Brass Chandeliers and Pendants

Very rare small mid century "PH 2/2" ceiling pendant in patinated brass, bakelite and original yellow opaline glass shades by Poul Henningsen produced by Louis Poulsen Denmark, 1930s...

About This Product The well-known functionalist architect, Vilhelm Lauritzen designed the VL 56 Pendant for Folkets Hus, in Vesterbro Copenhagen. Originally designed and built for th...

Early original "PH-lamp" pendant made in 1929 at Louis Poulsen, Copenhagen. This is the rare "3 ½-3" sized pendant with original matte glass shades and patinated bronze bayonet socke...

Poul Henningsen PH 5 brass pendant for Louis Poulsen. Poul Henningsen introduced his iconic PH 5 pendant light in 1958. To celebrate, Louis Poulsen is puttin...

Vilhelm Lauritzen VL45 'Radiohus' pendants for Louis Poulsen. Executed in hand blown glossy white opal glass, brushed brass pendant tube, whi...

Vilhelm Lauritzen VL45 'Radiohus' pendants for Louis Poulsen. Executed in hand blown glossy white opal glass, brushed brass pendant tube, white m...

Very rare small mid century "PH 2/2" ceiling pendant in patinated brass, bakelite and original white opaline glass shades by Poul Henningsen produced by Louis Poulsen Denmark, 1930s....

VL56 pendant lamp by Louis Poulsen VL56 pendant lamp by Louis Poulsen in polished brass or chrome. Designer Vilhelm Lauritzen Please note that brass surfaces are not treated. This m...

Louis Poulsen hanging lamp Design by Vilhelm Lauritzen, 1960, Denmark The pendant lamp by Vilhelm Lauritzen for Louis Poulsen from the 1960...

Pendant in opaline glass designed in 1939 by Maa. Vilhelm Lauritzen for the building that housed the Danish national radio. Made by Louis Poulsen in 1939. Great condition.

Delicate but strong copper and brass suspension lamp made in the 1850s in England. The lamp is well patinated and shows traces of time and use. Some minor pealing paint in the inside...

Spectacular copper and brass nickeled suspension lamp made in the 1930s at the famous Louis Poulsen factory. The lamp come in few parts which includes 3 copper shades. Easy to fix install. The lamp remain in excellent condition and is ready to be used as she got a new cable in cotton. You can see lots of patina and traces of time. It becomes really hard to find a good PH lamps these days. _____________________________________________________________ Poul Henningsen est le fils illégitime de l'auteure Agnès Henningsen et de l'écrivain satirique Carl Ewald. Il a passé une enfance heureuse dans une maison moderne qui a été souvent visitée par les intellectuels de la région. Entre 1911 et 1917, Poul Henningsen suit une formation d’architecte sans pourtant en obtenir le diplôme. Durant les années 1920, Poul Henningsen a fait sa percée littéraire. Il a édité la revue Kritisk Revy (1926-1928, "Examen critique») dans laquelle lui et ses collègues méprisent le style ancien et le conservatisme culturel, reliant ainsi les thématiques politiques de l'époque . En même temps, il débute comme écrivain pour une revue sur les bienfaits d'une vie simple, en harmonie avec la nature et une sexualité plus libre . Il était l'homme qui a fait des revues danoises des armes politiques au service de aile gauche sans abandonner son caractère de divertissement (la soi-disant PH-revues 1929-1932). En 1933, il édita son ouvrage le plus célèbre Hvad med Kulturen? ("Qu'en est-il de la culture ?") Une critique polémique, audacieuse et urgente de la vie culturelle danoise avec son snobisme et sa nostalgie du passé, en dépit de tous les efforts de la percée du modernisme. Il a essayé de faire un parallèle entre la pruderie, moralisateurs et penchants fascistes; il a également accusé les sociaux-démocrates de manquer d'une ligne culturelle ferme et conséquente. Ce livre ainsi que ses activités dans son ensemble lui ont donné une réputation de semi-communiste ("compagnon de route"). Dans cette période, il se tenait en fait proche des communistes sans les rejoindre. Il a participé à la propagande anti-fasciste, en essayant toujours de faire des connexions entre la culture et la politique. Parmi ses autres initiatives durant cette période, il y a eu Danmarksfilmen en 1935, (en français : Le Film du Danemark) aussi connu comme Danmarksfilm PH. C'est un film sans prétention et non traditionnel dépeignant la vie contemporaine dans le Danemark d'une manière vivante et un peu irrespectueuse dans lequel les visuels sont saccadés par les rythmes de jazz. Il a été condamné et déchiré par la plupart des critiques, mais il est plus tard réhabilité et est devenu l'un des classiques des films documentaires danois. Il a également écrit des manuscrits de films. Pendant la Seconde Guerre mondiale et l'Occupation allemande du Danemark il a gardé un profil bas et s'est enfui vers la Suède en 1943. Après la guerre, il s'est dissocié du communisme qui lui reprochant son humanitarisme de façade dans son attitude lors de l'accord conclu avec les nazis ainsi que pour son scepticisme croissant au sujet de l'Union soviétique et à bien des égards, il a été isolé. Cependant, il a continué à écrire et à débattre, et au cours des années 1960, la nouvelle génération à de nombreux égards a fait de lui une sorte de gourou. Dans ses dernières années, il est devenu un membre de l'Académie danoise et a soutenu le nouveau mouvement des consommateurs. À bien des égards, Poul Henningsen est l'homme qui a achevé les travaux de Georg Brandes...

