Antique French Barbotine Pottery Bulbous Vase with Figures Circa 1890

An antique vase by Roseville offers art pottery construction with bookend form having floral element in relief, base signed as photographed, c1930 Measures - 5.25'' H x 5.25'' W x 5...

An antique mug by Owens offers art pottery construction with hand painted floral decoration and standard glaze, c1890 Measures- 5''H x 4.75''W x 3.5''D C...

An antique vase by Weller offers art pottery construction in bulbous form with dogwood flower design, maker signed on base as photographed, c1940 Measures- 5.75'' H x 7.25'' W x 7.2...

Antique Villeroy & Bach Mettlach Aesthetic Pottery Pitcher with Stylized Flowers C1890 Measures - 14.75"h x 7"diam

An antique and large pottery vase in the manner of Satsuma offers pottery construction with engraved and hand painted pond scene with swans and stylized cloud elements, c1920 Measur...

A large antique Art Nouveau vase by Weller offers art pottery construction in stylized triangulated bottle form and having foliate elements in relief, maker marked on base as photogr...

French Olive pottery vase, Circa 1930.

Sumida Gawa pottery garniture. Japan, circa 1890-1900.

Pair of antique jasperware vases by Adams Pottery, circa 1780 English, c. 1780 Height 27cm, diameter 10cm This remarkable pair of neoclassical blue jasperware vases stands as a testament to the sublime artistry and finesse of William Adams, an eminent member of the illustrious Adams pottery family of the 18th century. The vases showcase an exceptional three-dimensional frieze in crisp white relief, vividly portraying scenes from classical mythology. Central to these intricate designs are Apollo, the Greek god of sun and music, and Cupid, the divine symbol of love and attraction. The high-relief technique lends the figures a sense of dynamic realism, setting them vividly against the blue jasperware, and are excellent examples of neoclassical decorations. Complementing the classical friezes are formal borders that encircle the shoulders of each vase. These meticulously crafted embellishments contrast brilliantly with the blue Jasper, accentuating their own elaborate detailing. Adding to the grandeur of these pieces are the tall plinth bases, which are graced by classical figures emblematic of the four seasons, also in white relief. These figures not only augment the classical look of the vases but also represent the perennial cycle of life and the passage of time. The bases also feature classical friezes to the sides and bottom. Each vase proudly bears the unmistakable 'ADAMS' impression, signifying their provenance and certifying their authenticity. This signature mark is a cherished attribution to their creator, William Adams, and his significant contribution to the heritage of pottery. William Adams, a favoured pupil of the legendary Josiah Wedgwood, established his own pottery in 1789 and became renowned for his work with Queensware, painted china glaze ware, transfer ware, basalt, and jasperware until his death in 1805. The Adams family...

French brown pottery pitcher circa 1900.  

French terracotta from the 19th to the mid-20th century. This kind of pitcher was used to keep the well water cool. This jug kept the marks of the fire when it was put in the oven to bake the earth. This gives very authentical and aesthetic nuances to the patina of the all pitcher. The top was glazed to make this part more resistant to handling and pouring water...

A fine antique miniature Moorcroft pottery vase. In the Pomegranate pattern. With a mottled yellow ground and polychrome decoration throughout. Likely made for and retailed by Liberty & Co. ca. 1910-1911. Marked to the base with an impressed M, 53, and a William Moorcroft signature. Simply a wonderful and rare Moorcroft miniature...