Vernon Ward "Nude Study", 1953

An Art Deco patinated bronze study of a prowling panther by Henri Molins. Set over an integral marble base. Signed 'H Molins' to marble and bronze. Dimension...

An Art Deco bronze sculpture by Demetre Chiparus (1886-1947) depicting Demeter, the Greek goddess of fertility and the harvest, in a reclining position surrounded by wheat. Signed 'D...

An Art Deco patinated bronze sculpture of a nude woman with arms outstretched in a striding pose. Set over a marble and onyx base. Signed F. Preiss to base. fine original condition, ...

An Art Deco sculpture by Hungarian designer Laszlo Hoenig (1905-1971). A Carved wooden study of a stylised semi nude figure holding a bronze sword and tr...

'Instrument' An Art Deco style contemporary painting by Vera Jefferson depicting various instruments amongst a stylised background. Signed V Jefferson t...

An Art Deco Console table by Serge Ivan Chermayeff (1900-1996) for Waring & Gillows. Satin birch veneered with ebonised banding. Original ebonise...

Female nude a large framed study in charcoal This is an excellent, and due to its size, an imposing piece, an interesting life study and very well executed, there is no evidence o...

In Katlego Tlabela’s imagined and familiar paintings of domestic settings, he responds to South Africa’s persisting economic inequality with bolstered visual fantasies of self-determ...

Architectural Study of a Grand Stone Archway by Maurice Mazeilie (French, 1924-2021) watercolor painting on artist paper, unframed unsigned sta...

"Mother & Child" by Carlos Carnero (Uruguay/ French 1922-1980). watercolour painting, on very thin paper, unframed. Paper: 10.75 x 8.25 inches. Provenance: the artists estate, Paris Fine original French drawing by the important and fascinating painter, Carlos Carnero (1922-1980). The painting has excellent provenance, having come from the artists estate sale in Paris. The artists close connection to one of the 20th centuries most important artists, Fernand Leger is of important significance, with his own work being widely collected and appreciated. The artist: Carlos Carnero (1922-1980), a native of Montevideo, emigrates to Paris and joins Fernand Léger's studio workshop at the end of the 1940s. Located on the Boulevard de Clichy, the workshop-school has some seventy-five students. At the end of his life, Léger elaborates a protest against Cubism advocates the return to the human figure. The head of the workshop, Nadia Khodasievich, brilliant painter, first pupil of Malevich, then of Leger in the mid-1920s, became the assistant thenthe mistress of this one and the wife in 1952. In the workshop, Carlos Carnero, soon nicknamed "Carlos" is noted for his talent and involvement. In addition to art education, the couple Léger entrusts the task of the secretariat of the workshop: movements of the stocks, inventory paintings, material organization of exhibitions. After the death of Léger in 1955, Carlos becomes very close to Nadia, rigorous in the construction of the posterity of the master. With his new companion Georges Bauquier, they found, on their own funds, the museum Fernand Léger de Biot - Carnero gives his assistance. Carnero's style is very close to that of his master, filled with joy and colorful dynamism. At the beginning of the 50's, he tried the cubisante figuration of the portraits of Picasso then adopts the abstract balances between lines, shapes and colors of Léger. Some dates: Classical studies in Montevideo (Uruguay). 1941 to 1946 School of Fine Arts, architecture section (Montevideo). 1947 Travel grant (Italy, Spain, France). 1948 Painting workshop at André Lhote workshop. 1949 Entered the Académie Fernand Léger, first student, then 1949 to 1955 Assistant-collaborator of Fernand Léger. 1955 to 1970 Collaborator of Nadia Khodasievitch and Georges Bauquier. Exhibitions: 1950 Galerie Jeanne Bucher, Paris, Atelier Fernand Léger, Exposition collective, juillet 1950. 1951 Académie des Beaux-Arts, Paris, Atelier Fernand Léger, exposition annuelle, décembre 1951. 1953 Salon des Artistes indépendants, Paris. 1953-1954 Galerie Gentilhommière, Paris, Groupe 53. 1957-1958 Première Biennale de la “Jeune Peinture”, musée des Arts décoratifs, Paris, mai-juin 1957, Francfort, Montréal, 1958. 1959 “École de Paris” à Vienne, Linz, Gratz. Galerie de France, “Cinq peintres – Un sculpteur”. 1960 Galerie Création à Roubaix. Exposition personnelle. 1961 Galerie Pierre Weiller à Paris. Exposition personnelle. Salon des Réalités nouvelles. Palais des Beaux-Arts de Bruxelles. Exposition personnelle, mai 1961. 1962 Musée des Arts décoratifs, Paris, “Antagonismes 2 - L’objet”, juillet-octobre 1962. Galerie Pierre Weiller, Paris, “Poèmes Peints”, mars-avril 1962. Exposition personnelle. Musée d’Art moderne de la Ville de Paris : “L’art latino-américain à Paris”. 1962-1963 Exposition de peinture contemporaine, Communauté européenne, Prix Marzotto. Italie, Allemagne, Belgique, France. Exposition des Artistes latino-américains, Musée d’Art moderne de la Ville de Paris. “Expressions Nouvelles”, Antibes. 1962 à 1965 Salon “Comparaisons”. L’Oeil de Boeuf, Galerie 7...

The Anatomy of a Horse by Robert Ladou (French 1929-2014) original drawing stuck on card/ thick paper, unframed size: 11.25 x 15.5 overall size:...

The Anatomy of a Horse by Robert Ladou (French 1929-2014) original drawing stuck on card in blue folder/ thick paper, unframed size: 14.5 x 9.25 ...