Chandelier In The Style of Angelo Lelli, Arredoluce Production, circa 1970.

In the style of Kérylos, Neoclassical suspension, Composed of a multi-layered glass basin with acid-free decoration of antique muses and bronze, circa 1...

In the style of Giacometti, Iron bench, Skaï seating, painted iron, France, circa 1970. Measures: width 200 cm, depth 52 cm, height 73 cm.

In the style of Pierre Chapo, important coffee table, Wood decorated with lattice work in its centre, Rectangular tray, H base and spacer, F...

"Kerylos", in the style of Emmanuel Pontremoli, Six chairs, Greek Model in wood and woven leather, Inlay of square shaped bones, Curved feet,...

Oval wall mirror in the style of Maison Jansen. Gold-plated brass and iron, France, circa 1970. Measures: Height: 85 cm, width 72 cm, depth: 5 cm.

Isamu Noguchi (1904-1988), Akari Suspension Model 33N, Washi paper, Edition Ozeki & Co, Ltd. With its original box, United States, circa 1970. Measures: 158 x 40 x 40 cm. Isamu Noguchi was born on November 17, 1904, in Los Angeles. His Japanese father was a poet and his American mother a writer. In 1906, the family moved to Japan. He was sent to Indiana for schooling in 1918, and in 1922 he apprenticed to the sculptor Gutzon Borglum in Connecticut. For the next two years, he was a premedical student at Columbia University, New York, and took sculpture classes at the Leonardo da Vinci Art School, also in New York. Noguchi decided to become an artist and left Columbia in 1925. A John Simon Guggenheim Memorial Foundation Fellowship in 1927 enabled him to go to Paris, where he worked as Constantin Brancusi’s studio assistant. In Paris, he became friendly with Alexander Calder, Stuart Davis, and Jules Pascin. Noguchi returned to New York in 1928 and the following year showed abstract sculpture in his first solo show at the Eugene Schoen Gallery. In 1930, Noguchi traveled in Europe and Asia, studying calligraphy in China and pottery in Japan. In New York during the early 1930s, he associated with Arshile Gorky, John Graham, Chaim Gross, and Moses and Raphael Soyer, and introduced social content into his work. He began to design playgrounds, furniture, and theater decor, executing the first of numerous sets for Martha Graham. During World War II, Noguchi became a political activist and voluntarily spent seven months in 1941–42 at a Japanese-American relocation camp in Arizona. In 1949, he was given a solo show at the Egan Gallery, New York. In Japan in 1950–51, he designed gardens, bridges, and monuments and developed his akari (paper lanterns). He showed at the Stable Gallery, New York, in 1954 and 1959. Noguchi’s first solo show in Paris was held at the Galerie Claude Bernard in 1964. The Whitney Museum of American Art, New York, honored him with a major retrospective in 1968. Throughout the 1970s, Noguchi continued to make large outdoor sculpture and fountains...

Stunning ceiling lamp in the style of Angelo Lelli / Arredoluce, manufactured in Italy, circa 1950. The lamp is made of the highest quality brass. It is made of plastic covered me...

Each glass: Diameter 13 cm x Height 20 cm E14 bulb.

Rare Chandelier by Angelo Lelli for Arredoluce. Designed and manufactured in Italy, circa 1950. Five-arm chandelier with colorful acrylic top half shades and opaline glass bottom dif...

Spectacular grape colored metal and pale gray pearlized lucite saucer shaped chandelier having eight translucent panels, with three interior b...

Glass and brass pendant by Angelo Lelli for Arredoluce. Literature: Bibliography Domus, n. 390, 1962.

This incredibly rare mesh wire version 'Vela' chandelier was presented in 1957 at the second Mostra Selettiva del Mobile di Cantù in Italy Made of a mesh wire 'kite' with, brass har...