Antique Maina Juan Poster, circa 1930s

Vintage woodblock etchings by Juan Castells Marti. Newly framed with linen mats.

1930s-1940s walnut and oak three-door armoire. Centre door has a cut out centre with bevelled glass and ornate carved detail. All three sections have storage shelves inside. This pie...

This pair of Mid Century​ Edward Wormley for Drexel 'Precedent Collection' lounge chairs are the perfect interpretation of modern design, while preserving cherished elements from the...

This beautiful Chinese pillow box was hand-crafted by artisans to be used as headrest and to store valuables and important documents.

This small antique black iron hanging lantern has a large presence. Newly rewired, it has new mica inserts. A perfect accent in that special space!

We think this Antique Ikebana Pottery Vessel, (c 1920) is outstanding! It is hand built out of rolled-out clay slabs and fashioned into a fantastic lon...

Painted by a school teacher in rural Hautes Pyrenees, France. Based on the Toto, Lili, Rene and Jojo French educational stories. It is likely that the s...

The Following Item we are Offering is A Very Beautiful and Very RARE Original Framed etching and Colorful Lithograph showcasing Beautifully Dressed People in a Cafe in Paris. Circa 1...

This was an estate find and part of a beautiful collection of rare excellent turn of the century posters. They were hidden away for over a 100 years. About the poster: You'd think that a play called 'The New Baby' might feature said child in its promotional material. But here's the thing, there really isn't a baby at the center of the comedy, and that's the crux of this entertainment. The plot concerns a husband who is so bored with country life that he dreams up the idea of having an illegitimate son in London as a way to get into town for an occasional 'night off'. When his wife decides that the child should be adopted, the expected comic tissue of falsehoods and misunderstandings frays and hilarity ensues. Adapted from German by A. Bourchier, the farce opened in London in 1896 to what a local critic termed 'much mirth'. Several years later, when the play had crossed the Atlantic and entered the repertory of David de Wolf - cleverly called the Baby's 'chaperone' on the poster - and his troupe of travelling players, that understated review was translated into the more American howling success'. The cast and director would've been totally unfamiliar with the British hinterlands, so this splendid design concentrates on the hi-jinks of the characters and their situation.' At the start of the 20th century, America was in the full glory of its cultural adolescence, bursting with energy and optimism. In 1900 in New York there were 33 legitimate Broadway theatres, and many more would be built within the next decade to meet growing audience demand. New York's exploding population was also enjoying increased mobility. In 1904, the city opened its first underground commuter railroad lines. Thanks to these 'subways,' tens of thousands living far from the theatre district could catch a Broadway show and still sleep in their own beds. Add in the ever-increasing numbers of tourists who came into the city by rail and steamship, and it was easy to see why Broadway could now support more productions and longer runs than ever before.' We believe this magnificent and awe inspiring poster typifies the best of musical history and musical posters...

This WW2 patriotic 'Victory Bonds' poster shows no printers signature, but the original image was done by Bruce Stapleton for the Canadian war effort in app...

Hand drawn anatomy poster.

This is a vintage British WWI Poster, urging viewers to "Fight with National War Bonds." The poster features a woman in classical robes, hosting a British flag in an outstretched hand, with an impassioned and urgent look on her face. The poster was printed in England by Hill, Siffkin, & Co, circa 1917-1918. During WWII, England relied heavily on the willingness of its citizens to lend money...