19th Century English Dental Surgeon Floor Lamp, circa 1880

ABOUT Quart is a reading or directional Walnut floor lamp with a swiveling black shade that can be directed as needed. Comprised of a simple cylindrical shade, its minimal footprint...

ABOUT Contact us for more shipping options: S16 Home San Francisco. An adjustable industrial stage light table lamp or floor lamp on wooden camera tri...

ABOUT An original 19th century Mexican folk retablo. Oil paint on tin. Subject unknown. CREATOR Unknown. DATE OF MANUFACTURE c.1880. MATERIALS AND TECHNIQUES Oil Paint on Tin. CONDITION Good. Wear consistent with age and use. DIMENSIONS H 14 in. W 10 in. HISTORY Retablos, better known as 'laminas' in Mexico, are small oil paintings on tin, wood and sometimes copper which were used in home altars to venerate the almost infinite number of Catholic saints. The literal translation for 'retablo' is 'behind the altar.' This unique genre of art, deeply rooted in European history, was brought to Mexico with the arrival of the Spanish and then ultimately adopted by New World mestizo natives to become what is known today as the Mexican folk retablo. The retablo was an art form that flourished in post conquest Mexico and then ultimately, with the introduction of inexpensive mediums such as tin, reached its pinnacle of popularity in the last quarter of the 19th century. With some exceptions, mostly untrained artists from the provinces worked to produce and reproduce these sacred images; some subjects painted more prolifically than others. A typical "retablero" may have reproduced the same image hundreds, if not thousands of times in his or her career. These oil paintings were sold to devout believers who displayed them in home altars to honor their patron saints. There are virtually hundreds of saints, each invoked to remedy a different situation. "San Ysidro Labrador," the patron saint of farmers, is venerated for good weather...

ABOUT Contact us for more shipping options: S16 Home San Francisco. An original adjustable industrial steampunk studio stage light floor lamp. Studio light has thick glass and a B...

ABOUT This is an original pair of leather wrapped expandable binoculars. "LeMaire Fabt Paris" is embossed on each eyepiece. The lens expand out to sharpen the view. The binoculars...

ABOUT An original 19th century Mexican folk retablo "Veronica's Veil" or "El Divono Rostro" in Spain . Oil paint on tin. The Veil of Veronica, known in Italian as the Volto Santo or Holy Face, is a Roman Catholic Relic which, according to legend, bears the likeness of the Face of Jesus that was imprinted on it prior to Jesus' crucifixion. According to Roman Catholicism, Saint Veronica encountered Jesus in Jeruselum on the way to Calvary. When she paused to wipe the sweat (Latin, suda) off his face with her veil, his image was left on the veil. In the small village of Osa de la Vega in Spain, there lived a couple who led a very pious life. They were Gregorio de la Torre and Isabel Corral. From their father, Juan Montilla, they inherited a picture of the Face of Jesus or the Divino Rostro. A story that is told one day, to the amazement of many who confirmed its veracity, the picture began to perspire with living blood. News of this extraordinary event spread swiftly and widely throughout the land. CREATOR Unknown. DATE OF MANUFACTURE c.1880. MATERIALS AND TECHNIQUES Oil Paint on Tin. CONDITION Good. Wear consistent with age and use. DIMENSIONS H 14 in. W 10 in. HISTORY Retablos, better known as 'laminas' in Mexico, are small oil paintings on tin, wood and sometimes copper which were used in home altars to venerate the almost infinite number of Catholic saints. The literal translation for 'retablo' is 'behind the altar.' This unique genre of art, deeply rooted in European history, was brought to Mexico with the arrival of the Spanish and then ultimately adopted by New World mestizo natives to become what is known today as the Mexican folk retablo. The retablo was an art form that flourished in post conquest Mexico and then ultimately, with the introduction of inexpensive mediums such as tin, reached its pinnacle of popularity in the last quarter of the 19th century. With some exceptions, mostly untrained artists from the provinces worked to produce and reproduce these sacred images; some subjects painted more prolifically than others. A typical "retablero" may have reproduced the same image hundreds, if not thousands of times in his or her career. These oil paintings were sold to devout believers who displayed them in home altars to honor their patron saints. There are virtually hundreds of saints, each invoked to remedy a different situation. "San Ysidro Labrador," the patron saint of farmers, is venerated for good weather...

This is a beautiful and massive floor lamp suitable to any study with period furniture. The lampshade's fabric on the pictures is just for illustration, you can customise the fabric ...

19th century, brass floor lamp with a very useful polished mahogany side table, perfect for beside a chair as shown. Beautifully detailed,...

Midcentury industrial aluminium, surgeons operating theatre floor lamp, circa 1950 English makers name 'Unicol Oxford England', made from aluminium...

19th century zinc pricket sticks converted to floor lamps. New custom shades and wiring. The custom parchment shade is 11.5' in height and 20.5" in diameter.

19th century French giltwood floor lamp. Finely details throughout. Newly wired.

Vintage French bronze floor lamp designed and manufactured in France circa 1900s. This fantastic floor lamp features a solid bronze frame with a unique leaf design surrounding the li...