Superb Scandinavian pendant light. A large blue-gray half-sphere above a metal mesh held by a brass handle. Rare, beautifully crafted light fixture.

Vilhelm Lauritzen VL56 Pendant in Polished Brass for Louis Poulsen. The VL 56 Pendant was among the lamps Vilhelm Lauritzen designed in 1956 for the Vega concert hall in Copenhagen....

Mid-Century Modern Scandinavian pendant lamp Doo-Wop light brass by Louis Poulsen. Edition from 2013.

Metal pendant lamp by Verner Panton for Louis Panton made in the 1960s. Measures: Height of shade 15 cm Max height 100 cm Diame...

Rare and early set of brass pendants by Alvar Aalto. This pair manufactured by Louis Poulsen, Copenhagen in the 1960s as model number "16530" The "Hand Grenade" pendant lights were originally designed by Alvar Aalto in 1952 alongside his architectural plans...

Poul Henningsen PH5 mini pendant for Louis Poulsen. Designed 1958, Mini in 2017. New, current production. Poul Henningsen developed the PH 5 in 1958 in response to constant changes made to the shape and size of incandescent bulbs by bulb manufacturers, naming it after the size of the pendant’s main shade, which is 50 cm in diameter. When the lamp was introduced, he wrote, typically daringly, about how he had lost faith that the manufacturers of incandescent light bulbs would ever learn to consider common sense or have the consumer’s best interest at heart: “I have accepted fate, and with Louis Poulsen's permission I have designed a PH fixture, which can be used with any kind of light source, Christmas lights and 100 W metal filament bulbs. Although a fluorescent tube would be too much to ask in the existing form!” At the time, now one knew that the PH 5 would become synonymous with the PH light...

A set of 3 brass pendants designed by Vilhelm Lauritzen and produced by Louis Poulsen, Denmark, c. 1950s. Pendants sold without canopy. Sockets take standard E-26 medium base b...

Small Vilhelm Lauritzen VL45 'Radiohouse' pendant for Louis Poulsen. Executed in thick hand blown glossy white opal glass, brushed brass pendant ...

Louis Poulsen 'Doo-Wop' Pendant, Denmark. Designed in the 1950s, new production. Originally introduced in the 1950's . Was designed in close cooperation between the Navy Buildings Department and Louis Poulsen. The pendant was used for many years in the buildngs of the Navy for many different applications such as canteens and offices. The Navy Pendant...

