Floor Lamp by Severin Hansen Jr.
View Similar Items
Want more images or videos?
Request additional images or videos from the seller
1 of 8
Floor Lamp by Severin Hansen Jr.
About the Item
- Creator:Severin Hansen Jr. (Designer)
- Dimensions:Height: 60 in (152.4 cm)Width: 32 in (81.28 cm)Depth: 12 in (30.48 cm)
- Style:Mid-Century Modern (Of the Period)
- Materials and Techniques:
- Place of Origin:
- Period:
- Date of Manufacture:1950s
- Condition:
- Seller Location:Antwerp, BE
- Reference Number:1stDibs: LU93341986372
About the Seller
4.8
Gold Seller
These expertly vetted sellers are highly rated and consistently exceed customer expectations.
Established in 2008
1stDibs seller since 2012
983 sales on 1stDibs
Typical response time: 10 hours
More From This SellerView All
- Chrome Floor Lamp by Goffredo Reggiani, Italy, 1970sBy Goffredo ReggianiLocated in Antwerp, BEGoffredo Reggiani; Italian Design; Modernist; Modern; 1970s; Italy; Chrome floor lamp by Italian designer Goffredo Reggiani, a true masterpiece that combines functionality with fasc...Category
Vintage 1970s Italian Modern Floor Lamps
MaterialsChrome
- Contemporary Floor Lamp by Koos Breen, Netherlands, 2018By Koos BreenLocated in Antwerp, BEFloor lamp by Koos Breen, a standout creation featured at READY, SET, GO! Presented by Better Know As Collective during the prestigious Salone Del Mobile, Milan 2018. Crafted from pu...Category
2010s Dutch Modern Floor Lamps
MaterialsAluminum
- Functional art Floor Lamp "Open Eyes" by Lionel JadotBy Lionel JadotLocated in Antwerp, BEOpen eyes floor lamp by Lionel Jadot. Functional art; Lionel Jadot; Belgian art Born in Brussels in 1969, Lionel Jadot is an interior designer, artist, designer, filmmaker, adventurer. But all at once, preferably. Lionel Jadot is firing on all cylinders. ‘I never throw anything, I pick up everything. Not having a green thumb, I’m trying cuttings, weddings against nature. I never forget a line.’ He’s inviting us in subtle, off-beat worlds, on the edge of reality. Its material is made of dilated time. A wandering spirit, he seeks a protective balance in a hostile world. It is his constant questioning: what happens to the place where we live? For Lionel Jadot, everything is object, everything is history. He draws from other places, other times, and seeks what’s linking them. He sews, stitches, unpicks, blends materials, combines eras. He will enshrine some wood essence in metal, some mineral in a plant, the old in the new. ‘I take extra care to the joint between two materials.’ With him, there is always some play in the parts, as in a piece of machinery. From a kingdom to another, he provokes organic, viral growths, generating energy. Linking past and future, he never forgets a line. ‘I accumulate them.’ He’s inviting us in subtle worlds, off-beat, on the edge of reality. Are we in 1930 or in 2030? Both, no doubt. Its material is made of dilated time. The eye goes hand in hand with the ear. ‘When I walk into a place, I listen to the good (or bad) it does to me. An ineffable feeling.’ He recreates mutant buildings, like the future Royal Botanique, a 5 stars hotel housed in the Church of the Gesu, a former convent behind a 1940 façade. He talks about a ‘hotel object’, which he holds and turns around in his hand. A wandering spirit, he’s flirting with retro-futurism. The Jam, another hotel, is intended for urban travelers, fans of swiftness, fluidity and hospitality. He designs interiors as a set of objects: a motorcycle cut in concrete becomes a bar counter. He finds gothic cartoon echoes, from the likes of Moebius, Alejandro Jodorowsky, Enki Bilal, sets from Garage Hermétique and Blade Runner, a protective balance in a hostile world. Discovering Jadot’s little cosmos of collected and accumulated goods, it becomes clear that every element has its own story. I tried to collect them and in turn, devour them in the coming paragraphs. But first: the show is best experienced seated, barring the distinction between object of use and object of attention, they invite for different types of conversation. The seats, chairs, thrones all make us think of our own physical comportment, and of how the seat lends grandeur to the person sitting on it, by crowning its presence. The crackling floor, the felt walls and the diffuse light slow you down into an oddly absorbing environment, in which you are left puzzled. In the eclectic collages of objects, bits and pieces collected all over the world come together in ways practical, and logical, though possibly only in the artist’s mind. All his finds eventually seem to fall into place. Starting with the mere conception of a chair, rather than with a set-out plan or sketch, the works are intuitively construed out of an archive that one can only imagine the dimensions of. Things forgotten by others, precious for him, were all once designed for their own purpose. Here they find their fit as a base, a closing system or a balancing element. The first piece that opens the exhibition, the