Adjustable Brass Wall Pendant by Hans Bergström for ASEA Belysning, Swedish Mode

Wonderful pendant lamp 'Carolin' model T549/3 designed 1963 by Hans-Agne Jakobsson for his own company in Markaryd, Sweden. A nickel plated frame with an original shade newly redress...

Large 1960s Hans-Agne Jakobsson for Ellysett Pine Chandelier. This is a rare chandelier designed by Hans Agne Jakobsson for Ellysett. This piece is made of pine veneer in a stepped s...

High quality ceiling lights in brass, lacquered metal and glass. Simple cubist shapes and superb color matching give these lamps something extra. The lamp parts...

Handmade Brutalist brass pendant made of twelve plates of acid treated and flame cut brass in two layers designed by Svend Aage Holm Sørensen for his own company Holm Sørensen & Co. It was manufactured in Denmark in the 1960s, known as the poppy pendant...

A pair of magnificent table lamps by Carl Fagerlund for Orrefors, Sweden. These lamps consist of six discs made of clear crystal glass stacked on a brass base. Condition: The lamps a...

A desk lamp designed by Anders Pehrson for Atelje Lyktan in the early 1970s. Adjustable in all directions. Two lamp holders for 25 W and 40 W witch make it possible to have three di...

Rare wall lamp attributed to Hans Bergström. Produced by ASEA belysning during the 1950s. Brass lamp arm that easily adjusts and can be elongated. the chord can also be raised or low...

Chandelier in brass with shades of frosted opaline glass by Hans Bergström for ASEA, Sweden, 1950s. This small chandelier was made with an impressive sense for quality and design. Gr...

Rare ceiling lamp designed by Hans Bergström. Produced by ASEA in Sweden.

A brass and glass, 3-light chandelier designed by Hans Bergström and produced by ASEA, Sweden, 1950s. Dimensions of canopy (inches) : 3.12 x 3.25 x 3.25 (Height x Width x Depth)....

Hans Bergström for ASEA Belysning, wall light, brass, matted glass, Sweden, 1950s This cone-shaped wall light is held by filigree brass details ending in a small rectangular plate. Due to the matted glass in opaque white the light gets smooth and cozy. The combination of the golden metal and the white matted glass creates a beautiful design. Hans Bergström (1910-1996), a luminary figure hailing from the realm of Swedish architecture and design, was born on November 4, 1910, in Karlshamn, Sweden. After his completion of secondary school in 1927, Hans embarked on an internship at Ystad Metall, a local craft industry situated near his grandfather's farm. In 1929, he sought further education and enrolled at the esteemed School of Art and Design in Stockholm. Remarkably, even before his graduation from this institution, at the age of twenty, Hans showcased his prowess as a designer for Ystad Metall at the prestigious Stockholm Exhibition in 1930. In the 1920s, Hans encountered his future wife Verna during the summer holidays in his native town of Karlshamn. In 1934, the couple jointly established the company ateljé Lyktan, a venture that combined their collaborative efforts in luminaire design and various artistic pursuits. Bergström undertook various commissions spanning a wide range of architectural environments, including churches, private residences, and public buildings. It was from this point forward that Bergström spearheaded a revolution in Swedish luminaire manufacturing, fundamentally transforming the perception and application of electric lighting in the coming decades. During the advent of the 1950s, the emergence of plastic as a novel material in modern lighting captured Hans' attention. As the United States gradually introduced plastic as a material of significance, Bergström encountered a method involving the application of sprayed plastic onto a rotating wire frame, facilitated by a spray gun. Interestingly, this technique bore certain resemblances to the later approach employed by Achille & Pier Giacomo Castiglioni in the creation of their Viscontea Lamp...

Hans Bergström for ASEA Belysning, wall light, brass, matted glass, Sweden, 1950s This cone-shaped wall light is held by filigree brass details ending in a small rectangular plate. Due to the matted glass in opaque white the light gets smooth and cozy. The combination of the golden metal and the white matted glass creates a beautiful design. Hans Bergström (1910-1996), a luminary figure hailing from the realm of Swedish architecture and design, was born on November 4, 1910, in Karlshamn, Sweden. After his completion of secondary school in 1927, Hans embarked on an internship at Ystad Metall, a local craft industry situated near his grandfather's farm. In 1929, he sought further education and enrolled at the esteemed School of Art and Design in Stockholm. Remarkably, even before his graduation from this institution, at the age of twenty, Hans showcased his prowess as a designer for Ystad Metall at the prestigious Stockholm Exhibition in 1930. In the 1920s, Hans encountered his future wife Verna during the summer holidays in his native town of Karlshamn. In 1934, the couple jointly established the company ateljé Lyktan, a venture that combined their collaborative efforts in luminaire design and various artistic pursuits. Bergström undertook various commissions spanning a wide range of architectural environments, including churches, private residences, and public buildings. It was from this point forward that Bergström spearheaded a revolution in Swedish luminaire manufacturing, fundamentally transforming the perception and application of electric lighting in the coming decades. During the advent of the 1950s, the emergence of plastic as a novel material in modern lighting captured Hans' attention. As the United States gradually introduced plastic as a material of significance, Bergström encountered a method involving the application of sprayed plastic onto a rotating wire frame, facilitated by a spray gun. Interestingly, this technique bore certain resemblances to the later approach employed by Achille & Pier Giacomo Castiglioni in the creation of their Viscontea Lamp...