Antique Native American Pottery Olla, Acoma, 19th Century

Acoma Olla (storage jar), Polychrome with abstract foliate motif. Earthenware with slip glazes, dimensions measure 11 ½ inches tall and 11 inches diameter. ...

Antique 19th century Native American (Plains Indian) roach headdress made with dyed deer hair and porcupine guard hair on a u-shaped braided cloth with...

Constructed of native tanned hide with trade beads and horse hair, this doll is wearing a traditional period dress and moccasins. A nomadic tribe, the Sioux territory included parts...

Apache Basketry Olla with Crosses, woven of natural fibers, willow with devil's claw, circa 1910. The basket measures 12 ¼ height x 9 inches diameter. ...

Antique Sioux (Native American/Plains Indian) Parfleche in a box form constructed of rawhide and intricately painted in an abstract design with hourglass and geometric motifs with natural pigments and red trade cloth. At the time this was created, the Sioux Indians were nomadic and are associated with vast areas of the Great Plains of the United States including present-day North and South Dakota, Minnesota, Nebraska and Montana. Authenticity is guaranteed. Box is in very good condition - please contact us for a detailed condition report. Parfleches are rawhide containers which were fundamental to the Plains way of life. Functioning essentially as protective travelling suitcases, they enabled the nomadic tribes to effectively pursue buffalo herds and migrate between seasonal camps. So critical were they to a nomadic existence that over 40 tribes are known to have historically produced parfleches. Collectively, these tribes inhabited an area which encompassed the entirety of the Plains, as well as the parts of the Southwest, the Transmontane and Western Plateau regions. Parfleches were, out of necessity, robust and versatile objects. They were designed to carry and protect within them anything from medicinal bundles to seasonal clothing or food. In fact, it was because of the containers’ robusticity and variety that parfleches earned their name in the Anglo world. Derived from parer (to parry or turn aside) and fleche (arrow), the word parfleche was coined by 17th century French Canadian voyageurs and used to describe indigenous objects made from rawhide. Despite their common utilitarian function, parfleches served as one of the major mediums through which Plains Indian tribes could develop their long-standing tradition of painting. In fact, it is in large part due to the parfleche that tribal style emerged. Even though parfleche painting developed simultaneously with beading and weaving, painting as an artistic tradition held particular importance in tribal culture. Believed to have evolved from tattooing, it had always been used as a conduit through which tribal and individual identity could be expressed. As such, many tribeswomen were deeply committed, some even religiously, to decorating their parfleche either with incised or painted motifs that were significant to them and/or the tribe. For some tribes, such as the Cheyenne, the decorative processes which surrounded parfleche production were sacred. For others, it seems that their parfleche designs shared an interesting artistic dialogue with their beadwork, indicating a more casual exchange of design motifs. This particular relationship can be seen in Crow parfleche...

A blackware jar by San Ildefonso Pueblo potter, Maria Poveka Martinez (1887-1980), signed "Marie" on base. The jar is from circa 1930 and created in the a...

This unique polychrome Native American seed pot is round in form and decorated in an array of geometric shapes with a figural design on top. The colors are de...

A very fine Acoma Pueblo, late 19th century polychrome Olla. Painted dark brown and orange design on a white ground, with large areas fired gray. Shrinkag...

Hand thrown and painted pictorial Acoma top rim with geometrics below. Hand thrown, thick walled, signed on bottom B. Concho, Acoma, N.M. Primitive and "folky." Period: Mid-20th century Origin: Acoma Size: 12" H x 11" W Family Owned & Operated Cisco’s Gallery deals in the rare, exceptional, and one-of-a-kind pieces that define the history of America and the Old West. Our pieces range from American Indian to Cowboy Western and include original items of everyday life, commerce, art, and warfare that tamed America’s frontier. Our 14,000 square foot gallery opened in 1996 in beautiful Coeur d’Alene, Idaho. Personal Service Cisco’s operates on old fashioned values – honesty and integrity, and all of our items are backed by our money back guarantee. We appreciate the opportunity to earn your business. Whether you desire assistance with a jewelry purchase, choosing a gift, identification, or even selling – we hope to be your trusted source.   Native American, Pottery, Acoma Olla...

Wonderful bulbous form antique Native American Apache Olla Basket, circa early 1900s, with vertical geometric columns interspersed with animal figur...

Athabaskan snowshoe pair with wood frames having finely woven sinew front and back with heavy rawhide centers. String wrapped toes and wonderful golden patina. Ex. James B. Scoville ...

A pair of round Acoma pueblo pottery vessels. Each is decorated with intricate geometric designs and natural pigment paints of black, brown, and orange on white clay. They are handmade from native Acoma clay, and pit fired in the traditional fashion. The Acoma Pueblo is a Native American pueblo approximately 60 miles west of Albuquerque, New Mexico. Four communities make up the village of Acoma Pueblo: Sky City, Acomita, Anzac, and McCartys. Maker: Reyes Pino of the Zia Pueblo...