Mazzega style, Murano Glass chandelier, circa 1980, Italy.

Venini, white opaline luster, black glass, circa 1960, Italy. Height 87 cm, diameter 70 cm.

Alessandro Mazzucotelli, luster, iron, signed, circa 1900, Italy. Measures: Height 120 cm, diameter 60 cm.

In the style of Kérylos, Neoclassical suspension, Composed of a multi-layered glass basin with acid-free decoration of antique muses and bronze, circa 1...

Angelo Brotto Style, Esperia Edition, Table lamp, White leather and golden brass, With lampshade, Signed Esperia (Edition), circa 1980, Italy, Measures : Height: 101 cm, leather ba...

Pair of Medicis vase, Twelve vases available in total, Earthenware, Stamped Enzo Zago, circa 1980, Italy. Measures: Diameter 62 cm, height 71 cm....

Isamu Noguchi (1904-1988), Akari Suspension Model 33N, Washi paper, Edition Ozeki & Co, Ltd. With its original box, United States, circa 1970. Measures: 158 x 40 x 40 cm. Isamu Noguchi was born on November 17, 1904, in Los Angeles. His Japanese father was a poet and his American mother a writer. In 1906, the family moved to Japan. He was sent to Indiana for schooling in 1918, and in 1922 he apprenticed to the sculptor Gutzon Borglum in Connecticut. For the next two years, he was a premedical student at Columbia University, New York, and took sculpture classes at the Leonardo da Vinci Art School, also in New York. Noguchi decided to become an artist and left Columbia in 1925. A John Simon Guggenheim Memorial Foundation Fellowship in 1927 enabled him to go to Paris, where he worked as Constantin Brancusi’s studio assistant. In Paris, he became friendly with Alexander Calder, Stuart Davis, and Jules Pascin. Noguchi returned to New York in 1928 and the following year showed abstract sculpture in his first solo show at the Eugene Schoen Gallery. In 1930, Noguchi traveled in Europe and Asia, studying calligraphy in China and pottery in Japan. In New York during the early 1930s, he associated with Arshile Gorky, John Graham, Chaim Gross, and Moses and Raphael Soyer, and introduced social content into his work. He began to design playgrounds, furniture, and theater decor, executing the first of numerous sets for Martha Graham. During World War II, Noguchi became a political activist and voluntarily spent seven months in 1941–42 at a Japanese-American relocation camp in Arizona. In 1949, he was given a solo show at the Egan Gallery, New York. In Japan in 1950–51, he designed gardens, bridges, and monuments and developed his akari (paper lanterns). He showed at the Stable Gallery, New York, in 1954 and 1959. Noguchi’s first solo show in Paris was held at the Galerie Claude Bernard in 1964. The Whitney Museum of American Art, New York, honored him with a major retrospective in 1968. Throughout the 1970s, Noguchi continued to make large outdoor sculpture and fountains...

Italian Murano glass chandelier in the style of Mazzega with seven tiers of glass hanging on a white coated steel structure, rewired for the US. Extruded, textured glass in light and...

Large Mid-Century Modern flush mount chandelier, or pendant light, by Mazzega, Italy 1970s. The vintage flush-mount is made of chrome mounts and clear & translucent interlocking Mura...

Massive vintage Italian chandelier by Mazzega. Each glass leaf of this piece is handmade in Murano by Mazzega, and is made with chrome striped details. The height mentioned below doe...

Spectacular ceiling light with 5 hand-blown Murano light globes set on a chrome and dark wood base. Creator: Mazzega, Murano. Mazzega is a historic glassware company based in M...

Mazzega Murano glass chandelier with four important smoked and clear glass petals hanging form a chromed steel structure. We love the iconic desig...

Steel frame chrome-plated with one E27 bulb in the middle and our hand blow Mazzega glasses from the 1970's.