Bumble Bee Vide Poche By Amalric Walter And Henri Bergé

Leafy pendants adorn this fine cameo glass bowl by Daum, known for their singular pieces of art glass of the utmost quality. Daum has remained an impo...

Elegant in its shape, this stunning cut glass plate by T.G. Hawkes & Co. exhibits the brilliant Russian and Pillar pattern. Combining two of Hawkes pat...

Created by special commission for a member of European nobility, these exquisite silver-gilt and glass ramekins are the work of the famed Tiffany & Co. The set of four was created in...

Comprised of a platter and serving bowl, this incredibly intricate salad set was crafted in the desirable Delphos pattern by the Libbey Glass Company. Stunning fields of diamonds are cut with immense precision, making this pattern one of the most dazzling American Brilliant Period cut glass patterns ever created. A banana bowl adorned in the Delphos pattern is featured in Rarities in American Cut Glass by Herbert Wiener and Freda Lipkowitz on page 19. The bowl and platter bear the Libbey acid-etched mark. The Libbey Glass Company was the foremost and most respected producer of the best cut glass of the Brilliant Period. From its very inception, the Libbey Glass Company assumed and maintained a prominent position, considered second to none in the production of premium American glass. The company was founded in 1818 in Cambridge, Massachusetts and was known as the New England Glass Company. In 1878, William L. Libbey leased the company, changing the name to the New England Glassworks, LLC, Libbey and Sons, Proprietors. His son, Edward Drummond Libbey, took over the operation in 1883 and, in 1888, he closed the Massachusetts factory and moved to Toledo, Ohio, renaming the company the Libbey Glass Company. Libbey became the largest cut glass factory in the world during the Brilliant Period (1878-1915). The company's incredible exhibit at the 1893 Chicago World's Fair propelled Libbey's world-wide reputation. They brought 130 of their most skilled craftsmen to blow and cut glass, awing spectators by demonstrating the complicated and precise process of transforming raw molten glass into dazzling works of art. Today, examples of Libbey cut glass...

This remarkable cut glass punch bowl by Sinclaire is cut in the rare Brussels pattern. This absolutely stunning pattern is one of the company's sc...

Designed by René Lalique in 1912, this Sauterelles pattern vase features details of whimsical grasshoppers resting on long reeds or blades of grass. The vessel highlights the master'...

Pâte de verre vide-poche by Amalric Walter. Born in Sèvres on May 19, 1870, Walter first worked at the Manufacture nationale de Sèvres, near Paris, where he decorated and glazed ear...

Two mussels on a yellow stone base covered with algae. Signed 'AWALTER NANCY' and 'hm'. Manufactory: Amalric Walter & Henri Bergé, Nancy, Lorraine, France Dating of manufacture: circa 1920/1930 Designer: Victor Amalric Walter (1870-1959) was a French glass manufacturer mainly known for his pâte de verre pieces. In the Cristalleries Daum at Nancy, France, he met the designer and modelist HENRI BERGÉ, with whom he produced the first pâtes de verre, which at the time were only signed with "Daum Nancy". After the war he continued to work with Henri Bergé. From 1919 to 1935 he cast no fewer than 500 models with Bergé and other famous sculptors or designers, always in few numbers due to the sophisticated technique of glass kiln casting. Henri Mercier...

This antique pate de verre tray or vide de poche was made by the renowned French artist Almeric Walter Nancy in circa 1910 in an Art Nouveau style...

Decorative pâte-de-verre vide-poche: bowl in yolk yellow, one side overflowing in dark blue, swimming around each other, plastically formed goldfish couple. Signed 'AWALTER NANCY' on the top. Manufactory: Amalric Walter, Nancy, Lorraine, France Dating of manufacture: circa 1920/1925 Designer: VICTOR AMALRIC WALTER (1870-1959) was a French glass manufacturer mainly known for his pâte de verre pieces. In the Cristalleries Daum at Nancy, France, he met the designer and modelist HENRI BERGÉ, with whom he produced the first pâtes de verre, which at the time were only signed with "Daum Nancy". After the war he continued to work with Henri Bergé. From 1919 to 1935 he cast no fewer than 500 models with Bergé and other famous sculptors or designers, always in few numbers due to the sophisticated technique of glass kiln casting. Technique: Pâte de verre (English glass paste) is a technique used in the production of multi-colored glass. A cold-formed paste made of glass powder and dyes is filled into a refractory mold and then fired in a muffle furnace, whereby the glass melts into the desired shape. To achieve polychrome color effects, the process is repeated with other colors. The technique was already known in ancient Rome and Egypt. Particularly in the Art Nouveau period and later in the Art Deco period, she found artistic use again in works by French glass artists such as Gabriel Argy-Rousseau, Henry Cros...

Blue and pale amber Murano vide poche. Chunky faceted vintage Murano vide poche/bud vase/ashtray in blue and amber Venetian glass, Italy, mid-20th century. Dimensions: 4" L x 3.25" ...

A fantastic and very rare early 20th century pate-de-verre glass vase decorated with a lizard coiled around the bottom with a very fine orange and green color that fades out into yel...