Pair of Wall Lamps "Rombo" by Miguel Milá, Spain, 1980

Very nice pair of fase wall lights designated and produced in Spain in the 80s. Rotating structure in white metal. Unique object that will illuminate wonderfully and bring a real des...

Very beautiful pair of "ears of corn" wall lights by idearte designed and produced in Spain in the 80s. Smoked glass and gold metal structure in the shape of golden ears of corn. Uni...

Very beautiful idearte wall lamp designed and produced in spain in the 80s. Smoked glass and silver metal structure in the shape of ears. Unique design object that will illumin...

Very beautiful pair of floral wall lamp designated and produced by ferro arte in Spain in the 1960s. Structure in gilded metal with leaf representing ...

Very pair of wall lamps in the memphis style, designated and produced in spain in the 1970s. Smoked glass and metal structure. Unique object that will illuminate and bring a real des...

Very nice pair of glass wall lamps designated and produced by peris andreu in spain in the 1970s. Wall lamps composed of a thick cut crystal and a black metal structure. Unique...

Max Bill model wall lamp designed by Miguel Milá in 1964, produced by Tramo. Lampshade with two overlapping methacrylate layers, white color inside, cherry outside. Structure in poli...

Pair of clamp wall or table light. Miguel Milá for TRAMO Spain, 1970s White lacquered metal with black accents on the frontal part. The lampshade swivels on the clamp allowing ro...

Wally aplique lamp designed by Miguel Mila. Manufactured by Tramo (Spain), circa 1962. Metal structure and plastic shade. In good original condition, with minor wear consistent with age and use, preserving a beautiful patina. Miguel Milá represents like no other person Spanish contemporary design. He belongs to the Pioneer's generation of the 1950s and has seen how many of his pieces of furniture and lamps have become real classics. Miguel Milá was born in a Catalan aristocratic family with strong links with the artistic world (his ancestors assigned the Milá House, also known as La Pedrera, to Gaudí) and started working as an interior designer in the architecture studio of his brother Alfonso Milá and Federico Correa. It was the end of the 1950s, a time of crisis when Spain hardly knew what Industrial Design was. There was practically no industry, everything was generally handmade. This framework marked the way Miguel Milá understood design, being sensitive to the pleasure of touching and closer to traditional techniques. Despite the shortage of objects, means and raw materials of the time, Miguel Milá started designing lamps and furniture, that he soon manufactured in his own company, Tramo. Miguel Milá set up this company with two friends, architects F. Ribas Barangé and E. Pérez Ullibari. This is how Miguel Milá got involved with Industrial Design. Out of Tramo, apocopation of Trabajos molestos (annoying works, that is, all the things little brothers have to do), many projects came out. For instance, he developed the previous versions of the famous TMC and TMM lamps (1958 and 1961), timeless Classic designs that are still selling nowadays. Sometime after, he set up his own Industrial and interior design studio. Miguel Milá participated with the designers and architects of that period in the first meetings in Barcelona to discuss on modernity in architecture, out of which came the question of how to promote design and implant its professional practice. These meetings culminated in the foundation of the ADI-FAD, together with Antoni de Moragas, André Ricard, Bohigas, Cirici Pellicer, Manel Cases and Rafael Marquina. From its beginnings, this association sought to foster Spanish design abroad, and to make a connection between young Spanish professionals and international design. "I am in reality a pre-Industrial designer- has Milá stated. I feel more comfortable with the technical procedures that allow correcting failures, experimenting during the process, and controlling it to the maximum. That is where my preference for noble materials comes from, the preference for materials that know how to age." This is the case, among others, of the wooden Cesta lamps...

Big Wally aplique lamp designed by Miguel Mila. Manufactured by Tramo (Spain), circa 1962. Metal structure and plastic shade. In good original condition, with minor wear consistent with age and use, preserving a beautiful patina. Miguel Milá represents like no other person Spanish contemporary design. He belongs to the Pioneer's generation of the 1950s and has seen how many of his pieces of furniture and lamps have become real classics. Miguel Milá was born in a Catalan aristocratic family with strong links with the artistic world (his ancestors assigned the Milá House, also known as La Pedrera, to Gaudí) and started working as an interior designer in the architecture studio of his brother Alfonso Milá and Federico Correa. It was the end of the 1950s, a time of crisis when Spain hardly knew what Industrial Design was. There was practically no industry, everything was generally handmade. This framework marked the way Miguel Milá understood design, being sensitive to the pleasure of touching and closer to traditional techniques. Despite the shortage of objects, means and raw materials of the time, Miguel Milá started designing lamps and furniture, that he soon manufactured in his own company, Tramo. Miguel Milá set up this company with two friends, architects F. Ribas Barangé and E. Pérez Ullibari. This is how Miguel Milá got involved with Industrial Design. Out of Tramo, apocopation of Trabajos molestos (annoying works, that is, all the things little brothers have to do), many projects came out. For instance, he developed the previous versions of the famous TMC and TMM lamps (1958 and 1961), timeless Classic designs that are still selling nowadays. Some time after, he set up his own Industrial and interior design tudio. Miguel Milá participated with the designers and architects of that period in the first meetings in Barcelona to discuss on modernity in architecture, out of which came the question of how to promote design and implant its professional practice. These meetings culminated in the foundation of the ADI-FAD, together with Antoni de Moragas, André Ricard, Bohigas, Cirici Pellicer, Manel Cases and Rafael Marquina. From its beginnings, this association sought to foster Spanish design abroad and to make a connection between young Spanish professionals and international design. "I am in reality a pre-Industrial designer- has Milá stated. I feel more comfortable with the technical procedures that allow correcting failures, experimenting during the process, and controlling it to the maximum. That is where my preference for noble materials comes from, the preference for materials that know how to age." This is the case, among others, of the wooden Cesta lamps...

Amigo wall lamp by Gonzalo Milá, Miguel Milá Dimensions: D 41 x H 7 cm Materials: Metal, methacrylate. An opaque central disc houses a LED light source protected by a translucen...

Americana wall lamp by Miguel Milá Dimensions: D 38 x W 25 x H 26.5 cm Materials: Metal, linen. The Americana series is built around a glossy nickel rotating arm holding a white linen shade. The arm swivels nearer or further away from its wall fitting, in an evocation of the harmonic motion of swing...