Louis Poulsen 'Doo-Wop' pendant, Denmark. Designed in the 1950s, new production. Originally introduced in the 1950s. Was designed in close cooperation between the Navy Buildings Department and Louis Poulsen. The pendant was used for many years in the buildngs of the Navy for many different applications such as canteens and offices. The Navy Pendant...

Large Radiohus VL45 Pendant by Vilhelm Lauritzen for Louis Poulsen. Current production designed and manufactured in Denmark. Opaline glass and brass Hardware. Currently, the VL 45 Radiohus...

Rare and important ring chandelier designed in Denmark in 1953 by Mogens Hammer & Henning Moldenhawer for Louis Poulsen. The ring is made from beautifully patinated brass and the oni...

Pendant in opaline glass designed by Maa. Vilhelm Lauritzen and made by Louis Poulsen in 1960s. Great condition.

Poul Henningsen 'PH 2-1 Stem Fitting' Chandelier for Louis Poulsen. This refined chandelier is an addition to the Louis Poulsen PH collection and is based on Poul Henningsen's ori...

Vilhelm Lauritzen brass and glass pendant for Louis Poulsen. Executed in a single hand blown glossy white opal glass and untreated polished brass tube and ceiling canopy. The chandelier emits light directed primarily downwards. The opal glass provides a comfortable and uniform illumination of the area around the fixture. A highly refined and iconic design by one of the Danish modern giants of the midcentury era. Price is per item. Available in 1, 3, 5 and 7 shade models and wall lamp variants in separate listings. Shade height 9.2 inches. Cord height can be adjusted down to desired drop length. These chandeliers were originally designed in the 1930s by Vilhelm Lauritzen in partnership with Louis Poulsen for the construction of the Radiohuset building on Frederiksberg, Copenhagen, which is now home to the Royal Danish Academy of Music. The original VL Ring Crown...

Elegant Satellite suspension and pendant light with a handblown white opal glass shade on a brass stem with a fabric cord designed by Vilhelm Wohlert in 1959. General indirect lighti...

Vilhelm Lauritzen 5-shade brass and glass ring chandelier for Louis Poulsen. Executed in five hand blown glossy white opal glass and untreated polished brass tube and ceiling canopy. The chandelier emits light directed primarily downwards. The opal glass provides a comfortable and uniform illumination of the area around the fixture. A highly refined and iconic design by one of the Danish Modern giants of the midcentury era. Price is per item. Shade height 9.2 inches. Cord height can be adjusted down to desired drop length. These chandeliers were originally designed in the 1930s by Vilhelm Lauritzen in partnership with Louis Poulsen for the construction of the Radiohuset building on Frederiksberg, Copenhagen, which is now home to the Royal Danish Academy of Music. The original VL Ring Crown...

Poul Henningsen PH 2/2 pendant lamp. Shade of white and red laquered copper. Middle and bottom shade of frosted glass. Marked Patented, made by Louis poulsen in the 1930s.

Poul Henningsen brass and glass PH 3½-3 pendant for Louis Poulsen. Executed in white opal glass and choice of brass, chrome or black metallized...

Poul Henningsen was born in Copenhagen by the famous Danish actress Agnes Henningsen. He never graduated as an architect, but studied at The Technical School at Frederiksberg, Denmar...

Poul Henningsen PH 3/2 glass pendants for Louis Poulsen in brass. The PH 3/2 Pendant Light's shades are made of hand blown opal three layer glass, which is glossy on top and sandblas...

Poul Henningsen was born in Copenhagen by the famous Danish actress Agnes Henningsen. He never graduated as an architect, but studied at The Technical School at Frederiksberg, Denmar...

Poul Henningsen was born in Copenhagen by the famous Danish actress Agnes Henningsen. He never graduated as an architect, but studied at The Technical School at Frederiksberg, Denmar...

