Janus et Cie Contemporary Blanc de Chin Teapot

A blanc de chine teapot, with moulded decoration of a fishing scene – considerably rarer than the more common flowers. Barrel shaped “blanc de chine' teapot with ridged loop handl...

Chinese Export Blanc porcelain teapot, the lid border and teapot rim with cobalt and gilt decoration, acorn finial, teapot body with initialed stylized...

18th century Spanish Talavera De La Reina Pitcher Jar Bucaro Botijo Centerpiece Rustic. A beautiful 18th-early glazed ceramic pitcher jar made in Talavera de la Reina, Spain known for its ceramic tradition since the Roman times. Also called " búcaro " or botijo. these pitchers were made especially for holding water, or holy water, flowers. Most often they were made for the important homes and for wealthy families and some were made for convents and monasteries, and they would feature crests or coats-of-arms associated with various religious orders. this piece has stunning patterns and colors, the infinity in blie with yellow gold colors with the sun and the stars. Faience, natural clays and enamels , always conserving the traditional method dating back to the 16th century. Not to confuse this beautiful piece with The nice handmade pieces by the artisans from pueblo Mexico...

A cream or water jug / pitcher with elegant scrolled moulding, an eau de nil ground colour with yellow and gilt leafy scrolls, with a jay on one face and a landscape on the other Pattern unknown Year: 1854 Size: 143m (5.1”) from handle to mouth, 14cm (5.75”) tall Condition: a crack in the top of the handle with associated line in the body, some crazing but the jug is stable and good for use The Samuel Alcock factory was operative in Staffordshire between 1822 and 1856, after which it was bought by Sir James Duke and Nephews. The factory started as a partnership between the young Samuel Alcock and the older Ralph Stevenson, who provided the factory and capital. Alcock quickly took the factory to great heights, building one of the biggest factories of its time. Alcock jumped on the new Rococo Revival fashion and served a huge new middle class market. The reason we now don't hear much about Samuel Alcock porcelain is that much of it has been mis-identified over the years and attributed to Coalport, Ridgway, Rockingham or others; Alcock did not mark any of his porcelain save a few rare pieces, and the numbering system is difficult to understand. However, the wares are still wide spread and many are of great quality. This jug forms part of the Murray Pollinger Collection of Samuel Alcock Porcelain. Most of the collection is not publicly available yet, but if you would like to get access to the first 100 lots, please sign up for our mailing list...

“I have been creating artworks and installations for a long time. Then over the past several years, pottery has absorbed most of my expressive energy. I follow an empirical, yet intu...

“I have been creating artworks and installations for a long time. Then over the past several years, pottery has absorbed most of my expressive energy. I follow an empirical, yet intu...