Antique Painting on Copper, "The Mockery of Christ”

Splendid antique icon designed 1300 and 1400, Italian manufacture. The painting is on a rectangular wooden panel. The painting depicts the Virgin Mary seated on a throne with Jesus Christ in her arms. The 12 apostles...

Beautiful pair of Sphinx made of bronze skillfully worked, sealed to a green alabaster base. The sphinxes have an excellent workmanship and are depicted winged. Finely chiseled. In e...

Splendid 17th-century Italian painting by unknown artist, but certainly a follower of Caravaggio, relying on style and drawing. The painting has a very beautiful gilded wooden frame, with a subtle greek with spheres and an overlying rectangular frame with sinuous flowers on each corner, very elegant and beautiful. The painting depicts one of the most depicted religious scenes ever, the scourging of Christ, and is entirely done in oil on copper. The scourging of Jesus is an episode narrated in the Gospels (Mk15:15-16; Mt27:26-27; Lk23:16-26; Jn19:1-17[1]). Scourging is a flogging, particularly bloody, by means of sticks, rods or cat-o-nine-tails, the latter instrument consisting, in the Roman typology, of a short stick to which were secured several strings ending in metal claws, leads and bone splinters that caused tremendous lacerations and fractures to the tortured person. Chains are used in this scene, both to immobilize Jesus Christ and to flog him, as we can see in the upper right hand of the scourger. According to some personal research, it turned out that the actual scourging of Christ was mostly depicted at the column, while this Christ is on the ground, so presumably Christ here is scourged during the Way of the Cross at one of those stages where he fell. The painting has a very dark coloring, which is why this painting is believed to faithfully follow Caravaggio's style of dry, authoritarian brushstrokes. The painting shows a figure agonizing on the ground that continues to receive beatings and floggings of all kinds, representing Christ; his face is crucified in a loquacious expression of pain, he turns his eyes to heaven as if to invoke God, but at the same time those same eyes admonish the wickedness and arrogance inherent in humanity. Christ has one hand resting on the ground in the act of holding himself, while the other takes a completely unnatural stance against the barren ground. His body appears hardened to wanting to parry the blows, his legs are curled up on his knees as he takes kicks from the soldier above him. Christ is depicted pinned down from the neck with a very large and strong black iron bolt held by the other soldier. The soldier on the right in the foreground wears a one-shoulder tunic with an orange tunic and blue pants. On his feet he wears gray shoes, at his waist he has a belt with an iron helmet...

Antique and very rare Japanese painting made in the early 1900s by a fine Japanese manufacturer. The painting has a rectangular brass frame with rounded corners. Internally we see a...

Beautiful framed wooden canvas from the end of the 19th century. The reference narrative is the one found in the Acts of the Apostles (Acts 2:14-42) in which Saint Peter starts pre...

Majestic Old Gothic sideboard of the galloping Queen Holland. The sideboard can also be classified as a tall cupboard . The sideboard is provenance from the very large auction house ...

Early 19th Century Oil Painting of Jesus on Copper Panel. Presented is an early 19th-century artwork, meticulously rendered with oil on a copp...

Cuzco often has unusual iconography but this painting is perhaps unique. Saint Joseph, his hand raised in benediction cradles the child Christ with his own little crown of thorns and...

Antique Italian painting from the early 18th century. Oil on canvas framework depicting a religious subject Christ at the column of good pictorial quality. Painting of beautiful size...

French painting from the second half of the 19th century. Oil artwork on canvas depicting a historical subject, The Last of the Merovingians, a very high quality contemporary copy of...

Obverse: WILLEM • III • KONING • DER • NEDERLANDEN • G • H • V • L •, bust of William III right, J.P.M. MENGER under neck, rosette underneath Reverse: XLI. JAREN. REGEERDE. DE. LAATS...

Artist/ School: Norman A. Olley ( British, 20th Century, 1908-1996), 1996, signed to the front and inscribed verso Title - Bronze Statue of Mary and ...