Shona Stone Sculpture "Sheltering Soul" Norbert Shamuyarira (Zimbabwe, b. 1962)

A very fine French, 19th century Patinated bronze group of a Crouching Native American Indian on the lookout, in a dark brown patina and raised on a veined green marble base, by Edou...

A superb quality and palatial pair of French 19th century lifesize cast-iron sculptures - torcheres of Native American Indians titled "L’ Indienne" designed by Jules Salmson (French, 1823-1902) and Cast by Le Fonderies d'Art du Val d'Osne, each standing figure representing a Native American Indian male and a female scantily dressed in their native robes, one arm raised holding a light-torch with an opaline glass globe, both wearing earrings, seashell necklaces and arm-braces, raised on cylindrical cast-iron stand. Signed/cast on each pedestal: “VAL D’OSNE”. (Electrified). Paris, circa 1870-1880. Overall hHeight: 127 inches (322.6 cm) Pedestal height: 39 inches (99.1 cm) Indian man's width: 22 inches (55.9 cm) Indian man's depth: 26 3/4 inches (68 cm) Indian woman's width: 28 inches (71.1 cm) Indian woman's depth: 25 inches (63.5 cm) These fantastic and impressive pair of cast-iron sculptures, most likely representing Hiawatha and Minnehaha, were probably comissioned to Le Fonderies d'Art du Val d'Osne for export to the America's to decorate governmental buildings and parks which makes these pair a rare find and now available for a private collection. Iron sculptures were preferred over bronze for outdoor park and building decorations for their long lasting resistance to all types of weather conditions. An identical pair of sculptures, also by Val d' Osne, are currently exhibited at the National Garden of Congress in Santiago, Chile. View Pages No. 87, 88, 89. Another identical pair are also currently exhibited at The Musée de la Ville - Indian Museum "O Indio do Museo da Cidade" in Rio de Janeiro, Brazil. Another identical pair decorate the front of the Ópera Teatro Amazonas, Manaús, Brazil. A single figure of the female Indian...

Emil Wu¨nsche (German, 1864-1938) a large overlaid brass figure titled "JAGDHUND MIT FASAN" (A Hunting Hound-Dog with its Pheasant Prey). The beautifully executed model of a hound, d...

Eugène Blot (French, 1830-1899) "An Evening at The Opera House" a fine and rare French 19th century polychrome and parcel-gilt spelter figure of a lady sea...

After Julien Dillen (Belgian, 1849-1904) A Large Carved Marble Sculpture of "Femme au Bouquet" depicting a kneeling young nude girl with a bouquet of ro...

A very fine French 19th century brown and parcel-gilt patinated bronze sculpture titled "La Sécurité" (The Security - Protection) after a model by Eugène Delaplanche (French, 1836–1891). Depicting a sitting young Maiden in a gilt-decorated armored suit and helmet, a lion skin on her back, holding a resting child on her arm. Raised on Rouge-Royal marble plinth inscribed "La Sécurité - Par E. Delaplanche - Salon des Beaux-Arts de Paris". Signed: E. Delaplanche and stamped with the importer's seal - Alberto Vignes y Ca - Buenos Aires, circa 1890. Measures: Height: 28 3/4 inches (60.3 cm). Width: 16 inches (40.7 cm). Depth: 14 inches (35.6 cm). Eugène Delaplanche (February 28, 1836 – January 10, 1891) was a French sculptor, born at Belleville (Seine). He was a pupil of Duret, gained the Prix de Rome in 1864 (spending 1864-67 at the Villa Medici in Rome) and the medal of honor in 1878. His "Messenger of Love" (1874), "Aurora" (1878), and the "Virgin of the Lillies" (1884), are in the Luxembourg. Other works by him are "Music - La Musique" (1878, Paris Opera House), called his masterpiece; "Eve After the Fall" (1869); "Maternal Instruction" (1875, Square of Sainte-Clothilde, Paris). He is also noted for his decorations in relief on vases of Haviland faience. His best work is naturalistic, but at the same time dignified and simple in line and shows sound mastery of technique. He is represented by 15 works in the Glyptothek, Copenhagen and in many other French museums and in churches. This sculpture of La Sécurité is after his 1884 sculptures...

Standing 21 inches tall including the custom made iron base this Shona head is carved in Serpentine stone originating in Zimbabwe. It is carved in a strikingly modern way stylizing a...

This comb was fashioned in the hand carved, traditional Makonde style. This fertility comb features a pregnant woman. Generally, local carvers make only a belly and breast comb to be...

A fine shona head rest neck rest Raised on a single central pillar finely carved with geometric designs Shona Zimbabwe Measures: Height 5 inches, width 6...

Authentic tribal piece, early 20th century.

A fine old Baule carving, with a rich golden brown surface patina.

Possibly Babanki. Circular ceremonial wood stool constructed of repeated animal heads. Original applied patina.