of the 14th century - first half of the 15th century. Measures: 90 x 62 x 8...

Tuscan Coat of Arm in terra-cotta signed "A. Salvietti 187x" Signed and Dated "A. Salvetti 187x" 73 x 48 cm Antonio Salvietti (1854-1931) was an Italian architect and painter. He w...

Carlo Marcellini (Florence 1644 – 1713) Putto White and green marble 41.5 x 73.5 cm This marble putto carved in high relief, almost a tutto tondo, and set on an elegant green marble background, appears almost naked, sitting on a cloud. His peculiar pose, in adoration, suggests that the work was a part of a larger composition including other figures in devotion. Published in 2007 by Sandro Bellesi in the monograph dedicated to Gioacchino Fortini (pg.155), this beautiful marble putto was included in the catalog of Carlo Marcellini, a prominent figure in the baroque renewal of Florentine art. Born in Florence in 1644, Carlo Marcellini received his artistic education in the city of the lily, specializing in stone sculpture and stucco modeling under the guidance of Bartolomeo Cennini before continuing his studies in Rome in the Accademia Medicea founded by the Grand Duke Cosimo III in order to familiarize some more promising artists with the essential “ taste of Rome ”. Under the guidance of Ercole Ferrata and Ciro Ferri, Giovan Battista Foggini...

A French majolica glazed oyster plate from the faïence factory of Saint-Clément, Circa 1920-1930. Six oyster shell shaped wells with green, blue and white centers are set against a ...

From St. Clément, Luneville and designed by Émile Gallé, a Barbotine square shaped, trompe l’oeil asparagus plate, circa 1870. Five raised asparagus spears are strewn across a bei...

An Aesthetic Movement French Faïence trompe l’oeil asparagus server, Keller & Guerin, Luneville – circa 1890-1900. A scarce example – a fluted edge burgundy colored plate with a “...

From Sarreguemines, France, a very scarce majolica glazed covered tureen, circa 1870. A basket and napkin form covered tureen modeled in the Trompe L’oeil style. The base is molde...

From the Sarreguemines Majolica Napkin line, a trompe l’oeil egg box or Pâté Terrine, France, circa 1885- 1890. An earthenware, faïence lidded egg box modeled as fresh eggs wrappe...

From the Sarreguemines Majolica line, a trompe l’oeil napkin bread tray, France, circa 1885-1890. An earthenware, faïence bread tray modeled as a cloth napkin with a floral and chec...