Vilhelm Lauritzen 7- shade brass & glass ring chandelier for Louis Poulsen. Executed in seven hand blown glossy white opal glass and untreated polished brass tube and ceiling canopy. The chandelier emits light directed primarily downwards. The opal glass provides a comfortable and uniform illumination of the area around the fixture. A highly refined and iconic design by one of the Danish Modern giants of the midcentury era. Price is per item. Shade height 9.2 inches. Cord height can be adjusted down to desired drop length. These chandeliers were originally designed in the 1930s by Vilhelm Lauritzen in partnership with Louis Poulsen for the construction of the Radiohuset building on Frederiksberg, Copenhagen, which is now home to the Royal Danish Academy of Music. The original VL Ring Crown...

Poul Henningsen 'PH Artichoke' Brass Chandelier for Louis Poulsen. The PH Artichoke pendant light was designed in 1958 by Poul Henningsen for the Langelinie Pavillonen restaurant in Copenhagen, where it still hangs today. This iconic lamp has a world-famous unique sculptural aesthetic, and is viewed internationally as an iconic design. The fixture displays...

Poul Henningsen, 1894-1967. PH stem fitting, browned brass, three branches with 2/1 shade in white hand blow opal glass. Produced by Louis Poulsen for a limited time and is no longer...

Poul Henningsen was born in Copenhagen by the famous Danish actress Agnes Henningsen. He never graduated as an architect, but studied at The Technical School at Frederiksberg, Denmar...

Large Poul Henningsen 'PH Artichoke' brass chandelier for Louis Poulsen. The PH Artichoke pendant light was designed in 1958 by Poul Henningsen for the Langelinie Pavillonen resta...

Small Poul Henningsen 'PH Artichoke' brass chandelier for Louis Poulsen. The PH Artichoke pendant light was designed in 1958 by Poul Henningsen for the Langelinie Pavillonen resta...

Poul Henningsen PH 3/2 glass pendants for Louis Poulsen in Black Metallized . The PH 3/2 Pendant Light's shades are made of hand blown opal three layer glass, which is glossy on top ...

Vilhelm Lauritzen 3-shade brass and glass ring chandelier for Louis Poulsen. Executed in three hand blown glossy white opal glass and untreated polished brass tube and ceiling canopy. The chandelier emits light directed primarily downwards. The opal glass provides a comfortable and uniform illumination of the area around the fixture. A highly refined and iconic design by one of the Danish modern giants of the midcentury era. Price is per item. Available in 1, 3, 5 and 7 shade models and wall lamp variants in separate listings. Shade height 9.2 inches. Cord height can be adjusted down to desired drop length. These chandeliers were originally designed in the 1930s by Vilhelm Lauritzen in partnership with Louis Poulsen for the construction of the Radiohuset building on Frederiksberg, Copenhagen, which is now home to the Royal Danish Academy of Music. The original VL Ring Crown...

Jørn Utzon 'Doo-Wop' for Louis Poulsen in the 1950s. This listing is for the brass model. Available in stainless steel, copper, brass and aluminum versions in white and dark gray. Al...

Golden bell pendant in patinated brass designed by Alvar Aalto for Louis Poulsen in 1939. Made in Denmark. Great condition.

A set of two opal acrylic large cylinder pendants designed by Erik Møller for Louis Poulsen in the 1960s. The pendants feature opal acrylic cylinder sha...

Extra large Poul Henningsen 'PH Artichoke' brass chandelier for Louis Poulsen. The PH Artichoke pendant light was designed in 1958 by Poul Henningsen for the Langelinie Pavillonen...

The fixture provides 100% glare-free light. The geometrical, spherical design is based on the principle of illuminating all surfaces at the same angle. This ensures uniform light aro...

Brass construction fitted with three E27 sockets and matte opaline glass shades. Designed in Denmark in 1953 by Mogens Hammer & Henning Moldenhawer for Louis Poulsen. Ø 60cm. Age-rel...

Brass construction fitted with five E27 sockets and matte opaline glass shades. Designed in Denmark in 1953 by Mogens Hammer & Henning Moldenhawer for Louis Poulsen. Ø 90cm.     

