Francis Bacon Lithograph Poster, Signed and Numbered 91/200

Original exhibition poster of Picasso, Framed, Edition of 2000, Printed by Schwenk-Wilk, Francfort, 1965, Germany, 1965. Measures: 58 x 84 cm. Bib...

Jeff Koons balloon dog (Yellow), 2015, porcelain, signed and numbered on the back: 240/2300, Bernardaud edition, 2015, USA. Measures: Height 27 cm, diameter 27 cm. Certificate...

Chubac Albert (1925-2008), Sculpture, Large iron sculpture painted in primary colors, Signed, dated 1991 and numbered 3/3, France. Measures : Hei...

Keith Haring, Original poster of an exhibition in 1991 Paper, Italy, circa 1991 Modern baguette frame. Measures: Width 70, height 85 cm.

Diego Giacometti (1905)1985), La Promenade ses Amis carpet, circa 1985, wool, With a label woven inscribed GIACOMETTI and numbered 87/ A-100 on the underside. This lot is number 1...

Eduardo Chillida (1924-2002), Composition 1990, Black felt pen on paper, Dedicated: "Pour Jean-Claude Duret, Cordialement", Signed in the bottom right corner, Spain. Measures: 37 x...

W24 D32 H2 Vintage signed lithograph in excellent condition. Item contents and frame are well preserved. Item is ready to hang.

Hand drawn anatomy poster.

1955 Musee des Arts Decoratifs Picasso exhibition poster. Printed by Mourlot. Dimensions: 27.25"H x 19.5"W.

Original lithograph by the artist titled: La Luce diffidenta / The Distrustful Light. Lithograph is signed at the bottom right and numbered 98/125. Created in 1993. A certificate of...

This was an estate find and part of a beautiful collection of rare excellent turn of the century posters. They were hidden away for over a 100 years. About the poster: You'd think that a play called 'The New Baby' might feature said child in its promotional material. But here's the thing, there really isn't a baby at the center of the comedy, and that's the crux of this entertainment. The plot concerns a husband who is so bored with country life that he dreams up the idea of having an illegitimate son in London as a way to get into town for an occasional 'night off'. When his wife decides that the child should be adopted, the expected comic tissue of falsehoods and misunderstandings frays and hilarity ensues. Adapted from German by A. Bourchier, the farce opened in London in 1896 to what a local critic termed 'much mirth'. Several years later, when the play had crossed the Atlantic and entered the repertory of David de Wolf - cleverly called the Baby's 'chaperone' on the poster - and his troupe of travelling players, that understated review was translated into the more American howling success'. The cast and director would've been totally unfamiliar with the British hinterlands, so this splendid design concentrates on the hi-jinks of the characters and their situation.' At the start of the 20th century, America was in the full glory of its cultural adolescence, bursting with energy and optimism. In 1900 in New York there were 33 legitimate Broadway theatres, and many more would be built within the next decade to meet growing audience demand. New York's exploding population was also enjoying increased mobility. In 1904, the city opened its first underground commuter railroad lines. Thanks to these 'subways,' tens of thousands living far from the theatre district could catch a Broadway show and still sleep in their own beds. Add in the ever-increasing numbers of tourists who came into the city by rail and steamship, and it was easy to see why Broadway could now support more productions and longer runs than ever before.' We believe this magnificent and awe inspiring poster typifies the best of musical history and musical posters...

Vijaypath was a Bollywood action hit in 1994. It's critically acclaimed soundtrack topped charts across the world and became one of the most recognizable in India's history. The film...