O-Luce, Series of Five Adjustable Suspensions, circa 1960, Italy

In the style of Kérylos, Neoclassical suspension, Composed of a multi-layered glass basin with acid-free decoration of antique muses and bronze, circa 1...

Isamu Noguchi (1904-1988), Akari Suspension Model 33N, Washi paper, Edition Ozeki & Co, Ltd. With its original box, United States, circa 1970. Measures: 158 x 40 x 40 cm. Isamu Noguchi was born on November 17, 1904, in Los Angeles. His Japanese father was a poet and his American mother a writer. In 1906, the family moved to Japan. He was sent to Indiana for schooling in 1918, and in 1922 he apprenticed to the sculptor Gutzon Borglum in Connecticut. For the next two years, he was a premedical student at Columbia University, New York, and took sculpture classes at the Leonardo da Vinci Art School, also in New York. Noguchi decided to become an artist and left Columbia in 1925. A John Simon Guggenheim Memorial Foundation Fellowship in 1927 enabled him to go to Paris, where he worked as Constantin Brancusi’s studio assistant. In Paris, he became friendly with Alexander Calder, Stuart Davis, and Jules Pascin. Noguchi returned to New York in 1928 and the following year showed abstract sculpture in his first solo show at the Eugene Schoen Gallery. In 1930, Noguchi traveled in Europe and Asia, studying calligraphy in China and pottery in Japan. In New York during the early 1930s, he associated with Arshile Gorky, John Graham, Chaim Gross, and Moses and Raphael Soyer, and introduced social content into his work. He began to design playgrounds, furniture, and theater decor, executing the first of numerous sets for Martha Graham. During World War II, Noguchi became a political activist and voluntarily spent seven months in 1941–42 at a Japanese-American relocation camp in Arizona. In 1949, he was given a solo show at the Egan Gallery, New York. In Japan in 1950–51, he designed gardens, bridges, and monuments and developed his akari (paper lanterns). He showed at the Stable Gallery, New York, in 1954 and 1959. Noguchi’s first solo show in Paris was held at the Galerie Claude Bernard in 1964. The Whitney Museum of American Art, New York, honored him with a major retrospective in 1968. Throughout the 1970s, Noguchi continued to make large outdoor sculpture and fountains...

Venini, white opaline luster, black glass, circa 1960, Italy. Height 87 cm, diameter 70 cm.

Alessandro Mazzucotelli, luster, iron, signed, circa 1900, Italy. Measures: Height 120 cm, diameter 60 cm.

Marcel Wanders, Skygarden pendant lamp, shiny white aluminum covered with white plaster, sculpted Edition Flos, circa 2000, Holland, Netherlands. Height 46 cm, diameter 91.5 cm. Fan...

Pair of headboard, iron, circa 1960, France. Measures: Height 2m, width 1m05, depth 30 cm, seat height 47 cm.

Pair of 1960s Tito Agnoli Glass & Metal Suspension Lamps for O-Luce. These iconic pendants are executed in metal with two pressed glass elements ingeniously held together by curved s...

1960s Tito Agnoli Model #4409 Suspension Lamp for O-Luce. These iconic pendants are executed in metal with two pressed glass elements ingeniously held together by curved sculptural s...

Made in Italy, 1954. It features brass elements and a cylinder plexiglass diffuser. This pendant shows its original patina, but on request we can polish the brass. It is a vintage i...

Elegant brass and molded glass pendant that appears to be a variation of the model designed by Tito Agnoli for O-Luce, excellent patina and good overall condition.

Five globe ceiling lights, hand cut-glass on the side and in the middle magnifying glass on metal base.

Five pendants by Venini, Italy, circa 1960s with original glasses Original condition Price and sale per piece.