Antique Black Americana Portrait American Lawyer, Signed 1862

American Folk Art Pyrography At Its Finest This is an original and beautiful 23 inch by 19.25 inch hand-painted and hand incised work of art on board of ...

American folk art Pyrography pair Flying Ducks. This is an original and beautifully detailed hand incised work of art on wood panel of five (5) flying ducks. This unique work of art is hand incised using pyrographic techniques. It is signed lower left E. H. Hart. Dimensions: 9.75 iniches wide and 12 inches high. Provenance: Old New England collection. History of the Pyrography: py·rog·ra·phy is the art or technique of decorating wood or leather by burning a design on the surface with a heated metallic point. Pyrography was particular popular during the last quarter of the 19th century and first quarter of the 20th century About E.H. Hart Hart, Ernest Huntley 'Ernest H. Hart' (New York City, 1910 - Florida, 1985). An American painter, printmaker, illustrator, and author, Ernest Huntley Hart...

From an important thirty year old New England collection of American Folk Art Pyrography Arthur Grinnell Fire Screen (1854-1924) This original circa 1910 fire screen- framed pyrogr...

From an important thirty year old New England collection of American Folk Art Pyrography Robert Ball Hughes (British-American, 1804-1868) This original period framed 1866 pyrography on wood panel was created after the painting by Sir John Gilbert (English, 1817-1897) with detailed description and dedication written on the back of the panel using the same technique. A photographed rubbing of the reverse dedication will be included and is part of this description (photo). Frame: 20 inches high and 28.5 inches wide; Site: 13.25 inches high and 22 inches wide This painting depicts the episode from Shakespeare’s Henry VI Part II Act III Scene V in which Sir John Falstaff inspects the recruits mustered by Justice Robert Shallow and his cousin Silence. Falstaff sits in a chair surrounded by his cronies whilst Bardolph leads Bullcalf forward. Hayman’s treatments of Falstaff reviewing recruits are perhaps among the most successful depictions of a theatrical scene in British painting. The tableau vibrates with the energy that he brought to his Vauxhall supper box scenes of games and dancing, and is filled with the humour and observation of his portraiture. Every figure is in motion and proclaims its own individuality. About Robert Ball Hughes (British-American, 1804-1868) Known as Ball Hughes and also using that as a signature, this man was a sculptor and wax-portrait artist. He was born in London, England, and died in Dorchester, Massachusetts. He studied and exhibited at the Royal Academy in London as well as at the Pennsylvania Academy of the Fine Arts and the National Academy of Design in New York City. He emigrated to New York in 1829, having earned much prestige in England. In New York, he received many commissions for portrait busts in bronze and wax. Among his subjects were John Trumbull, Alexander Hamilton, and Washington Irving. From 1838 to 1840, he worked in Philadelphia and from 1840, worked in Boston. In his final years, he began to produce pyrographic wood pictures (pyro engravings or "poker pictures"), including The Witches of MacBeth (c. 1840), Babylonian Lions (1856), Don Quixote in His Study (1863), The Trumpeter (1864), General Grant...

19th century Russian Icon of Saint Nicholas, likely first half 19th century, with I believe egg tempera on gessoed wooden panel, depicting Christ in a h...

The original pen and ink drawing by Lester O. Schwartz Signed and dated 1938 ' 'Untitled' nude study of a man and a woman, the male figure giving the female a haircut. Dimensions: Size 48 x 39 x 1.5 cm Size within borders 30.5 x 22 cm Weight: approximately 1 Kg Condition: Great condition, a few age-related marks, one small wood chip on the inner wooden border, general wear and tear, great. Lester O. Schwartz American 1912-2006 Biography Painter, printmaker and sculptor, was born on 29 June 1912 in Manitowoc, Wisconsin, where he attended Lincoln High School. He later studied at the school of the Art Institute of Chicago where he was greatly influenced by the teaching of Boris Anisfeld, a Russian American painter and theater designer. His student work was included in the School of the Art Institute Annual Exhibitions in 1936 and 1937. In 1937, the Art Institute of Chicago award Schwartz the Edward L. Ryerson Traveling Fellowship of $2,500.00, which he used to travel the South Pacific, Asia and Europe. During two years of travel, he studied at he American Academy in Rome and the Académie Colarossi in Paris. Upon his return to the United States, Schwartz worked for the WPA in both Wisconsin and Illinois and in the 1940s he served in the United States Army at Fort Leonard Wood...

Vintage pencil sketching of young nude girl's Signed by Artist Made in England, 1968 Exhibited in Balcombe Galleries, Stanley Studios, Ch...

Antique Victorian Americana watercolor portrait of a young boy dressed in blue and holding a horn. Signed P. Hackett on the back of the frame.