French Delft and Faience

A French majolica glazed oyster plate from the faïence factory of Saint-Clément, Circa 1920-1930. Six oyster shell shaped wells with green, blue and white centers are set against a ...

These colorful antique plates and matching serving platter were created in France circa 1920, by the Saint Clement factory. The hand painted Majolica service features 6 round plates and one charger, all having oyster shaped and lemon wedge motifs. Every piece is marked underfoot "St Clement France". The set is in excellent condition with rich colors in the green and yellow palette. The faience factory of Saint-Clement, 12 kms from Lunéville, was established in 1758 by Jacques Chambrette, who already owned another one in Lunéville. With this second factory he aimed at the higher segment of the market with prestigious objects. The factory received because of this a label as Royal Suplier for Marie-Antoinette's Trianon. After Jacques died in 1758, his son Gabriel became the new owner. Between 1759 and 1763 the factory was managed by Charles Loyal, Jacques Chambrette's son-in-law, Paul Louis Cyfflé and the architect Richard Mique, who owned half the factory in 1786. In the 18th century Saint-Clément produced domestic objects of ordinary earthenware, luxurious objects and decorative objects of fine earthenware (so-called "terre de pipe"). Between the first quarter of the 19th century and 1892 both current utensils of ordinary earthenware and fine earthenware are produced and decorative objects of grand and petit feu (Emile Gallé). In the second half of the 19th century the factory reproduced Louis XIV objects, among them objects with very unnatural forms, where they attempted to imitate the multicolored decorations of Strasbourg faience...

A mid-century French hand-painted oyster or seafood plate, made by the MBFA Pornic Pottery Studio, circa 1960s. The MBFA Pornic ceramic company is situate...

From the Creil region of Northern France, a transfer printed polychrome plate, titled -Les Bonnes Cerises (the good cherries) Circa 1830. The image shows No. 4 from a series of tw...

Add the charm of the French countryside to your home with this large, colorful and rare ceramic rooster sculpture. Crafted in France circa 1880 in the style of Paul Comolera or Louis...

This lovely French “service fumeur en faïence”, or earthenware smoking service, has five pieces: a tray, and four pots of various sizes. Although every smoking set is unique, we presume theses pots are a tobacco pot to store the dried leaves, an ash receptacle, a pot for holding papers to hand roll cigarettes and/or cigars and a pot for keeping matches. Our set was produced in Nevers, France in the 19th century by Montagnon, the oldest earthenware factory in France. Originally called manufacture du Bout du monde (“End of the World factory”), the factory was founded in 1648. By 1875, the factory had fallen on hard times and was bought by Antoine Montagnon. Within the five years, it was the only faïencerie left in Nevers. Montagnon was successful for over a century but eventually ceased operations in 2015. The production date of our smoking service set is from the late 1800s. Glazed earthenware was introduced from Italy to Nevers in the mid-16th century. The town already had existing porcelain factories and the area was flush with clay deposits that could be used in pottery. This allowed the influx of Italian potters in Nevers to begin producing Faience pieces. For the next 300 years, Nevers was the center for French Faience manufacturing. This smoking set has been decorated with painted birds, rinceaux of flowers and ornamental motifs. The blue background color is called Persian blue, and was extensively used as a ground color on Nevers Faience...

Wonderful large decorative French deep wall charger by Maurice Paul Chevallier for Fai¨ences de Longwy de Luneville. Decorated in a crackle glaze of vibrant colors and gilt and ename...

Beautiful French 19th century vase.

The pair of jars with covers with old repairs and chips.

Zao Wou Ki (1921 - 2013) "Orchidée" 1986 Print after a watercolor on faience. Stamped on the reverse as a tribute to the twentieth birthday of the BSN co...