Beatrice Wood Signed Volcanic Iridescent Gold Luster Studio Pottery Bowl Plate

Famed California Mid-Century Modern artist Beatrice wood signed bowl featuring her highly coveted deep ash blue iridescent lustre/luster glaze. In certain light, the glaze radiates as a purple hue in some areas. The glaze runs down the sides and gathers in areas underneath. This piece comes with an interesting history/ provenance. This piece came from Beatrice's personal collection. She was using it as a coin and key holder in her Ojai house which accounts for the cracks in the glaze. It was gifted to Maria Anderson who assisted Beatrice around her home. We considered having the work restored but because of its history feel that it offers more value to the next owner as shown. This was apparently the condition it was given in as Wood was famous for noting about her work that objects that are not quite perfect are simply that...perfect because of their imperfections. A very Wabi-Sabi view. Flawed Beauty. We love the piece and the history. Signed with her customary "Beato" on the underside. Would be an amazing addition to any collection of her work or a fabulous, eye-catching Stand-alone piece in any setting, Mid-Century Modern or otherwise. Know famously in the art world as "The Mama of Dada...

Famed California Mid-Century Modern artist Beatrice Wood signed bowl featuring a unique pink lava glaze and piercing blue crackle glass in the cente...

Wonderfully dripped glazed thin-walled (learned no doubt from her time with the Natzlers) bowl by master potter Beatrice wood. Signed by the artist on the underside of the base. Would be an amazing addition to any collection and sure to stand out. Know famously in the arts world as "The Mama of Dada...

A wonderful gem of a piece by famed American/California ceramicist Beatrice Wood featuring her highly coveted, gorgeously radiant turquoise luster glaze. A beautiful design with a delicate long neck rising from a circular base. Classic and timeless. Signed by Beatrice in her customary "Beato" on the underside of the base (with noted inventory number). Would be an amazing addition to any Mid-Century Modern pottery collection or personal collectors of her work or a fabulous stand-alone accent piece in about any setting. One of the best Beatrice Wood's luster glaze vases we have come across in quite a while. Know famously in the art world as "The Mama of Dada", Wood lived a long (1893-1998) and very fruitful, creative life and is considered by many experts and collectors alike to have been a centerpiece in the modern ceramic art movement of the 1950s, 1960s, and 1970s. At one point in her career, Wood studied with master potters Otto and Gertrud Natzler and later become famed in her own right for her distinct luster-glazing techniques. In 1994, the Smithsonian Institution named Wood an "Esteemed American Artist". Her other awards include: 1994 Governor’s Awards for the Arts (California) 1993 Recognition as A Role Model by Women in Film 1992 Gold Medal for Highest Achievement in Craftsmanship, American Craft Council 1988 Distinguished Service Award, Arizona State University 1987 Fellow of American Craft Council Women’s Art Caucus, National Award (NCECA Award) 1986 Women’s Building Award 1984 Living Treasure of California 1983 Symposium Award of the Institute for Ceramic History 1961 Goodwill Ambassador from USA...

An exceptionally rare and fine early piece by famed American ceramist Beatrice Wood featuring a dynamic and unique design. The colors illuminate like stained glass under the glaze wh...

A relatively rare and wonderfully hand-painted charger featuring a mischievous cat by famed American/ California ceramist Beatrice Wood. The portrait of the feline features Wood's un...

A truly wonderful design piece, and one of my favourite pieces, is this hand-built wood fired three cornered triangular studio pottery dish of scul...

An impressive Cornish studio pottery bowl applied with barnacle designs by Bob Fierek and dating from the latter 20th century. The bowl is of wide rounded form standing on a narrow r...

A stunning Canadian studio pottery miniature bowl decorated in yellow glazes with an associated pottery stand by Lane Gordon Thorlaksson (Canadian, 1937-2009) dated 1976. Lane Gordon Thorlaksson was born in 1937 in Winnipeg, Manitoba and moved to Vancouver as a child. In his twenties, he represented Canada in the 1959 Chicago Pan-American Games, running alongside Henry 'Harry' Winston Jerome in both the 100 yard and 220-yard dash. Following this, he attended San Jose University of California and in 1966 received a BFA in Ceramics. Working with clay was Thorlaksson’s passion. He was fascinated with Asian ceramics, in particular the Song dynasty Chinese pot forms and glazes. In 1985, the Mayor of Vancouver, Mike Harcourt, visited China on a goodwill mission for the twinning of Vancouver with Guangzhou China. As gifts, he took with him several of Thorlaksson’s ceramics and presented them to Cao Yun-ping, Secretary-General of the People's Municipal Government of Guangzhou. The pieces were well received and local Chinese potters were interested to learn about his glazing techniques. In 1987, Thorlaksson was invited to visit China’s Guangzhou University to exhibit more of his work. He was aided in this exchange by Joanne Mah, the Director of Intercultural Training and Educational Consultants (ITEC), who had worked with the Harcourt exchange. In 1988, she and her husband sponsored a pre-gallery showing of Thorlaksson’s ceramics at the ITEC’s Hong Kong office, prior to an exhibition at Alvin Gallery in Hong Kong. Thorlaksson was celebrated and introduced to academics and the media, including the head of ceramics at the Guangzhou Institute of Fine Arts. Local Chinese potters were eager to learn about his firing techniques, which used multiple firings to create special glaze characteristics. They were also intrigued to understand how he designed his own stands as an integrated part of his presentation. Unlike Asian potters who used wooden stands, Thorlaksson produced his stands in clay, matching each stand in aesthetic and tone to its pot. This two-part process elevated his pieces to sculpture. He believed that ceramics should be viewed as fine art and not craft. He was inspired by the female form and was quoted as saying 'Most potters make pots; I make parts of people'. The bowl is of wide squat rounded form with a fold over rim and is decorated in pale yellow glazes over a brown ground and stands on a narrow round unglazed foot. The design is probably based and inspired by a Chinese brush washer...

A large and stylish studio pottery bowl decorated with an abstract feather patterned design in a grey powdered glaze by David Leach (1911-2005) and probably dating from his early day...

Simon Moore studio hand made ceramic, pottery bowl, free form. White color, signed. Japanese style, very delicate and light.

A unique hand painted British studio pottery bowl decorated with a nude by Eric James Mellon and dated 2002. The porcelain bowl stands on a narrow rounded foot and is decorated in as...