Angelo Brotto Style Chandelier, Edited by Esperia, circa 1970.

Angelo Brotto Style, Esperia Edition, Table lamp, White leather and golden brass, With lampshade, Signed Esperia (Edition), circa 1980, Italy, Measures : Height: 101 cm, leather ba...

Isamu Noguchi (1904-1988), Akari Suspension Model 33N, Washi paper, Edition Ozeki & Co, Ltd. With its original box, United States, circa 1970. Measures: 158 x 40 x 40 cm. Isamu Noguchi was born on November 17, 1904, in Los Angeles. His Japanese father was a poet and his American mother a writer. In 1906, the family moved to Japan. He was sent to Indiana for schooling in 1918, and in 1922 he apprenticed to the sculptor Gutzon Borglum in Connecticut. For the next two years, he was a premedical student at Columbia University, New York, and took sculpture classes at the Leonardo da Vinci Art School, also in New York. Noguchi decided to become an artist and left Columbia in 1925. A John Simon Guggenheim Memorial Foundation Fellowship in 1927 enabled him to go to Paris, where he worked as Constantin Brancusi’s studio assistant. In Paris, he became friendly with Alexander Calder, Stuart Davis, and Jules Pascin. Noguchi returned to New York in 1928 and the following year showed abstract sculpture in his first solo show at the Eugene Schoen Gallery. In 1930, Noguchi traveled in Europe and Asia, studying calligraphy in China and pottery in Japan. In New York during the early 1930s, he associated with Arshile Gorky, John Graham, Chaim Gross, and Moses and Raphael Soyer, and introduced social content into his work. He began to design playgrounds, furniture, and theater decor, executing the first of numerous sets for Martha Graham. During World War II, Noguchi became a political activist and voluntarily spent seven months in 1941–42 at a Japanese-American relocation camp in Arizona. In 1949, he was given a solo show at the Egan Gallery, New York. In Japan in 1950–51, he designed gardens, bridges, and monuments and developed his akari (paper lanterns). He showed at the Stable Gallery, New York, in 1954 and 1959. Noguchi’s first solo show in Paris was held at the Galerie Claude Bernard in 1964. The Whitney Museum of American Art, New York, honored him with a major retrospective in 1968. Throughout the 1970s, Noguchi continued to make large outdoor sculpture and fountains...

In the style of Kérylos, Neoclassical suspension, Composed of a multi-layered glass basin with acid-free decoration of antique muses and bronze, circa 1...

Gaetano Pesce, wall sconce, Meritalia production, edited by "The Pesce," polyurethane resin, circa 2000, Italy, piece unique. Measures: Height 80 cm, diameter 80 cm, depth 11 cm....

Alessandro Mazzucotelli, luster, iron, signed, circa 1900, Italy. Measures: Height 120 cm, diameter 60 cm.

Venini, white opaline luster, black glass, circa 1960, Italy. Height 87 cm, diameter 70 cm.

Rare and distinctive "Marziale" chandelier designed by Angelo Brotto and produced by Esperia 1970. Six arm star ceiling base from which is suspended 6 solid polished rods of solid wa...

A unique of the period 1970s Angelo Brotto for Esperia chandelier from Italy. Finished in textured painted and plated steel. Partially restored and rewired with 12 E12 candelabra bas...

Rare Angelo Brotto 3-lights chandelier for Esperia, circa 1960, Italy. Each pendant made of two parts of opaline glass attached by a metal circle with an ...

Stunning mid century Venetian Murano Chandelier in brass and smoked glass. This outstanding piece was designed in Italy during the 1970s. by Esperia Murano. The Chandelier has a be...

A unique and beautiful pendant chandelier by designer Angelo Brotto, (1914-2002) made for Esperia in blown Murano glass with white vertical lines, the interior fitted with a fringe w...

Beautiful chandelier by Angelo Brotto for Esperia Italia, brass ramified structure with 16 arms. The arms in the second row are slightly leaning outward. Dimensions: Height: 27.55" ...