most throne-like of all seats in the show, builds around a chair of his grandmother, protected by mops, and harassed with bed springs. As you enter the space, you pass by a shell leaning over a yellow seat that stems from his old Mustang, and find a white stool piece with Mexican leather dog training whips, the white building blocks of which turn out to be dried molding material, as found and broken out of a bucket by workers every morning. Further, the stone piece that reminds one of the stone age, is indeed made of 400 million old rocks, and the soft seats are lent from construction, where these strokes of textile carry up the heaviest goods. In the corner, but as you walk this walk please be seated on any of the thrones and experience the work for a moment, the green fluffy cover is made by XXXX who remakes cartographies of warzones, one of which is here mounted on a flexible fishing chair. On an experience level, the conversation chair enhances self-confidence, while putting you literally in a good spot with the person you’re conversing with. The lamp perfectly shows the playful Cadavre Exquis...Category
2010s Belgian Post-Modern Floor Lamps
MaterialsBrass
- Lacquered Burl Floor Lamp by Paul Michel, Belgium, 1980sBy Paul MichelLocated in Antwerp, BETwo-tone tall floor lamp by Paul Michel, crafted with birds eye maple veneer and cream lacquer. Michel's design philosophy is rooted in the art of minimalism, where every element ser...Category
Vintage 1980s Belgian Modern Floor Lamps
MaterialsLacquer
- Travertine and Brass Floor LampsLocated in Antwerp, BEMaison Jansen, travertine, brass and chrome, France, 1970s These tall lamps in travertine brass and chrome can be used as floor lamps or as table lamps due to their size. Both la...Category
Vintage 1970s French Hollywood Regency Floor Lamps
MaterialsTravertine, Brass, Chrome
$4,400 / set - Louis Kalff Rare Floor Lamp Model ‘NX29’ by PhilipsBy Louis Kalff, PhilipsLocated in Antwerp, BEPhilips, Louis Christiaan Kalff, ‘NX29’ floor lamp, post-war Industrial dutch historic design. Rare piece from the 1950s, the Netherlands.Category
Mid-20th Century Industrial Floor Lamps
MaterialsMetal, Steel
You May Also Like
- Floor lamp ‘Bridge’ designed by Severin Hansen Jr. for Haslev Möbler, DenmarkBy Haslev Mobelsnedkeri, Severin Hansen Jr.Located in Stockholm, SEFloor lamp ‘Bridge’ designed by Severin Hansen Jr. for Haslev Möbler, Denmark, 1950s Beech. This Danish floor lamp ‘Bridge’ was designed by Severin Hansen in the 1950s. The white s...Category
Vintage 1950s Danish Mid-Century Modern Floor Lamps
MaterialsPlastic, Beech
- Floor lamp ‘Bridge’ designed by Severin Hansen Jr. for Haslev Möbler, DenmarkBy Severin Hansen Jr.Located in Stockholm, SEFloor lamp ‘Bridge’ designed by Severin Hansen Jr. for Haslev Möbler, Denmark, 1950s. Beech and plastic shades. This Danish floor lamp ‘Bridge’ was designed by Severin Hansen in th...Category
Vintage 1950s Danish Mid-Century Modern Floor Lamps
MaterialsPlastic, Beech
- Danish Severin Hansen Jr. Bridge Tripod Floor Lamp with Le Klint Shade 1950sBy Haslev Mobelsnedkeri, Severin Hansen Jr.Located in Aarhus C, DKSeverin Hansen Jr. tripod brige floor lamp made by Haslev Møbelsnedkeri in Denmark in the 1950s The lamp base is made of stained beech with brass fittings mounted with the original h...Category
Vintage 1950s Danish Scandinavian Modern Floor Lamps
MaterialsPlastic, Beech
- Danish Modern 1950s Severin Hansen Tripod "Bridge" Floor LampBy Severin Hansen Jr., Haslev MobelsnedkeriLocated in Esbjerg, DKImportant floor lamp model "Bridge" by Danish designer Severin Hansen made at Haslev Furniture in the 1950s. The lamp base and stem is made of beautiful beech with brass details. The...Category
Vintage 1950s Danish Scandinavian Modern Floor Lamps
MaterialsBeech
- Danish Modern 1950s Severin Hansen Tripod "Bridge" Floor LampBy Severin HansenLocated in Odense, DKImportant floor lamp model "Bridge" by Danish designer Severin Hansen made at Haslev Furniture in the 1950s. The lamp base and stem is made of beautiful stained beech with brass deta...Category
Vintage 1950s Danish Scandinavian Modern Floor Lamps
MaterialsBeech
- Sculptural White Tripod "Bridge" Floor Lamp by Severin Hansen, Denmark, 1950'sBy Severin HansenLocated in Odense, DKRare and important floor lamp model "Bridge" by Danish designer Severin Hansen made at Haslev Furniture in the 1950s. The lamp base and stem is made of white lacquered beech with cop...Category
Vintage 1950s Danish Scandinavian Modern Floor Lamps
MaterialsBeech
Recently Viewed
View AllMore Ways To Browse
Laurel Lamp Company Floor Lamp
Jaume Sans
Timeless Floor Lamp
Mid Century Modern Jacques Adnet
Fold Floor Lamp
Adnet Brass Lamp
Vintage Industrial Adjustable Lamp
Roche Bobois Screen
Laurel Teak Floor Lamp
Copper Torchiere Floor Lamp
Bagues Bamboo Standing Lamps
Bent Wood Midcentury Floor Lamp
Italian Chrome Arc Floor Lamp
Lumina Zelig Terra
Pharmacy Floor Lamp Casella
Pirellone Lamp
Ponti Pirellone
Schiaparelli 2022