Gorham Birmingham 1948 American 4.5 Pints Classic Water Pitcher Jar 925 Sterling

Architectural water pitcher-jar designed by Cleto Munari. Awesome sculptural piece from Munari Milano, made in Vicenza, Italy, circa 1970's. It was designed by Cleto Munari itself, with aerodynamics geometric patterns in an edition of only 3 pieces. This very rare water pitcher-jar was carefully hand crafted in solid .925/.999 sterling silver. Has a total weight of 766.65 grams and a dimension of 11.5 by 7 inches (29.2 x 17.8 cm). Stamped, with the maker's mark, the Italian control assay hallmarks, serially numbered for the edition and signed, "CLETO MUNARI .925 1/3 MUNARI ITALY *1702 VI". In 1985 Cleto Munari, set up a workshop-studio for the manufacture of unique objects in collaboration with some of the greatest architects, designers, artists, and writers in the world, among them Mario Botta, Alessandro Mendini, Alvaro Siza Vieira...

An octagonal pitcher designed by Wiwen Nilsson (1897-1974). Beautiful and elegant Scandinavian geometric pitcher, created in Stockholm Sweden by the artist and silversmith Wiwen N...

Medallion wine ewer designed by William Gale & Son. Very rare and important piece of the American silversmith history. This fabulous wine ewer was made by the William Gale & Son Company, just five years before the American Civil War (1861-1865) in the 1856. The rich design and the delicate composition reflects the extreme opulence of the northern United States in these period and the degree of sophistication when serving a table. By other part, this wine ewer is full of symbolisms, where the degree of knowledge and understanding of the characters of Greek and Roman mythology is demonstrated. This one-of-a-kind piece was carefully crafted with impeccable details in solid .925/.999 sterling silver. It is fully decorated with ancient Etruscan and Greek revival patterns and architectural neo-classic elements, such the small two balusters and the rosettes located in the handle. The most significant are the two medallions depicting the classical figures of the helmeted & bearded portrait bust of Dionysus and the portrait bust of his daughter Methe, wearing a diadem made of vine leaves. This rare pitcher has a total weight of 750.43 grams and a measure of 12 by 7.5 inches (30.5 x 19 cm). The base has a diameter of 4.75 inches (12 cm). Fully stamped in the underneath, with the silver assay hallmarks, the maker's cartouche GS, the year of production 1856 and signed in full, "W. GALE & SON NEW YORK .925 STERLING GS 1856". Dionysus, (Bacchus for the Romans), was the god of the grape-harvest, winemaking and wine, of fertility, orchards and fruit, vegetation, insanity, ritual madness, religious ecstasy, festivity and theatre in the ancient Greek culture. The iconographic theme on this sheet refer to the legend of the triumph of Dionysus, or as the Romans called him, Bacchus the god of the grape harvest, winemaking and wine, the son of Zeus and Semele. The Bacchanalia was a religious festival in honor of the wine god, Dionysus. Methe, was the goddess-nymph of drunkenness in the ancient Greek mythology. She was the daughter and companion of the god Dionysus. She was also the wife of Staphylos (bunch of grapes) and mother of Botrys (grapes). History: The founder of the firm was William Gale (1799-1867) and the company was located in the number 447 at Broome street in New York. W. Gale invented and patented in 1826 a process for making spoons with ornamental patterns by cutting the ornament on rollers, both the upper and the lower rollers being cut with the pattern. this made the production of pattern spoons much less expensive than the former method of hand hammering patterns by the use of dies. William Gale was succeeded in the business by his son William Gale Jr. (1825-1885) who, after few years, ceased the control of the firm to H.B. Dominick & Leroy B. Haff until 1928 when the business was finally purchased by Reed & Barton. Note: The signature and hallmarks stamped at the bottom of this piece, correspond to the pieces produced before the US civil war...

Sterling silver navette basket with handle. Elegant sweetmeat basket tray with a fixed handle, crafted with an oval navette shape in solid .925/.999 sterling silver, back in the 1920's. This tray is decorated with fluted scalloped patterns and mounted in four stylized legs. The side panels are decorated with pierced perforations to recreate organic patterns. Weight: 369.5 Grams, (236.85 Dwt). Measurements: 292 mm by 178 mm by 205 mm (11.5 x 7.0 x 8.1 Inches). Hallmarks: Stamped with the maker's mark of an armor with a 6, the model numbers, the silver assay mark and signed, "STERLING C 3705". History: When silver baskets first appeared around the 17th century they resembled the original, practical and rudimental woven straw or wooden baskets used...

Claret wine ewer designed by Charles Boyton II (1856-1900). Magnificent wine ewer pitcher, created in London England at the silversmith atelier of Charles Boyton. Masterfully crafte...

Classic round tray designed by Gorham. Beautiful vintage American piece from Gorham Company. A large Gadroon model round tray crafted in solid .925/.999 sterling silver, back in t...

Gorham Museum quality mixed metals Gorham sterling silver water pitcher #740. It is adorned with applied copper elements includ...

Modern classical sterling silver water pitcher. Made by Dominick & Haff in New York in 1928. Lobed and upward tapering sides, capped foliate scroll handle, wide lip spout with fluid ...

Traditional Classical sterling silver water pitcher. Made by Dominick & Haff in New York, ca 1920. Tapering and faceted bowl on round and stepped foot. High-looping capped and scroll...

Edwardian sterling silver water pitcher. Made by Frank M. Whiting Co. in North Attleboro, Mass., ca 1910. Lobed and oval body on short and scalloped foot. Capped and scroll-mounted h...

Designed in the federalist style, it also has a beautiful etching pattern around the centre. Leaves, flowers and garlands along the scalloped body. It...

After the great depression of 1929, the decorative style became a lot less ornate and more plain. Simple and unadorned became the style of the times. It reflected the sentiment of the times and was mirrored in the objet d’art. This water pitcher...