Very Good Quality Early 20th Century Oval Tray

The ribbed circular body fitted with loop handles and a removable pierced mazzarine, the front engraved in script ‘Chez Henri’. The underside bearing impressed makers marks for John ...

Two fine quality early 20th century silver-plated gallery trays of oval form, consisting of a very large drinks tray / serving tray with an undulating & pierced gallery with open han...

Art Deco silverplate tray featuring the 7 muses. No markings, hand hammered body silver plate with cast center decoration which is silver over copper. Each figure is 3"H, overall wea...

A fine antique English silverplate on copper footed gallery serving or barware drinks tray with handles. Marked "EP on copper England" on reverse. This gorgeous tray is solid and hea...

Art Deco tray, with silver plated rim and handles. The central piece is mahogany. The tray is marked with small hallmarks 'HDR', maker unknown. Light polishing spots can be seen on 1...

This is a beautiful WMF Art Nouveau silver plated visiting card tray Circa 1900 in date. Depicting a female figure in a long, flowing diaphanous dress, the train forming the double sided tray, with the impressed maker's mark and stamped '169' to underside. This exquisite casket could house anything from trinkets, keys, sweets to jewellery. Whatever you choose to use this item for you are sure to do it in style. Condition: In excellent condition with no dings, dents or signs of repair. Please see photos for confirmation. Dimensions in cm: Height 22 x Width 34.5 x Depth 16.5 Dimensions in inches: Height 9 inches x Width 1 foot, 2 inches x Depth 6 inches WMF In 1853, Daniel Straub, a miller from Geislingen, joined forces with the Schweizer Brothers to form the "Metallwarenfabrik Straub & Schweizer" in Geislingen. This was the second company to be founded by Straub - previously in 1850, from the nucleus of a small repair workshop, which he had set up to work on the construction of Geislingen's famous railway incline, he had founded Maschinenfabrik Geislingen. This company was involved mainly in manufacturing mill turbines and traded throughout Europe. As early as 1862, the young company distinguished itself by winning a gold medal at the World Exhibition in London. In 1866, following the departure of the brothers Louis and Friedrich Schweizer, the company was renamed Straub & Sohn" (Straub & Son). The company showroom, built in 1868 in Berlin, gradually evolved to become the company's first retail outlet. Three years later, the company was already employing 60 workers. By 1880, the number of employees had grown to approximately 200 and the company was already producing 960 different items. 1880 saw the merger between Straub & Sohn and "Ritter & Co.", Esslingen, to form a public limited company under the name of Wurttembergische Metallwarenfabrik. At the time of the merger, Ritter & Co.'s Esslingen factory was already using the electroplating method of silver plating and had the more modern production facilities at its disposal. Straub's company, on the other hand, was the more profitable of the two. 1892 saw the development of a special technique for silver plating cutlery, whereby the silver is distributed in a way that, at the points of the cutlery most exposed to wear and tear, the coating is twice as thick as elsewhere. This process was patented and is still in use today. Known nowadays as 'Perfect Hard Silver plating' the technique remains exclusive to WMF. Under Carl Hugele the company gained international standing. At the turn of the century the factory in Geislingen employed 3,000 workers. By 1910, this number had already grown to 4,000, making WMF the largest company in Wurttemberg at this time. Sales catalogues were printed in twelve languages. Subsidiary companies in London, Warsaw and Vienna opened up export markets. Under the direction of Albert Mayer the WMF studio was influenced by the art nouveau style. The product range was modernized and considerably extended. In 1905 WMF acquired a majority holding of the Cologne company Orivit AG, which manufactured products from "Orivit", a tin alloy. As of 1925, products created by the Contemporary Decorative Products Department (NKA) made their debut on the market. This department was set up under the direction of Hugo Debach in order to establish the name of WMF amongst consumers interested in art and design. This department was responsible for producing the special "Ikora" finish, which has earned an important place in the annals of art history. The "Ikora" brand name referred to a specific method of treating the surface of the metal, by which layers of coating were applied in a partly chemical and partly heat induced process. A host of newly developed hand-finishing techniques enhanced the possibilities for adding decorative flourishes to the products. Despite being mass produced, every item looked as if it had been individually crafted. At the end of the war the company had lost its foreign assets, associated factories...