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Regency Spode Porcelain Imari Fruit Coolers, Covers & Liners, Pattern 2957

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  • Regency Ridgway Porcelain Fruit Coolers, Covers and Liners
    By Ridgway Porcelain
    Located in Downingtown, PA
    The Ridgway porcelain coolers are decorated in pattern #1173. They have a circular body raised on three dolphin feet and trefoil base and painted with flo...
    Category

    Antique Early 19th Century English Regency Serving Pieces

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  • Regency Spode Imari Punch Bowl, Pattern # 2283
    By Spode
    Located in Downingtown, PA
    Spode Imari Bowl, Pattern # 2283, Spodes New Stone China, Circa 1815-1820 The beautiful Spode new stone Imari punch bowl is painted in Imari col...
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    Antique Early 19th Century English Regency Barware

    Materials

    Ceramic

  • Regency Spode Porcelain Botanical Specimen Dish
    By Spode
    Located in Downingtown, PA
    Spode Porcelain Botanical Specimen Dish, Bulbocodium vernum, commonly called Spring Meadow Saffron, After William Curtis Circa 1810-20 The botanical is after William Curtis's The B...
    Category

    Antique Early 19th Century English Regency Platters and Serveware

    Materials

    Porcelain

  • Regency Spode Neo-Classical Greek Pattern Blue Tazza
    By Spode
    Located in Downingtown, PA
    Spode Neo-Classical Greek Pattern Tazza Early-19th century The Spode pottery underglaze blue Greek pattern has an oval shaped top with a central des...
    Category

    Antique Early 19th Century English Regency Pottery

    Materials

    Pearlware, Pottery

  • Regency Spode Pottery Neo-Classical Greek Pattern Blue Dish
    By Spode
    Located in Downingtown, PA
    Regency Spode Pottery Neo-Classical Greek Pattern Blue Dish, Bellerophon's Victory Over Chimera, Early-19th century The Spode Greek pattern pottery, sh...
    Category

    Antique Early 19th Century English Neoclassical Pottery

    Materials

    Pearlware, Pottery

  • George III Brass Bound Mahogany Cellaret with Liner on Beautifully Carved Stand
    By Thomas Chippendale
    Located in Downingtown, PA
    Flowers or Champagne? Or Both? George III Brass Bound Mahogany Wine Cooler or Cellaret, Third-quarter of 18th century The George III brass-bound mahogany wine cooler or cellar...
    Category

    Antique Late 18th Century English George III Planters and Jardinieres

    Materials

    Brass

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  • Pair of Porcelain Urn Form Fruit Coolers with Covers and Liners
    By Stône, Coquerel, and Legros d'Anisy
    Located in New York, NY
    Pair Footed Fruit Coolers, about 1810-20 Stône, Coquerel, and Legros D’Anisy, Paris (active 1808–49) Porcelain, partially transfer printed in sepia and green and gilded Each, 13 1/2 in. high x 10 in. wide x 7 1/2 in. deep Signed and inscribed (on underside of one top and one base, with printed mark): STÔNE / COQUEREL / ET / LE GROS / PARIS / PAR BREVET D’INVENTION: Manufre de Décors sur Porcelaine Faience; variously inscribed with decorators’ initial in green and brown (on underside of one top and one base): M; variously inscribed with incised mark (on underside of one liner and both bottoms): 3; inscribed (in blue script, on the inside of one liner): 615 The Parisian firm of Stône, Coquerel, and Legros d'Anisy is distinguished for the important role that it played in the introduction of transfer-printed decoration on fine china in France. Although the process had been known and used in Great Britain since the eighteenth century, it was, according to Régine de Plinval de Guillebon in her book, Porcelain of Paris 1770–1850 (New York: Walker and Company, 1972), not until 1802 that Potter, Blancheron, Constant, Neppel, Cadet de Vaux & Denuelle took out a patent in France for transfer-printing on earthenware, and it was only on February 26, 1808, that John Hurford Stône, his brother-in-law, Athanase Marie Martin Coquerel, and Francois Antoine Legros d'Anisy not only took out a patent for transfer-printing on china, but also established a Stône, Coquerel, and d'Anisy partnership for the manufacture of transfer-printed ceramics. Their address from 1808 until 1818 was at 9, rue de Cadran, Paris. Prior to this, Stône and Coquerel had been partners at a creamware factory in Creil, France, and Legros d’Anisy had worked at the Sèvres factory, where he had apparently developed the transfer-printing technique for which his own firm became well known. “The process,” notes de Guillebon, was “based upon removing from the engraving a ‘pull’ made on a specially coated filter-paper, which was pressed onto the object to be decorated; this object itself was covered with a film. Firing took...
    Category

    Antique Early 19th Century French Neoclassical Wine Coolers

    Materials

    Porcelain

  • Spode Porcelain Teacup, Imari Tobacco Leaf Pattern 967, Regency ca 1810
    By Spode
    Located in London, GB
    This is a beautiful teacup and saucer made by Spode in about 1810. The set is decorated with the famous Imari Tobacco Leaf pattern 967, which was first introduced by Spode in 1806. ...
    Category

    Antique 1810s English Regency Porcelain

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  • Spode Porcelain Teacup Trio, Red Imari Dollar Pattern, Regency, ca 1810
    By Spode
    Located in London, GB
    This is a beautiful orphaned teacup made by Spode in about 1810. It bears a beautiful Japanese-inspired Imari pattern. Spode was the great pioneer among the Georgian potters in England. Around the year 1800 he perfected the bone china recipe that has been used by British potters ever since, and he was also the leading potter behind the technique of transferware, making it possible for English potters to replace the Chinese export china, which had come to an end around that time, with their own designs. This was fundamental to a thriving industry that would last for about 150 years and provide half the world with their tableware. Spode porcelain is regarded as one of the highest quality porcelains around; for a soft-paste porcelain it is surprisingly hard and fine, and has a wonderful bright white colour. The pattern on this can is called "Dollar" pattern, a very famous pattern that was used by English potters in the 18th and early 19th Century. It is obvious why it is called “dollar” - but its origin is less obvious! It is thought that this pattern was derived from a very old Chinese pattern depicting a tree with elaborate foliage that hides a Chinese character representing longevity or happiness. Traditionally, this went with a an image called “Taotie”, which was used on very ancient bronze vases...
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    Antique Early 1800s English Regency Porcelain

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  • Regency Mahogany Wine Cooler
    By Charles Heathcote Tatham
    Located in Greenwich, CT
    Very fine Regency sarcophagus form wine cooler in highly figured mahogany after a design by Charles Heathcote Tatham, the faceted top over tap...
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    Antique 1810s English Regency Wine Coolers

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    Regency Mahogany Wine Cooler
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  • Regency Mahogany Wine Cooler
    Located in Essex, MA
    Regency mahogany wine cooler. Sarcophagus form.
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    Antique 19th Century British Regency Wine Coolers

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  • Regency Mahogany Wine Cooler
    Located in Essex, MA
    Sarcophagus form with domed hinged top with flat surface. Conforming beveled case with side lions head brass handles. Lions paw feet.
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    Antique 1810s English Regency Wine Coolers

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