Oak More Folk Art

An exceptional and rare Arts & Crafts framed needlework of a young girl with sheep dating from the latter 19th Century. The needlework is very finely c...

A very handsome 17th century Arte Populaire armchair from Queyras, France. Soundly constructed from walnut and oak with curvilinear arms. This beautiful chair is dated 1645. Measure:...

An incredible and rare 19th century American hand-woven oak-splint tobacco leaf basket with a bent-wood handle on each corner, wood runners on the bottom, and the most wonderful pati...

1900s antique Italian oak barrels for vinification Wax finished. The transport quote for the USA and Canada is customized according to the destination, make the request with zip code...

Quirky object this wooden arm and hand. Great patina.

Square Belgium 18th century Baroque oak and iron casket.   

Thick oval-shaped cutting board, hand carved in French oak. Extremely decorative and features a channeled groove designed to catch juices and drippings when cutting meats.

The staves and handle are both made of oak with a mahogany base. Most of the poem label still remains on the exterior bottom; "I was made in Nantucket, I’m strong and stout. Don’t lo...

French, early 20th century cigar cutter as a model of a guillotine. The guillotine mechanism works and releases well. Rare and unusual curio for a desk or a shelf. The ba...

A large mid to late 19th century Lechetier Barbe & Co hand cranked artist studio easel Provenance, the studio easel was the property of Hugh Richard Hosking known as Dick Hosking (1904-91). Dick trained as a mural painter at the Royal College of Art (1924-1928) and was Principal of Coventry College of Art (1948-1964). Some of his work is located in the Leamington Museum and Art Gallery, some public commissions are still in situ he also designed The Martyr's Mosaic in the Foyer of the east entrance of Broadgate house Coventry By repute of the family the easel was originally from the Studio of Augustus John, as Dick was a close friend. Augustus Edwin John was a Welsh painter, draughtsman, and etcher. For a short time around 1910, he was an important exponent of Post-Impressionism in the United Kingdom The easel is oak in construction with its original turned oak and cast iron winding crank, the crank turns a cast iron crown wheel and pinion attached to a spiral. Right-hand level adjustment key on the bottom strut, original cast iron castors. The easel has its original black and gilt paper label on the reverse that is just legible and very fragile. The easel is off solid construction, with age related ware, with paint and pigment residue were expected. L&B were brush makers in Paris from the 1810s: The Barbes and the Lechertiers were linked by marriage and begun trading at 60 Quadrant, Regent St in 1827 selling musical inurement's then in 1844 registered as artists’ colourmen selling lay figures, pigments, brushes, easels and the like. In 1859 the business was trading as Lechertier Barbe & Co (the same as our easel). L&B moved to 95 Jermyn St...

18th century English or Welsh oak chest of drawers having molded top over three drawers with brass button pulls, standing on (later) turned bun feet, t...

A small cider pitcher in staved oak with copper banding and handle, possessing a lovely dry and untouched surface, French, mid-19th century. Treen