Rare and important Poul Henningsen kuglekrone chandelier made by Louis Poulsen in Denmark in the 1930’s. The frame is made of darkend brass with original acid stained glass and black Bakelite. Poul Henningsen (September 9, 1894 in Ordrup – January 31, 1967 in Hillerød) was a Danish lamp designer, architect, revue writer, film director and social activist known by the initials PH. He was the son of the writer Agnes Henningsen and the stepson of MA, vice consul Mads Henningsen. His biological father was the writer Carl Ewald. PH had his own design studio from 1919, where i.a. the architects Hans Hansen and Mogens Voltelen worked on the clean drawing of the PH lamps. PH thought that electric bulbs cast an impossible light - either it was far too bright, or screens swallowed most of the light. He wanted a lampshade that sent the light out into the room at its full strength without dazzling. The PH lamp's three screens ensure that. He experimented in his terraced house until the lamp up in the ceiling, where the walls were painted black. A pram could be driven back and forth on rails. On the wagon, a candle stood on a cardboard plate and shone on a piece of paper with a grease stain through which the light shone. PH called it a photometer and used it for thousands of measurements of light strength and curves. The breakthrough came when a mutual friend, architect Thorkild Henningsen, introduced him to Sophus Kaastrup Olsen, director of Louis Poulsen & Co. This was the start of a lifelong collaboration. Kaastrup Olsen had some lighting fixtures manufactured and sent them to the international exhibition Arts décoratifs et industriels modernes in Paris in 1925. PH won top prizes in all six classes of lighting fixtures. Forum was inaugurated in 1926 with a car exhibition where the PH lamp with glass shades made its debut. About PH's lamps that illuminated the room, B.T. wrote: "- the white birds that flew through the giant hall". Success was assured and PH's dream fulfilled: he had created a product that could be mass produced and he became a wealthy man. His greatest success was the PH5 – the one we know as the PH lamp (with metal shades), but it was only launched in 1958. He also designed the Koglen, the Kuglen and the Charlottenborg Pendlen, which all hang in Designmuseum Denmark. He lived off the income from his famous PH lamps and used the freedom it gave him to write revues such as Ølhunden, which was sung by Osvald Helmuth, and Grabe imter blanke ting (Man bind us by mouth and hand...) , which was about the German censorship, and which was sung by Liva Weel. He began collaborations with Bernhard Christensen and Kai Normann Andersen. Poul Henningsen, in addition to seeing cubism as his style ideal ("the genuine classless art of democracy"), was a functionalist, an atheist, a hater of the church, an advocate of sexual freedom and an opponent of unnecessary ornaments on buildings. Everything had to reflect their function. This is reflected in a number of buildings in Denmark, for which Poul Henningsen was the architect; like his own villa by Gentofte Sø. From 1941 he was architect for the amusement park Tivoli in Copenhagen. At the same time, he took a unique moderate position, because already in his writings in Kritisk Revy he was critical of Bauhaus' "laboratory architecture" and Le Corbusier. He instead recommended a golden mean and thus paved the way for moderate Scandinavian functionalism. Louis Poulsen, eg. Louis Poulsen Lighting A/S, formerly Louis Poulsen & Co. A/S, is a Danish company that manufactures lamps and lighting designed by well-known designers. Previously, the company also had a wholesale company under the name Louis Poulsen El-teknik, which was acquired by Lemvigh-Müller in 2005. The company was founded in 1874 in Copenhagen by Ludvig R. Poulsen (1846-1906) as a wine import company under the name Copenhagen Direct Vin-Import-Kompagni. The company closed in 1878, but continued in the wholesale business. In 1892 - the same year that Copenhagen got its first and the country's second electricity plant - Ludvig R. Poulsen established a business selling tools and electrical articles in Istedgade 1 on Vesterbro in Copenhagen. In 1896, Ludvig R. Poulsen employed his nephew, Louis Poulsen (1871-1934), in the company. In 1906, Ludvig