Angelo Brotto, "Oceano" Panel, Glass of Murano, Production Esperia, circa 1974

Angelo Brotto Style, Esperia Edition, Table lamp, White leather and golden brass, With lampshade, Signed Esperia (Edition), circa 1980, Italy, Measures : Height: 101 cm, leather ba...

Pair of sconces "Commedia dell'arte", Gilt iron, decorated with a theatrical mask, lyre and foliage France, circa 1960. Measures: Height 49.5 cm, width 41 cm, depth 12 cm.

Gaetano Pesce, wall sconce, Meritalia production, edited by "The Pesce," polyurethane resin, circa 2000, Italy, piece unique. Measures: Height 80 cm, diameter 80 cm, depth 11 cm....

Toni Cordero, candleholders, metal and enamelled copper, stone base. Production Studio Del Campo, circa 1980, Italy. Height: 77 cm, diameter: 10 cm.

Emilio Terry style, pair of lamps, white opaline glass and metal, circa 1970, France. Measures: Height 53 cm, diameter 10 cm.

Jean Da Milano (1928-2017), Abstract composition, Oil on paper, Signed lower right, N° 844-74, n° 493, 1974, France. Measures : Height 65,5 cm, Width 50 cm. Jean Da Milano is an abstract painter from Nice who was cradled by the rich breeding ground of the School of Nice and its artists. Active from the 1960s to the 2008s, his works were forgotten and rediscovered by the HARTER Gallery, which today highlights his touch. According to Agnès Roux, Honorary Secretary for Culture, “Jean Da Milano is one of those modest painters who knew how to develop abstract painting alongside his contemporaries. In an infinite world, the kinetic object on an astral background gradually transforms into a pictorial relief, where the painting falsely becomes painting and invisibly paper. The humility of its formats does not give the work the fullness it deserves. But the almighty gaze of the spectator engenders the feelings and sensations of a cosmogonic painting steeped in universality ". We indeed observe in his work an evolution which begins with an almost cosmic painting in the 70s, then what we could qualify as “implosions” in the 80s and finally, a real research on paper and pictorial relief. in the 2000s. According to Georges Braque "Everyone is a creator, the viewer is himself a creator, it is the way of seeing that gives life to the object. " Personal exhibitions: - 1992: Golden Gallery Nice - 1988: Acropolis Nice - 1982: Municipal Gallery Renoir Nice - 1977: Municipal Museum Saint-Paul-de-Vence Collective exhibitions: - 1992: Golden Gallery - 1991: Golden Gallery - 1990: Golden Gallery - Art Jonction - 1989: Nice university center - 1987: Acropolis - 1985: Chapel of Mercy Vallauris - 1984: CIAC Paris and Chapelle des Pénitents in Péone - 1983: Art Expo Dallas Texas and Art Expo New York - 1980: Galerie Waterlot Nice - 1971: Necrolium Nice - 1970: Maison de la Culture Magnan Nice and Musée de la Salle Marine Nice - 1969: Galerie Le Nombre d´Or Nice - 1968: Musée de la Salle Marine Nice and Galerie Salmon Nice - 1966: Paul Langevin Biot school group - 1965: Chapelle St Esprit...

Luminous wall sculpture composed of a box element in polished and satin stainless steel. Arranged in the center irregular elements in Murano glass in shades of blue.

Elegant large pair of italian wall sconces made of bronze and Murano glass in the 1960s by Esperia, designed by Angelo Brotto. Gem from the time. A real eye-catcher even unlit. Mea...

Rare light panel designed by Angelo Brotto and produced by Esperia in the mid-1970s, '70s. Decoration done by overlapping Murano glass "tongues," single light source in the center. S...

Mid-Century Modern pair of sconces by Angelo Brotto for Esperia in clear and green handblown Murano glass. Each holds one Bul.

Pair of sconces by Angelo Brotto for Esperia. Designed and manufactured in Italy, circa 1960. Lacquered metal, brass, custom brass backplates and opal methacrylate. Original label. W...

Space Age pair of sconces by Angelo Brotto for Esperia in stainless steel and Murano glass, each holds two lightbulbs.