Female Figure with Phalus-Shaped Head with Provenance

Neoclassical floor lamp with heads decor, gold patinated metal, circa 1940.

Fantastic hand blown Murano glass fish by alberto Dona, signed.

Alexander Kosolapov (Russian/American, b. 1943) "Mickey Lenin Malevich" Bronze sculpture and wood base ( inspired by Malevich Arkhitektons) Provenance : Galerie Vallois Expo sept/oct. 2010 Model Presented at the exhibition 'Alexander Kosolapov: Lenin and Coca-Cola' at the Moscow Museum of Modern Art. (29 Nov 2017?—?11 Feb 2018 Bronze with a golden brown patina, height 39 cm,H with “Malevich base” 132 cm Signed "A. KOSOLAPOV" and numbered ? on the bronze base on the reverse, title provided by the artist Condition: Bronze perfect, small dirt on the base (certificate of authenticity provided) N.B. Alexander Kosolapov's sculptures, paintings, and prints provoke harsh criticism, sometimes censorship, and often humor. His jokes are not partisan—they poke at both Russia and the United States. He appropriates imagery from Soviet history, pop culture, religion, and art history that he combines in often subversive ways. Taking a cue from Andy Warhol, Kosolapov delights in iconic symbols of American consumerist culture. For Kosolapov, these include Mickey Mouse, Marlboro, and Coca-Cola, images of which he links with political and religious figures central to Russian culture, including Stalin, Lenin, and Christ. He never forgets his place in the continuum of art history, often including some nod to artists who preceded him. In Mickey-Lenin, the major players are obvious: Mickey Mouse and Vladimir Lenin, and the connotations come easily: East-West, Russia-United States, communism-capitalism, good-evil, and high-low. Kosolapov modeled the figure's body after statues of Lenin by the Soviet sculptor Nikolai Tomsky, and its pose is that of a classical Roman figure sculpted in the traditional medium of bronze. Kosolapov developed the idea for Mickey-Lenin shortly after immigrating to the United States in 1975. He found the discarded plastic head of a Mickey Mouse toy, took it home, and placed it atop a small sculpture of Lenin that he kept on his desk. Kosolapov identifies with a movement known as Sots Art. Developed in Moscow in the 1970s by the art duo Komar and Melamid, Sots Art (an abbreviation of "socialist pop art") reacted against the conformist...

Polished metal, excellent condition Can be sold separately upon request.

Francisco Xavier de Viveiros Costa (1914 / 1997) Low relief in plaster depicting an African scene, in a woodframe Signed and dated 1941 161,5x215,5 cm supplied with wall hanging brackets , Native of São Miguel...

Bronze couple, with original antique green patina by Germaine Nordmann, Ecole de Paris, Susse Fondeur, circa 1940. Signed and numbered. Measurements...

A yam ancestor TOTEM pole from the mid-Sepik River region of Papua New Guinea. Carved out of a solid wood by the Abelam people, who cultivated yams as their main crop, the pole featu...

An Epa helmet mask, Nigeria, Africa. Fully carved mother and child; painted red and black with touches of white; Provenance: The Children's Museum of Indianapolis; The Eiteljorg Mu...

Strong standing female figure with wonderful black braided hair style. From the Ewe people of Ghana, West Africa. Powerful muscular body and wide open eyed expression. Nice patina...

Standing Akan Ghana female figure, early 20th century, Africa. Intense expression with large eyes. Female figure with one hand on her breast, representing presenting nourishment from...

Akan, Ghana, shrine figure, a standing female figure with black hair and details, remains of white pigment, with arms out holding a bottle, includes custom metal base. Probably a fig...

Seated female figure on classic Akan stool holding a sword. From the Ewe people of Ghana, West Africa. Created as three separate pieces that fit together for display, figure, stool ...