R. Poulsen died, who was succeeded by his nephew as director. In 1908 he moved the headquarters to Nyhavn 11, and in 1911 he admitted Sophus Kaastrup-Olsen (1884-1938) as a partner in the firm, which was then named Louis Poulsen & Co. In 1914 the company's first catalog was published, and in 1917 Sophus Kaastrup-Olsen Louis Poulsen bought out the company for DKK 10,000 and thus became sole owner of Louis Poulsen & Co. In 1918, the turnover reached 5 million. DKK In 1933, Louis Poulsen & Co. opened. a department in Aarhus. From 1938, the company, which was transformed into a limited company on 1 November 1939, was led by civil engineer Emun Rager (1884-1959) as managing director, as Kaastrup-Olsen died that year. When buying Laur. Henriksen's Metalware factory in 1941 went to Louis Poulsen & Co. A/S itself into the production of lighting fixtures. The magazine LP-NYT was launched the same year with Poul Henningsen as editor. A newly constructed building on Sluseholmen in Copenhagen was inaugurated in 1959 and was partly used for the assembly of fluorescent light fixtures and partly for electrical wholesale storage. In the same year, Jens Kaastrup-Olsen became managing director after Emun Rager. In 1964, the wholesale section was expanded by the acquisition of A/S Classen-Smidth, whereby the company gained branches in Odense and Vejle, and in 1965 Laur changed. Henriksens Metalvarefabrik name for Elpefa A/S, which moved to a newly built production hall on Sluseholmen, where all production and assembly of fittings were brought together. In 1967, I/S El-Salg was established. In 1976, Jens Kaastrup-Olsen died and was succeeded as managing director by Hans Cordes. The following year, the metalware production, which was previously an independent company called Elpefa A/S, was merged with Louis Poulsen & Co. A/S. Louis Poulsen's B shares were listed on the Copenhagen Stock Exchange, and a shareholder agreement was concluded between the heirs in 1977 to ensure that the company remained in Danish hands. 1981 Louis Poulsen & Co. bought A/S electrical wholesale section in S.C. Sørensen and thereby got eight electricity wholesale departments included in the purchase. In 1984, Elpefa Handels- og ingeniersfirma was established, in 1985 JO-EL A/S, and in 1987 the group's turnover reached DKK 1 billion. DKK In 1989, Louis Poulsen & Co. acquired A/S Skandia Havemann's El A/S, in 1990 the Danish subsidiary Lightmakers A/S was established, and in 1995 the electrical wholesale section established a special department for telecommunications and data under the name Louis Poulsen Kommunikation. At the same time, the e-commerce system eLPc was introduced. In 1997, Erik Holm became managing director, and in the same year the Lighting Section bought the English company Outdoor Lighting Ltd. The measuring instrument section of Elpefa A/S was separated in 1998 as an independent limited company under the name ELMA A/S. The electrical engineering section simultaneously bought Norsk Elektro Teknikk ASA and Nordisk Elektro Teknik AB. The shareholders' agreement of 1977 led in the 1990s to several family feuds and lawsuits, but in 1999 an agreement was reached. The family allowed themselves to be bought out, while the company remained in Danish ownership. The new owners were the investment consortium Polaris and HD Invest. After the change of ownership, the Louis Poulsen shares were delisted on the Copenhagen Stock Exchange. In the wake of the company's 125th anniversary in 1999, the former A-shareholders and the new owners of the Louis Poulsen Group established a new Danish lighting...

Set of 3 1950s Vilhelm Lauritzen 'Christiansborg' Pendants for Louis Poulsen. Executed in opaline matte glass and brass. A lyrical and elegant Danish modern design with a sculptural form characteristic of Lauritzen's finest work of the era. Vilhelm Lauritzen was one of the most innovative Danish modern lighting...

Elegant satellite suspension and pendant light with a handblown white opal glass shade on a brass stem with a fabric cord designed by Vilhelm Wohlert in 1959. General indirect lighti...

A pair of three-arm "PH Stammkrone" chandeliers by Poul Henningsen. Both featuring 2/1 opal glass shade sets and browned brass hardware. Designed in the 1950s, later limed edition pr...