Large African Mbole Copper Currency, Mid to Late 20th Century, D.R. Congo

A fantastic pair of large African gourd storage vessels with native repairs, early to mid 20th century, Ethiopia or Kenya. This pair of dried and hollowed gourd vessels would origin...

A whimsical and intriguing headrest carved from a single piece of hardwood in the form of an anteater. The curved back of the animal would have supported the neck and displays a wonderfully warm patina from tribal use. The anteater's over sized head has been carved in a charming manner. Found in Sumatra, but most likely traded from Irian Jaya.

A beautiful and unusual gilt bronze figure of a Bodhisattva, possibly Amoghapasha, Nepal, early to mid-20th century, circa 1930s or 1940s. The regal figure possibly depicting the bodhisattva Amoghapasha, the Unfailing Lasso. The enlightened being is portrayed seated upon a high double lotus pedestal. He is dressed as an Indian prince, wearing a luxurious foliate patterned dhoti around his waist and a billowing scarf around his shoulders. . His torso bare save for the jeweled necklaces and the sacred thread. A five pointed crown with an image of Amitabha Buddha in the central point graces his head. His princely face cold painted with beautiful detail, his hair colored blue with crushed lapis lazuli, indicating his peaceful nature. Amoghapasha holds a lasso in one hand, an axe in the other. He is considered an emanation of Avalokiteshvara. A bodhisattva of compassion, Amoghapasha is so named because of the lasso he holds in his hand. The lasso represents his vast compassion which is thought to extend to encompass all beings, bringing them into a state of perfection and enlightenment. The copper base plate, seemingly a later replacement, has been inscribed with a visvajra (double vajra...

A fine Ashanti maternity figure by the master carver Osei Bonsu. The mother figure is seated on a simple backless chair. An infant lays calmly in her la...

A large and impressive vintage gilt bronze figure of the tantric Buddha Vajrasattva, the Diamond Thunderbolt, mid 20th century, Nepal. Crafted of cast and richly gilt bronze, Vajrasattva sits in vajrasana, or full lotus position, his torso slightly bent at the waist. He holds an upright vajra scepter in one hand, raised at heart level. His other hand, resting on his hip, would originally have held a a ghanta, or bell, which is now missing. He is festooned in jewelry, including a five pointed crown, earrings, necklaces and armlets, all studded with coral and turquoise beads. His long hair falling in elegant tresses around his shoulders, the rest tied up in a high chignon topped by a vajra. Vajrasattva wears a dhoti covering his lower half. The dhoti intricately cast and carved with a scrolling vegetal design, and featuring images from the Ashtamangala, or Eight Auspicious Emblems, including the conch, endless knot, and double fish. Scarves billow out around his arms. The tantric Buddha sits upon a tall double lotus throne, the back with more intricately cast decorations of dragons and lotus blossoms against dense vegetal scrolls. The base sealed with a dented copper plate inscribed with a visvajra, or double vajra...

A lovely Nepalese gilt bronze figure of Manjushri, the Bodhisattva of Wisdom, early to mid 20th century. The Bodhisattva of Transcendent Wisdom ...

Hoe-Shaped Currency "Mbili Ngbaka," Ngbaka, D.R. Congo 20th century Iron, accumulation 16 x 7 in. / 41 x 18 cm Height on custom display stand: 18.25 in. / 46 cm This interesting type of iron currency was used for major transactions such as dowry payments. The two wings added to the lower tips of the hoe underline the non-utilitarian character of this type of currency (Ballarini, "The Perfect Form...

Beautiful patina on this 20th century copper African currency. Celebrating the cracks and crevices found in this unusual large size. This item was sou...

Time honored texture and form define this Nigerian copper sculptural object. The intricate geometry was achieved through a process known as scarification. The artisan would meticulou...

Ceremonial comb, Luba People, Zaire, D. R. Congo Made of palm leaf midribs, this large, graphic comb has a pinched waist and is held together with finely wrapped wire. Presented o...

Cut-Pile Raffia Panel, Shoowa People, a northern group of the Kuba, D.R. Congo A fascinating example of a cut-pile prestige cloth from the Shoowa people,...

20th Century bark cloth painting, Mbuti (Efe) people, Ituri Forest, D. R. Congo A painted barkcloth from the Efe people in the Ituri forest of no...